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Cameramen and women discuss the craft and art of cinematography and of the “DP” (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
Still pining for his ex-boyfriend, Géraud has come to a French seaside town to present his new experimental film, but the only person keen on seeing it is the cinema’s underage projectionist who becomes smitten with the handsome director.
Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, ‘Score’ is an aural valentine for film lovers.
Nearly 20 years after his death and in the run-up to his centenary, Toshiro Mifune remains a true giant of Japanese cinema.
Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.
Story of four young monks left alone in their remote monastery in Myanmar. Shot entirely in newly-opened Myanmar with non-actors, the film bridges spirit, cinema, and traditional Burmese storytelling to open a view onto an unseen world.
A meditative, immersive tribute to the astonishing work and achievements of naturalist, inventor and pioneering filmmaker F. Percy Smith. Smith worked in the early years of the 20th century, developing various cinematographic and micro-photographic techniques to capture nature’s secrets in action. Working in a number of public roles, including the Royal Navy and British Instructional Films, Smith was prolific and driven, often directing several films simultaneously, apparently on a mission to explore and capture nature’s hidden terrains. This film is an interpretative edit that combines Smith’s original footage with a new contemporary score by tindersticks to create a hypnotic, alien yet familiar dreamscape that connects us to the sense of wonder Smith must have felt as he peered through his own lenses and seen these micro-worlds for the first time.
An intimate journey through the formative years of [Lynch’s] life. From his idyllic upbringing in small town America to the dark streets of Philadelphia, we follow Lynch as he traces the events that have helped to shape one of cinema’s most enigmatic directors. David Lynch: The Art Life infuses Lynch’s own art, music and early films, shining a light into the dark corners of his unique world, giving audiences a better understanding of the man and the artist.
Four young people, one city. For love or ideal, with funny and faint bewilderment. An original improvisation in Chinese Cinema, a brand new rendering of city life.
Documentary about humans dealing with changing technology, the basic concepts of communication, cinema, and Akerman’s mother, seen in her Brussels apartment.
The story is set in the 1990s in a village and discusses the entry of globalization in there in a satirical manner. Vinayan is a young man, who works as an operator in Sreedevi Talkies, an old ‘C’ class cinema theatre. The owner of the theatre is Madhavan Nair, who is also the godfather of Vinayan. The effects of globalisation start reflecting in the functioning of the theatre.
Torturous chronicles an encounter between an employment counsellor and a professional torture artist, blending gore, humour and irony into a deft cinematic mix.
Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed.
It is the end of an era. Marco, Bissoon and their friends have spent their lives working for a sugar factory that is due to close. Sugarcane is no longer profitable so it will soon be replaced by luxurious villas, golf courses and playgrounds for rich tourists, making this area forbidden for the working class. As their world seems to fall apart around them, some struggle to find their places in their strange new surroundings, while others decide to leave the country. For Bissoon, the closing of the factory brings frustration, emptiness and neo-colonial malaise. Meanwhile Marco gets intrigued by Devi, the wife of the authoritarian man overseeing the demolition of the factory. Continuing his work of putting Mauritius on the cinematic map, David Constantin tells a story of a move from tradition to modernity. In doing so, he offers a view behind the postcard façade of paradise, portraying the world less picture perfect than you might think.
Prominent cinematographer Christopher Doyle continues to hone his talents as a director with this thriller set in Eastern Europe and inspired by the as-yet-unsolved murder of a Polish politician in 2001. A young prostitute is spending the evening with a prominent Polish official when he’s suddenly assassinated in Warsaw. In the aftermath of the hit, the triggerman takes the prostitute to an apartment and subjects her to a complex personality replacement program designed to wipe out any memories she may have retained about the evening’s events.
The history of Italian zombie cinema, beginning with the breakout worldwide influence and success of George Romero’s Night of the Living Dead and continuing through to Lucio Fulci’s trend-setting Zombie Flesh-Eaters (Zombi 2) and its many imitators.
Winner of Indie Fest USA’s Best of Festival Award, FALLING… is award winning actor Michael Zelniker’s directorial debut. Heralded as “brilliant, evocative and touching, an incredible cinematic experience”, FALLING… is an experiment in narrative film making.
This live event, filmed before a delighted, sell-out audience at London’s Royal Festival Hall, and broadcast to cinemas throughout the world celebrates the publication of Stephen Fry’s new volume of memoirs ‘More Fool Me’. A heady tale of the late eighties and early nineties in which Stephen – driven to create, perform and entertain – burned bright, partied hard and damn the consequences…Don’t miss this rare opportunity to see the comedian, actor, presenter, writer and raconteur on stage live.
