In Michelangelo Antonioni’s classic of Italian cinema, two lovely young women, Claudia and Anna, join the latter’s lover, Sandro, on a boat trip to a remote volcanic island. When Anna goes missing, an extensive search is launched. In the meantime, Sandro and Claudia become involved in a romance despite Anna’s disappearance, though the relationship suffers from the guilt and tension brought about by the looming mystery.

TRAILER TRAUMA was only the beginning – now you must prepare yourself as a fresh assault of gruesome ghouls leaps off of the screen and into the driver’s seat! Return to the horrific heyday of drive-in theaters and dusk-till-dawn spook shows with TRAILER TRAUMA 2: DRIVE-IN MONSTERAMA, a celebration of psychotronic cinema and monster movie mayhem! This disc has it all: campy classics (WAR OF THE GARGANTUAS, THE BOY WHO CRIED WEREWOLF), Hammer Films favorites (CAPTAIN KRONOS: VAMPIRE HUNTER, FRANKENSTEIN AND THE MONSTER FROM HELL), absolute absurdities (BRAIN OF BLOOD, THE COMPUTER KILLERS), and much, much more! Featuring commentary by genre aficionados Keith Crocker and George Reis (dvddrive-in.com) and digitally mastered from vintage 35mm film sources, TRAILER TRAUMA 2 is a mutant movie massacre destined to blow your mind and eat you ALIVE! 95 RARE AND HARD-TO-FIND TRAILERS MASTERED IN HD… MANY FOR THE FIRST TIME ANYWHERE! NEARLY 3.5 HOURS OF MONSTROUS MAYHEM!

The images could be taken from a science fiction film set on planet Earth after it’s become uninhabitable. Abandoned buildings – housing estates, shops, cinemas, hospitals, offices, schools, a library, amusement parks and prisons. Places and areas being reclaimed by nature, such as a moss-covered bar with ferns growing between the stools, a still stocked soft drinks machine now covered with vegetation, an overgrown rubbish dump, or tanks in the forest. Tall grass sprouts from cracks in the asphalt. Birds circle in the dome of a decommissioned reactor, a gust of wind makes window blinds clatter or scraps of paper float around, the noise of the rain: sounds entirely without words, plenty of room for contemplation. All these locations carry the traces of erstwhile human existence and bear witness to a civilisation that brought forth architecture, art, the entertainment industry, technologies, ideologies, wars and environmental disasters.

Loving documentary about the invisible hand that brings light in the cinema: the projectionist. Momentarily, his booth is at the centre of this film, which primarily looks back on the time when you could still touch film images. “Do pay attention to that man behind the curtain!”

A documentary exploring the importance of revival cinema and 35mm exhibition – seen through the lens of the patrons of the New Beverly Cinema – a unique and independent revival cinema in Los Angeles.

From acclaimed director Michael Apted (The Up Series, Masters of Sex, The World is Not Enough) comes a revealing look at the art of filmmaking and photography. A journey of glass, the documentary explores the relationship between the artisans who create camera lenses and the masters of light who use these lenses to capture their beloved art form. Bending the Light features never-before-seen footage from inside a premier Japanese lens factory, intimate interviews with lens engineers, and a peek into the world of award-winning photographers and cinematographers Stephen Goldblatt, ASC, BSC, Greg Gorman, Simon Bruty, Laura El-Tantawy, and Richard Barnes.

Follow TGR’s modern day athletes on this cinematic voyage through Alaska’s awe-inspiring expanse, rich history, and colorful characters. Watch as the TGR crew ventures from AK training grounds Jackson Hole, WY, and Pemberton, BC, and delves deep into the Alaskan way of life during a record snowfall year in AK, skiing terrain most of us only dream about. On Location: Jackson Hole, WY / Valdez, AK / Haines, AK / Anchorage, AK / Whittier, AK / Northern Chugach, AK / Valdez Heli Ski Guides / Alyeska Resort / SEABA Heli / Alaska Heli Skiing / Girdwood, AK / Pemberton, BC

The 89th Annual Academy Awards ceremony celebrates the film industry’s best and biggest in cinema for the year 2016 with host Jimmy Kimmel, including awards for best actors, directors, songs, original screenplays and motion picture.

