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Experiential cinema in its purest form, GUNDA chronicles the unfiltered lives of a mother pig, a flock of chickens, and a herd of cows with masterful intimacy. Using stark, transcendent black and white cinematography and the farm’s ambient soundtrack, Master director Victor Kossakowsky invites the audience to slow down and experience life as his subjects do, taking in their world with a magical patience and an other worldly perspective. GUNDA asks us to meditate on the mystery of animal consciousness, and reckon with the role humanity plays in it. Executive produced by Joaquin Phoenix.
Takes the music from the studio to the screen with gorgeous visuals and a sense of heightened reality envisioned by Musgraves and Zeinali and shot by Academy Award-nominated cinematographer Matthew Libatique.
The absorbingly cinematic Ascension explores the pursuit of the “Chinese Dream.” Driven by mesmerizing—and sometimes humorous—imagery, this observational documentary presents a contemporary vision of China that prioritizes productivity and innovation above all.
Poignant stories of homelessness on the West Coast of the US frame this cinematic portrait of a surging humanitarian crisis.
Spain, 1970s. A Clockwork Orange, a film considered by critics and audiences as one of the best works in the history of cinema, directed by Stanley Kubrick and released in 1971, was banned by the strict Franco government. However, the film was finally premiered, without going through censorship, during the 20th edition of the Seminci, the Valladolid Film Festival, on April 24, 1975. How was this possible?
The final chapter of his exceptional 15-part documentary exploring the history of cinema, The Story of Film: An Odyssey. Mark Cousins builds a bridge between the “before” of the health crisis, and the “after”.
Grammy® nominated singer-songwriter Olivia Rodrigo takes a familiar road trip from Salt Lake City, where she began writing her debut album “SOUR,” to Los Angeles. Along the way, Rodrigo recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life. Through new live arrangements of her songs, intimate interviews and never-before-seen footage from the making of the album, audiences will follow Olivia along on a cinematic journey exploring the story of “SOUR.”
In the aftermath of a roadside accident, the line between the living and the dead collapses for a mother, a daughter and a stranger. A family affair, the movie was written, directed and produced by John Adams, Toby Poser, and their daughter, Zelda. They also star, shoot and compose the music for the film. A stunning portrait of resourcefulness, the family filmmaking team capitalizes on their life in the Catskill Mountains to create a unique icy tone. The skeletal forest invokes the atmosphere of dreams and as the film delves into the realm of the avant-garde, its blue-toned cinematography draws us into the sea of the subconscious.
CIA agents Palmer and Gagano are tasked with the perilous mission of destroying “The Soviet Union”! As they enter the system using a VR simulation, their mission quickly turns into a delirious trap far more complex than expected, as the fabric of reality starts unraveling around them. A cornucopia of stylistic influences, virtuosic cinematic techniques, and set design (ranging from stop-motion animation to stylized live-action), Llanso’s latest blends inter-dimensional intrigue, spy-fi, kung-fu, and Philip K. Dick-esque mind-melting weirdness to achieve truly unclassifiable results.
When the B horror movie CHAIN-FACE CLOWN was released in 1985, no one knew the film would one day become a classic, heralded as a cinematic tour de force – Well, at least by a select group of horror movie fans. The film’s biggest fan, 29 year-old EMILY LYNESSA always knew she was going to meet and fall in love with JONATHAN BLAKLEE, mid 40s, the star of CHAIN-FACE CLOWN. For Emily, Jonathan is the perfect soulmate; no other male compares to him. She has idolized him and the film ever since she can remember. Emily has collection of CHAIN-FACE CLOWN memorabilia that would impress even the most ardent fan. But, there is one item she has yet to attain – The real life, breathing Jonathan Blaklee.
Fabienne is a star; a star of French cinema. She reigns amongst men who love and admire her. When she publishes her memoirs, her daughter Lumir returns from New York to Paris with her husband and young child. The reunion between mother and daughter will quickly turn to confrontation: truths will be told, accounts settled, loves and resentments confessed.
At an Austrian boys’ boarding school in the early 1900s, shy, intelligent Törless observes the sadistic behavior of his fellow students, doing nothing to help a victimized classmate—until the torture goes too far. Adapted from Robert Musil’s acclaimed novel, Young Törless launched the New German Cinema movement and garnered the 1966 Cannes Film Festival International Critics’ Prize for first-time director Volker Schlöndorff.
‘Consumed’ is a cinematic journey through the landscapes, mines, factories, and shipyards of Chinese production. Blurring the lines between documentary and fiction, a single worker narrates his story to the rhythm of industrial machinery. The film reveals the hidden world behind our everyday objects, re-framing complex supply chains that feed global desires as a narrative performance played out at a global scale, and investigating the place of the individual within this context.