Philosopher Slavoj Žižek and filmmaker Sophie Fiennes reunites for this follow-up to their hit The Pervert’s Guide to Cinema, using their interpretation of moving pictures to present a compelling cinematic journey into the heart of ideology – the dreams that shape our collective beliefs and practices.
Hot off the heels of Septic Man and Ejecta, genre studio Foresight Features and Pontypool writer Tony Burgess have unleashed the trailer for their third collaboration, and the company’s most ambitious film to date, the horror fantasy throwback HELLMOUTH. A visual mindwarp in the vein of F.W. Murnau meets Tim Burton, HELLMOUTH is director John Geddes’ (Exit Humanity) love letter to an era of forgotten cinema. Veteran actor in over 200 films, Hoser horror hero Stephen McHattie (300) is back, taking on two bigs roles within the film, including the leading role as a dying gravekeeper who must pass through Hell to save the soul of a beautiful woman, (Siobhan Giles Murphy). Full of gothic graveyards and monster mayhem, HELLMOUTH is based on an original screenplay by award-winning punk bard Tony Burgess. The film co-stars Julian Richings (Supernatural), Bruce McDonald (Hardcore Logo), Boyd Banks (Dawn of the Dead), and Ari Millen (Orphan Black).
The story bases on four Finnish brothers, nicknamed ‘the Eura Daltons’ who received nation-wide notoriety for tearing gas pumps apart when they needed cash. The cast is an impressive one: the brothers are portrayed by Peter Franzen, Lauri Nurkse, Niko Saarela and Jasper Pääkkönen while their really evil father is played by Vesa-Matti Loiri, one of the grand old men of Finnish cinema.
Combining extensive filmmaker interviews and rare archival footage, Chuck Workman’s documentary takes us through the life of one of cinema’s greatest masters: Orson Welles.
Inspired by the true story of the first giraffe to visit France, Zarafa is a sumptuously animated and stirring adventure, and a throwback to a bygone era of hand-drawn animation and epic storytelling set among sweeping CinemaScope vistas of parched desert, wind-swept mountains and open skies. Under the cover of darkness a small boy, Maki, loosens the shackles that bind him and escapes into the desert night. Pursued by slavers across the moon-lit savannah, Maki meets Zarafa, a baby giraffe – and an orphan, just like him – as well as the nomad Hassan, Prince of the Desert. Hassan takes them to Alexandria for an audience with the Pasha of Egypt, who orders him to deliver the exotic animal as a gift to King Charles of France.
Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.
In Seoul, the paths of two men and one woman intersect and move apart from one another, centering around their love for cinema. A suicidal student meets a young woman who decides to follow him in his fatal gesture. Coming out of a cinema, Tongsu, an unsuccessful filmmaker, spots a beautiful young woman, and recognizes her : she is the main actress in the film he has just seen. The life of this wavering and distressed young man strangely echoes the one of the young man from the beginning…
Writer/director/star Alex Karpovsky, a familiar face to indie filmgoers, reveals his sterling comic chops in this close-to-the-bone comedy. Teasing the line between fiction and reality, he plays an indie filmmaker named Alex Karpovsky who, dumped by a longtime girlfriend fed up with his refusal to marry, takes to the road with a reluctant old pal for a misbegotten mini tour screening his movie on college campuses and independent cinemas.
A feature length documentary film representing the ‘B’ side to the 2012 release ‘Something from Nothing: The Art of Rap’. A hard hitting story of life and death in South Central Los Angeles. A struggle beyond the nearby Hollywood limelight among people for whom state intervention comes mostly with a siren attached. Amsterdam Film Festival Winner World Cinema Documentary Editing Award 2014.
Young ballad singer Ruadhan watches in distress as the traditional fabric of life in his small Scottish village is inexorably eroded. With fish dying and no jobs on land, the young people are escaping to the cities. Meanwhile, the old people of the town, to whom Ruadhan feels closest and whose traditions he wants to preserve, are dying off. A rich, delicate, and powerful film with superb cinematography and a stirring soundtrack filled with traditional ballad singing.
Once a vibrant part of American culture, drive-ins reached their peak in the late 1950s with almost 5,000 dotting the nation. Although drive-ins are experiencing a resurgence, today less than 400 remain. In a nation that loves cars and movies, why haven’t they survived? April Wright’s lovingly made documentary–filled with archival images of hundreds of open and closed drive-in theaters and interviews with theater owners and cinema luminaries such as Roger Corman–attempts to answer that question.
