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When a bus-load of women’s college soccer players get stranded on their way to a bikini car-wash fundraiser, they decide to set-up shop in front of an abandoned gas station on the edge of town. Little do they know the place is the stalking-grounds for a homicidal maniac mechanic named Moe.
35-year-old Morris Bliss (Michael C. Hall) is clamped in the jaws of New York City inertia: he wants to travel but has no money; he needs a job but has no prospects; he still shares an apartment with his widowed father; and the premature death of his mother has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with Stephanie (Brie Larson), the 18-year-old daughter of a former classmate, Morris quickly discovers his static life unraveling and opening up in ways that are long overdue.
A futuristic prison movie. Protagonist and wife are nabbed at a future US emigration point with an illegal baby during population control. The resulting prison experience is the subject of the movie. The prison is a futuristic one run by a private corporation bent on mind control in various ways
Samson and Delilah’s world is small- an isolated community in the Central Australian desert. When tragedy strikes they turn their backs on home and embark on a journey of survival. Lost, unwanted and alone the discover that life isn’t always fair, but love never judges.
The successful artist and playboy Juan is a notorious seducer of women, through his ability to be just what a woman dreams of: Charming, charismatic, strong, sensitive, sexual. Driven by a restless urge to conquer new women, use them, and throw them away, he has hired his friend Leporello to help create a masterpiece: A filmed database of all the women whose dreams Juan has shattered. We follow Juan and Leporello through 24 compressed hours. Juan seduces the young upper-class girl Anna, but ends up accidentally killing her father, a powerful police commissioner. The two friends run away, but Juan’s constant need to seduce new women keeps interrupting their flight. As the police gains in on them, Juan also steals the young bride Zerlina from her groom Masetto, and soon a feverish manhunt is on for Juan.
A small film with a big heart, SECOND HAND WEDDING is a bittersweet dramatic comedy set in the present, in a time when trademe and e-bay threaten the primeval urge for a firsthand crack at the second-hand. Jill keeps the dream alive until she is forced to confront the habits of a lifetime and concede that no bargain is worth her daughter’s happiness. Father of the bride, Brian, quips that Cheryl’s upcoming wedding will be the first time anyone in the Rose family has given something away – and that’s the crux of it.
The Draymen Estate has become an urban legend. Amongst the sinister stories of unsavoury locals and brutal violence, several people have apparently gone missing. Even the police won’t go there. Eter two naive student filmmakers with a well-meaning plan to make a sympathetic documentary of life on the estate. The unlucky duo quickly discovers that problems of drugs and crime in this community go way beyond the norm. This is a community which is about to present the students with material of unimaginable horror – turning their final project int their darkest nightmare.
When her father seemingly goes missing, divorcee Laura LeCrois is forced to return home after a 20-year hiatus. However, home is not the way Laura remembers it. Her father is in major debt with the bank, her ex-boyfriend is the town sheriff, and her ex-husband has quit his job as a world-renowned professor who is now suspiciously buying up swampland in the area. In an effort to save the swamp and to pass the time, Laura decides to work the dying family business giving boat tours of the Louisiana swamp. But on her first sunset tour, deep in the swamp, Laura and her passengers witness two Bayou swamp rats toss a squirming body into a gator pit, only the gators aren’t the ones that feast on the flesh. Instead it’s the most terrifying creature Laura has ever seen…(IMDB,com)
Set in the 1980s, Dom is a teenager who finds himself drawn into the charismatic world of football ‘casuals,influenced by the firm’s top boy, Bex. Accepted by the gang for his fast mouth and sense of humor, Dom soon becomes one the boys. But as Bex and his gang clash with rival firms across the country and the violence spirals out of control, Dom realizes he wants out – until he learns it’s not that easy to simply walk away.
Leroy Lowe, grand dragon of the Texas Ku Klux Klan confronts everything he’s been taught to hate when he’s sentenced to three years of hard labor on a prison work farm, where Warden Merville, dead set on rehabilitating Leroy, chooses Emilio, a Hispanic field worker imprisoned for fighting for labor rights, to be his cell-mate. Leroy, confined in a small cell with the enemy, far from the KKK comrades who deserted him, finds the chatty Emilio slowly chipping away at his anger and prejudice. His weekly rehabilitation meetings with the warden, barely tolerable as the man drones on about farm labor and field crops, take on a different meaning when Madalena, a beautiful Mexican maid is hired to clean the warden’s office. An unconventional love story develops that opens Leroy’s eyes to the possibility of a different life. And a man who was a born and bred racist finds himself heading down a completely different path to salvation.