Ram Dass is one of the most important cultural figures from the 1960s and 70s. A pyschedelic pioneer, author of Be Here Now, beloved spiritual teacher, and outspoken advocate for death-and-dying awareness, Ram Dass is now himself approaching the end of life. Since suffering a life-changing stroke twenty years ago, he has been living at his home on Maui and deepening his spiritual practice — which is centered on love and his idea of merging with his surroundings and all living things. Shot in a nuanced cinematic style, the film is an intimate summary of his life learning and awareness, and is ultimately a poetic meditation on life, death, and the soul’s journey home.
A cinematic portrait of farmer and writer Wendell Berry. Through his eyes, we see both the changing landscapes of rural America in the era of industrial agriculture and the redemptive beauty in taking the unworn path.
A portrait of youth in bloom; a tale of one family’s dissolution; a reflection upon the danger and the mystery in living. Sandrine Bonnaire plays Suzanne, a free spirit and the vessel for an almost Brontëan choler. She’s 16, and men exist — diverse lovers, an overbearing brother, and the father portrayed by director Maurice Pialat himself in an unforgettable turn that displays the full magnitude of the cinema giant’s tenderness, force-of-will, and presence of being.
A fictionalized account of the lives of 1980s Tamil Nadu political icons M. G. Ramachandran and M. Karunanidhi, continuing the tryst between Tamil cinema and Dravidian politics.
Dolours Price, the infamous IRA radical convicted of bombing England’s Old Bailey in 1973, granted a series of revealing interviews in 2010 on the strict condition of their posthumous release. The interviews, brought to life through vividly cinematic reenactments, uncover the birth of her fierce commitment to Irish Republicanism. Price revisits the bombing and the 200-day hunger strike that followed, and discusses her role in the disappearances of some suspected Republican informants. With 2018 marking the 20th anniversary since the signing of the Good Friday Agreement, and 50 years since the start of the Troubles, filmmaker Maurice Sweeney presents an eye-opening portrait of a once passionate, now disillusioned nationalist whose clarity of purpose both inspired allegiance and promised terror for so many.
Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.
Imagine making a feature length film with a budget equal to the cost of a small motorcycle. With a cast and crew of 32 (plus extras) this 86 minute film was shot in 14 days at 12 unique locations within south-east Texas. This is First Step Cinematics LLC’s abridged 86 minute version of Frankenstein’s Monster. The art-house special edition was screened exclusively at over 30 film festivals, science fiction and steampunk conventions across the U.S.A., Canada, and the UK. Frankenstein’s Monster Synopsis: Drama, 86 minutes. A steampunk film adaptation of Mary Shelley’s literary masterpiece. In his obsession over Prometheus’ flame, Victor Frankenstein abandons those he loves to create a living being. Leaving behind his abominable work, Victor hopes to escape judgment and return to a peaceful life. He soon discovers all secrets have their price.
A cinematic mountain-bike film. Featuring some of the sports biggest athletes. The ninth feature from award-winning adventure filmmakers Anthill Films. Return to Earth proves that when we lose track of time, we can make the most of it.
This debut feature from Newfoundland’s G. Patrick Condon (Infanticide, Audition) is an inspired, meta take on the classic “cabin in the woods” horror trope. After squandering the money lent to him by a mysterious cinematic organization, a creatively frustrated writer / director, G. Patrick Condon, played by Stephen Oates (Frontier, Riverhead), has to take matters into his own hands by locking aspiring actress Grace (MJ Kehler) and the rest of the cast of actors in a rented house filled to the brim with security cameras and a script-spitting dot matrix printer. As time moves on, Condon slowly becomes the villain in his own movie by playing off the actor’s need to give the best performances they possibly can, while also satisfying his increasingly sinister demands; even if it kills them. Part Milgram Experiment, part A Cabin in the Woods, G. Patrick Condon’s Incredible Violence will have audiences talking for years to come.
Europe on the verge of social and economic change. A close up into the shaken vision of four couples, daily struggles, fights, kids, sex and passion. A movie about the politics of love. Le cinéma politique fait l’amour.
A ticket-taker at the local cinema believes he is the son of God. He has agreed to decide the eternal fate of everyone he comes in to contact with.
He’s one of the hardest working filmmakers in the genre business…….So what’s HATCHET man Adam Green been up to this past year apart from working on his sit-com ‘Holliston’, writing KILLER PIZZA and prepping EXORCISM ON CROOKED LAKE? The answer is this documentary starting out exploring genre-based monster art and then taking an odd turn into the blurring of fantasy and reality. Because halfway through producing this treatise with cinematographer Will Barratt at his L.A. ArieScope Pictures offices, they are contacted by former policeman William Dekker who claims he can prove that monsters are indeed real. That they live in world just below our own named The Marrow and he knows where one of the entrances to this dark hidden universe is. Green of course is intrigued and so the monster hunting expedition begins… to become something else far more frightening than he ever imagined.
Maverick. Auteur. Rebel. Innovator. Storyteller. Rambler. Gambler. Mad man. Family man. Director. Artist. Robert Altman’s life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. “Altman”, Canadian director Ron Mann’s new documentary, explores and celebrates the epic fifty-year redemptive journey of one of the most important and influential filmmakers in the history of the medium. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Mann’s Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.