What does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimacy no previous film about the conflict in Afghanistan has been able to achieve. It is a masterpiece in the cinema of war.

Clark Kellogg is a young man starting his first year at film school in New York City. After a small time crook steals all his belongings, Clark meets Carmine “Jimmy the Toucan” Sabatini, an “importer” bearing a startling resemblance to a certain cinematic godfather. When Sabatini makes Clark an offer he can’t refuse, he finds himself caught up in a caper involving endangered species and fine dining.

Isabel is an actress recent in her 40 years old, unable to get new roles for movies or theaters, since then directors looking for younger women. She is married with the neurotic Ángel, a screenwriter who is working in his next cinema project with Susana, his producer and ex wife. After Isabel, Ángel, Susana and Carlos, Isabel’s first husband, send away to them respective child to a school excursion, Isabel accepts to organize in her house a business dinner for Diego, an important Argentinian actor to negotiate his participation in the movie. During the dinner Carlos appears suddenly with a young girl called Álex, announcing their next wedding and moving to Brasil. But when a little time later Carlos dies unexpectedly, Ángel and Susana suspects of the guilty of Isabel, starting a series of events more maddened each time, along a long night where surprises seems not having end…

This electrifying, swashbuckling sex-adventure takes you on a humorous and mystical journey through haunted seas and deep into the abyss of our most lustful desires… Pirates features deadly swordplay against skeleton warriors, dirty pirate whores, awe-inspiring Incan magic, grandiose sea battles, and 10 of the most arousing sex scenes in the history of erotic cinema!

Ænigma: Lucio Fulci and the 80s takes a look into the twilight years of Lucio Fulci, one of Italian cinemas finest craftsmen; lovingly known as the ‘Godfather of Gore’ by his legion of fans.

The close-knit community of Brackenmore is harboring a secret. After the untimely death of an uncle she never knew she had, Kate (Sophie Hopkins) is forced to return to her ancestral home, a tiny rural village in the South of Ireland. Soon after her arrival she meets Tom (D.J. McGrath), a mysterious young local who helps her to rediscover her long-neglected roots and forget about the anxieties of her life in London. The longer Kate stays in Brackenmore, the more she begins to realize that the eccentricities of its self-protective residents, may be more ominous than she first thought and the secluded family estate is harboring a dark and ancient secret. From the opening scenes of a fateful car crash to the shocking ending Brackenmore weaves its ways under your skin shifting between classic horror to the mysteries of the occult. Cinematographer Justin McCarthy keeps a steady hand as he captures the silent fear that begins to grow as Hopkins uncovers the dark horror that is Brackenmore.

The drama, the story of three childhood friends and a young woman who are torn apart in their fight for freedom, is billed as the first fully-financed film to come out of the Palestinian cinema industry.

Whether you’re a fan of Sydney’s iconic genre film festival A Night of Horror, or just a fan of the best and bloodiest in new horror cinema, you can’t afford to miss this fright-filled anthology. Zombies, demonic entities, self-surgery, cannibalism and more await in the dark corners of this terrifying offering from some of the most talented filmmakers working in the genre today.

Masayuki Asao’s “Flower and Snake 4:Rope Magic” tells the story of the gambler,who is unable to pay his loan.His wife and daughter are kidnapped by Yakuza gang and subjected to many days of torture and sexual degradation.Typically twisted pinku eiga sickie that features lots of nudity,torture and rape.The plot is easy to follow,the acting is okay and the film is well-made and interesting.Overall,if you like Japanese pink cinema you can’t go wrong with this one

Will Proudfoot (Bill Milner) is looking for an escape from his family’s stifling home life when he encounters Lee Carter (Will Poulter), the school bully. Armed with a video camera and a copy of “Rambo: First Blood”, Lee plans to make cinematic history by filming his own action-packed video epic. Together, these two newfound friends-turned-budding-filmmakers quickly discover that their imaginative ― and sometimes mishap-filled ― cinematic adventure has begun to take on a life of its own!