A harsh dose of cinematic realism about a harsh time-the Bosnian War of the 1990s-Juanita Wilson’s drama is taken from true stories revealed during the International Criminal Tribunal in The Hague. Samira is a modern schoolteacher in Sarajevo who takes a job in a small country village just as the war is beginning to ramp up. When Serbian soldiers overrun the village, shoot the men and keep the women as laborers (the older ones) and sex objects (the younger ones), Samira is subjected to the basest form of treatment imaginable
When his grandfather’s drive-in cinema and home in the outback town of Wyndham is threatened with demolition, a twelve-year-old Aboriginal boy must journey through Australia’s bush country — equipped only with ancient survival skills — to stop the city developers.
Actor and writer Mark Gatiss embarks on a chilling journey through European horror cinema, from the silent nightmares of German Expressionism in the 1920s to the Belgian lesbian vampires in the 1970s, from the black-gloved killers of Italian bloody giallo cinema to the ghosts of the Spanish Civil War, and finally reveals how Europe’s turbulent 20th century forged its ground-breaking horror tradition.
A new feature documentary from Metro-Goldwyn-Mayer Studios, Passion Pictures and Red Box Films. Everything or Nothing: The Untold Story of 007. Directed by Stevan Riley (Fire In Babylon), Everything or Nothing focuses on three men with a shared dream – Bond producers Albert R. Broccoli, Harry Saltzman and author Ian Fleming. It’s the thrilling and inspiring narrative behind the longest running film franchise in cinema history which began in 1962
Magic Tree House is a 2011 Japanese anime drama film based on the American children fantasy series of the same name. The film is directed by Hiroshi Nishikiori, and the film’s screenplay was adapted from the Japanese version of the novel series Magic Tree House by Ichiro Okouchi. The film stars actress Keiko Kitagawa as Jack, and also stars child actress Mana Ashida as Annie. Magic Tree House debuted at the 24th Tokyo International Film Festival on 23 October 2011. It was subsequently released in Japanese cinemas on 7 January 2012.
José Henrique Fonseca crafts an ambitious and long overdue homage to a central icon in Brazil’s 20th century history. Reminiscent of film noir classics, the biopic tells the glorious and tragic story of the legendary football striker Heleno de Freitas. The sumptuous black and white cinematography reflects the chic life of Rio de Janeiro in the 1940s as it fell under the spell of sports royalty. Heleno was no doubt one of the most popular players of his time for his bravura in the field and magnificent goal-scoring that lead the Botafogo team to the top and himself into a vicious downward spiral.
DEFINITION: ‘Celluloid’ – Motion picture film, cinema film. ‘Bloodbath’ – Savage, indiscriminate killing, a massacre. CELLULOID BLOODBATH: MORE PREVUES FROM HELL – the long-awaited sequel to 1987’s horror cult classic, MAD RON’S PREVUES FROM HELL. An awesome collection of 61 over-the-top horror movie prevues, from the golden Grindhouse age, spanning the 1960’s through the 1980’s! Also features commentary from film makers, actors, critics and fans, that make this a true, incredibly entertaining, one-of-a-kind movie-going experience!
It’s the closing night at the last drive-in theater in America and Cecil B. Kaufman has planned the ultimate marathon of lost film prints to unleash upon his faithful cinephile patrons. Four films so rare that they have never been exhibited publicly on American soil until this very night! With titles like Wadzilla, Deathecation, The Diary of Anne Frankenstein, and Zom-B-Movie, Chillerama not only celebrates the golden age of drive-in B horror shlock but also spans over four decades of cinema with something for every bad taste.
First-time directors Andrew Yorke and Kevin Michael invite you on an experimental cinematic journey through the lives of troubled youth in troubling times. When a pregnant women is found dead in a warehouse, all signs point to suicide. But a freelance journalist gets a tip that an eyewitness with a different story is ready to talk. Yorke and Michael immerse viewers into a world beyond normal youthful indiscretion, one that’s dark and safely self-contained until pressures from mainstream society shatter everything. Videotape is a raw, powerful exploration of the darker side of human nature, with crucial questions screaming to be answered.
Welcome to the Grindhouse experience like it was meant to be, killer story lines and themes zig zig across the screen in Grind-O-Vision, a nonstop thrill ride of babes, guns, muscle cars, motorcycle shoot outs, rendezvous with the devil and much more. From “Manhunt” to “Stripper with a Shotgun”, Grindhouse Nightmares is cinema exploitation at its best.