This film is a glimpse into the life, love and the unconquerable spirit of the legendary Bruce Lee. From a childhod of rigorous martial arts training, Lee realizes his dream of opening his own kung-fu school in America. Before long, he is discovered by a Hollywood producer and begins a meteroric rise to fame and an all too short reign as one the most charasmatic action heroes in cinema history.
Oh, Ramona! seeks the transformation of Andrew from a teenager into an adult who lives candidly and selflessly his first love story, innocent and uninvolved, alternating with the second, intense and insane story, incapable of making a choice. Oh, Ramona! is the cinematic rewriting of Andrei Ciobanu’s book “Suge-o, Ramona!”.
This pulse-racing real-life adventure follows two of Australia’s greatest surf legends on their quest to hunt down and ride the Pacific’s biggest and most dangerous waves. With 3D cameras installed on their boards, Ross Clarke-Jones and Tom Carroll defy middle age by pushing the limits of what they — and cinema technology — can do. (TIFF)
A group of stick-up kids rob a mafia run strip club and head for the border but when they enter the town of Redstone, they find that crime is a dish best served cold! Kane Hodder (Friday the 13th, Hatchet) takes the title role as Sheriff Slade Sickle, a man with a true appetite for justice! The film co-stars Tiffany Shepis (Nightmare Man, Dark Reel) and Rena Riffel (Showgirls, Mulholland Dr.) in this carnage-filled tribute to American Grind-House cinema. Horror Legend Kane Hodder (Friday the 13th, Hatchet) is Sheriff Slade Sickle, and when a group of stick up kids arrive in his town, they find that justice is a dish best served cold. Expect buckets of blood, bullets and mayhem in this tribute to American Grindhouse. – Written by Anonymous (IMDb)
An American teenager who is obsessed with Hong Kong cinema and kung-fu classics makes an extraordinary discovery in a Chinatown pawnshop: the legendary stick weapon of the Chinese sage and warrior, the Monkey King. With the lost relic in hand, the teenager unexpectedly finds himself travelling back to ancient China to join a crew of warriors from martial arts lore on a dangerous quest to free the imprisoned Monkey King.
With exclusive access to his extraordinary unseen and unheard personal archive including hundreds of hours of audio recorded over the course of his life, this is the definitive Marlon Brando cinema documentary. Charting his exceptional career as an actor and his extraordinary life away from the stage and screen with Brando himself as your guide, the film will fully explore the complexities of the man by telling the story uniquely from Marlon’s perspective, entirely in his own voice. No talking heads, no interviewees, just Brando on Brando and life.
This is a story about two homeless brothers (Zana, 7) and (Dana, 10) who live on the edge of survival. In the beginning of the story they catch a glimpse of Superman through a hole in the wall at the local cinema. Zana and Dana decide that they want to go to America and live with Superman. Once they get there he can solve all their problems, make their lives easy and punish everyone that has been mean to them. Zana, the younger brother, starts to make a list of all people he is going to tell Superman to punish. On top of the list is Saddam Hussein. Dana on the other hand makes a concrete plan for what they need to get there; money, passports, transportation and a way to get across the boarder. Unfortunately they have neither of those. But in spite of everything they decide to follow the dream. Written by Karzan Kader
Dive into our planet’s greatest mysteries with a team of international underwater cinematographers as they explore the breathtaking bond between humanity and the ocean.
Thailand House cinemas attract a lot of tourists, a group of different identities of visitors after a tour of this ghost movie theater floor have suffered a supernatural event, and one after another mysterious death, which led to a very appalled by the Thai horror trip
A concert film documenting Talking Heads at the height of their popularity, on tour for their 1983 album “Speaking in Tongues.” The band takes the stage one by one and is joined by a cadre of guest musicians for a career-spanning and cinematic performance that features creative choreography and visuals.
The Magnificent Seven Deadly Sins is a 1971 British comedy film directed and produced by Graham Stark. Its title is a conflation of The Magnificent Seven and the seven deadly sins. It comprises a sequence of seven sketches, each representing a sin and written by an array of British comedy-writing talent. The sketches are linked by animation sequences. The music score is by British jazz musician Roy Budd, cinematography by Harvey Harrison and editing by Rod Nelson-Keys and Roy Piper. It was produced by Tigon Pictures and distributed in the U.K. by Tigon Film Distributors Ltd..
A River Runs Through is a cinematographically stunning true story of Norman Maclean. The story follows Norman and his brother Paul through the experiences of life and growing up, and how their love of fly fishing keeps them together despite varying life circumstances in the untamed west of Montana in the 1920’s.
“Journey to the Oscars” features in-depth, emotional stories about some of the most notable 2016 Oscar nominees, including Sylvester Stallone, Brie Larson, Bryan Cranston, Sir Ridley Scott and Matt Damon. Using a cinematic, documentary-style approach, the one-hour special focuses on the key moments that have defined each one as an artist and put the nominee on their unique path to Hollywood’s biggest night. Anchored by Robin Roberts