In Drew Xanthopoulos’ intimate and cinematic documentary, we meet Joe, a patriarch whose affliction is so all-encompassing that he’s indifferent to his long-suffering wife; and twin brothers Sam and Nathan, musicians who are no longer able to breathe outside of their real-life sterile “plastic bubble,” and whose mother, Karen, developed her illness when she was only 17. These characters all suffer from debilitating sensitivities to their environment. Whether from ambient chemicals, genetics, electricity, or even psychogenic reasons, the cause is not clear, but the reality of the effects on these individuals is undeniable. Fortunately, Susie Molloy, a quiet firebrand who is chemically sensitive herself, seeks to help. In her, those afflicted by this modern malady have found an advocate whose mission is to de-stigmatize this community, and in telling their stories, Xanthopoulos has crafted a film itself as deeply sensitive as its title suggests. Cara Cusumano

A docu-thriller that sets out to uncover the details surrounding the life, brief career, and mysterious death of horror filmmaker Karl Atticus, referred to by some as the forgotten father of the “slasher movie.” The film includes interviews with various horror historians and aficionados including Eduardo Sanchez (director of The Blair Witch Project), who posits the question: Why, for 40 years, has the story of Karl Atticus been all but eradicated from the annals of cinema history?

Narrated by Benedict Cumberbatch, Walk With Me is a cinematic journey into the world of a monastic community who practice the art of mindfulness with Zen Buddhist master Thich Nhat Hanh.

The New Wave of French horror cinema has arrived and at its vanguard is 14 year-old director Nathan Ambrosioni. Meredith Langston always longed to have children. She finally makes this happen when she adopts two young adolescent girls. However, her now idyllic world sours rapidly and dream veers to nightmare when she quickly finds that she is unable to cope with their increasingly strange behaviour. Desperate, she seeks the help of two journalists working for a local TV programme ‘SOS Adoption’. Unfortunately it is all for nothing, especially when the reporters discover that there is another presence in the house.

Deep Blue is a major documentary feature film shot by the BBC Natural History Unit. An epic cinematic rollercoaster ride for all ages, Deep Blue uses amazing footage to tell us the story of our oceans and the life they support.

The Force presents a cinema vérité look deep inside the long-troubled Oakland Police Department as it struggles to confront federal demands for reform, a popular uprising following events in Ferguson, MO, and an explosive scandal.

The Sad Cafe brings to life the gritty world where cause and effect, life and death, love and hatred play out a delicate balance. A place where unrequited love is the driving force behind closing ourselves off from the world, and is the cause of unrelenting bitterness to the happiness that was taken from us, the happiness we long for. The Sad Cafe is, at its core, a love story…a romance tragic in all aspects. A testimony to the pain people endure in their pursuit for love and companionship. “…intense and impressive … a compelling story of love and crime… [with]…crackling moments of gore and action…” Ain’t It Cool News “…must be seen … a dynamic action thriller from visionary young director Bennie Woodell…” Wildside Cinema

An epic cinematic and musical collaboration between Sherpa filmmaker Jennifer Peedom and the Australian Chamber Orchestra, that explores humankind’s fascination with high places. Narrated by Willem Dafoe.

The lives of an addict, a Luchador, a cartel organ smuggler, and an ex-con collide in this wildly original crime/drama/blacker-than-black comedy/thriller that’s as informed by Mexican subcultures as it is by American cinema.

Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.

THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.

Puppets! Pixels! Anime! Live action! Stock footage!
Lumpennerd Johannes Grenzfurthner gives an ideotaining cinematic revue about important political concepts. Everyone is talking about freedom! Privacy! Identity! Resistance! The Market! The Left! But, yikes, Johannes can’t tolerate ignorant and topically abusive comments on the “Internet” anymore! Supported by writer Ishan Raval, in this film, Johannes explains, re-evaluates, and sometimes sacrifices political golden calves of discourse.
Not to be used with false consciousness or silicone-based lubricant.

n the history of Romanian cinema, Sergiu Nicolaescu’s name stands for “prolific, highly commercial and professional”. At the age of 80, the director launched his latest production, which is also his second comedy in a long row of action and historic films. “Poker” is a cinema adaptation of Adrian Lustig’s theatre play with the same name, and focuses on four male friends, representatives for the social canvas: a doctor without a moral conscience, an unscrupulous politician, a chief of the local mafia, and a businessman who made a fortune in America. Made by MediaPro Pictures, ‘Poker’ looks at immorality and intrigues in politics, hinting at the fact that contemporary Romania is a day to day jungle where strings are pulled by those in power, so everything turns into a poker round, where those who have the right aces in their sleeve can win.

Bold and unsentimental in its portrait of a young man who faces the destruction of the family he struggles to support, Shuttle Life (Fen Bei Ren Sheng) marks a finely crafted feature debut for short-film director Tang Seng Kiat, focusing the spotlight on Malaysian cinema after a very long time in the dark. This hard-hitting social drama features naturalistic performances from pop singer and actor Jack Tan in the main role and Taiwanese actress-director Sylvia Chang as his mentally unstable mother

ZHU from China, as a huge fan of Hong Kong cinema, has always dream of become a cop like in the movies, who unfortunately failed the fitness exam in China’s Police Force selection because of asthma.

The Goalie’s Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders’ long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer’s existence and, like many of Wenders’ films, the overwhelming cultural influence of America in post-war West Germany.

S Is for Stanley is the story of Emilio D’Alessandro, Stanley Kubrick’s personal driver. A friendship that lasted through 30 years of their lives, helped create four cinema masterpieces, and brought together two apparently opposite people, that found their ideal journey companion far away from their homes.

From acclaimed graphic novelist Dash Shaw (New School) comes an audacious debut that is equal parts disaster cinema, high school comedy and blockbuster satire, told through a dream-like mixed media animation style that incorporates drawings, paintings and collage. Dash (Jason Schwartzman) and his best friend Assaf (Reggie Watts) are preparing for another year at Tides High School muckraking on behalf of their widely-distributed but little-read school newspaper, edited by their friend Verti (Maya Rudolph). But just when a blossoming relationship between Assaf and Verti threatens to destroy the boys’ friendship, Dash learns of the administration’s cover-up that puts all the students in danger. Hailed as “the most original animated film of the year” and “John Hughes for the Adult Swim generation”, the film’s everyday concerns of friendships, cliques and young love remind us how the high school experience continues to shape who we become, even in the most unusual of circumstances.

IN PURSUIT OF SILENCE is a meditative exploration of silence and the impact of noise on our
lives. The film takes us on an immersive cinematic journey around the globe—from a traditional
tea ceremony in Kyoto, to the streets of Mumbai, the loudest city on the planet—and inspires us
to both experience silence and celebrate the wonders of our world.

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late ’60s British society. Constructed as a montage of various disconnected political acts (in line with Godard’s then appropriation of Soviet director Dziga Vertov’s agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.

Toronto-based documentary filmmaker and cinematographer Nicholas de Pencier (Four Wings and a Prayer, Watermark) examines the complex global impact that the internet has had on matters of free speech, privacy and activism.

To Hell and Back: The Kane Hodder Story is the harrowing story of a stuntman overcoming a dehumanizing childhood filled with torment and bullying in Sparks, Nevada. After surviving a near-death burn accident, he worked his way up through Hollywood, leading to his ultimate rise as Jason Voorhees in the Friday the 13th series and making countless moviegoers forever terrified of hockey masks and summer camp. Featuring interviews with cinema legends, including Bruce Campbell (Ash vs. Evil Dead), Robert Englund (Freddy Krueger), and Cassandra Peterson (Elvira: Mistress of the Dark), To Hell and Back peels off the mask of Kane Hodder, cinema’s most prolific killer, in a gut-wrenching, but inspiring, documentary. After decades of watching Kane Hodder on screen, get ready to meet the man behind the mask in To Hell and Back – an uniquely human story about one of cinema’s most vicious monsters.