The whole “zombie thing” has been hyped up so much that everyone thinks it’s the end of the world! Of course, where one man sees the dead rising from the grave, another sees opportunity. Q had a plan: drive the robbery getaway van, deliver everyone to the safe house and get paid – a nice, simple, plan. Unfortunately, life is never really that simple, and to top it all off, this is the first time Q has been a getaway driver. He’s coping pretty well though, considering; TONY (the guy who is ‘in charge’ of the job) is a murderous nut case, DANNY was shot and is now bleeding all over the money in the back of the van, the Sat-Nav has a mind of its own, there’s a guy in the back living up to his name “CRAZY STEVE”, the safe-house already has police at it, and this whole “zombie thing” seems to be quickly becoming more of a “zombie apocalypse thing”…
Klitschko tells the captivating story of the boxing worlds most famous brothers: Vitali and Wladimir Klitschko. From the socialist drill of their childhood in the Ukraine, and their first successes as amateurs, to their move to Germany and subsequent rise as international stars on the verge of holding the championship titles of all five boxing federations (Wladimir secured this with his unanimous World Boxing Association win against David Haye on July 2nd, 2011). Along the way they experience defeats and setbacks, low points and triumphant comebacks as well as conflicts with each other. Exciting conversations with companions and opponents, including the very first with the Klitschkos parents, give insight into their personal lives, plus never-before-seen footage of the draining preparations for a fight, and the spectacular boxing matches. Director Sebastian Dehnhardt composes an intimate and fascinating portrait of two exceptional athletes who are, before all else, brothers.
After Scott has a fight with his father and runs away and when his father refuses to go after him. His mother, Collette, then goes to one of her former boyfriends, Jack, a lawyer, and tells him that he’s her son’s real father. Jack initially refuses. So she goes to another boyfriend, Dale, who goes off looking for Scott. Eventually the two men meet and realize that they are looking for the same boy and that Collette told them they are the boy’s father. What follows is a mad chase, cause the boy doesn’t want to go back.
This darkly comic, genre-bending piece of gonzo journalism from international provocateur Mads Brügger (filmmaker of Sundance Grand Jury Prize winner Red Chapel) rips the corroded lid off the global scheme of political corruption and exploitation happening in one of the most dangerous places on the planet: the Central African Republic. Armed with a phalanx of hidden cameras, black-market diplomatic credentials and a bleeding-edge wit, Brügger transforms himself into an outlandish caricature of a European-African consul. As he immerses himself in the life-threatening underworld of nefarious bureaucrats, Brügger encounters blood diamond smuggling, bribery, and even murder — while somehow managing to crack amazing razor-sharp barbs at every step along the way. From each absurdly terrifying/hilarious situation to the next, The Ambassador is a one-of-a-kind excursion from the man whom The Huffington Post has called “the most provocative filmmaker in the world.”
Something diabolical is taking place on the set of “The Task” a new reality show in which players complete terrifying missions within the confines of an abandoned prison hoping to win a hefty cash prize. As six young students explore their new environment, malicious spirits make their presence known in the most gruesome ways imaginable, Unable to escape the labyrinthine prison, the contestants become unwitting pawns caught at the centre of a blood-soaked night of terror.
Don Knotts and Tim Conway star in The Private Eyes, a 1980 comedy about two bumbling detectives solving a murder. It’s an impressively incompetent affair. Every ancient joke falls with a muffled thud as Knotts and Conway ham their way through the pointless story: The lord and lady of a capacious manor are killed, and the lord’s ghost seems to have returned to knock off the staff one by one. There’
Belka, the amazing flying dog is unexpectedly hurdled into the streets of Moscow when the rocket she is in malfunctions during one of her circus routines. Fortunately the crash leads her to meet a streetwise dog named Strelka and her irredeemable rat friend Venya. Together with other amusing friends found along the way, the three find themselves in a space program-training center where they get sent away in a rocket, leaving planet Earth…
Bud Spencer plays Banana Joe, a brawny yet friendly man who lives in a small rainforest village called Amantido with a huge number of his own children and regularly delivers bananas to a South American river port (hence his name). One day, the henchmen of a local gangster boss named Torsillo come ashore in Amantido to initiate the construction a banana processing plant. Of course, Joe (in typical direct-approach manner) evicts the goons, who promptly return to their boss. Torsillo finds out that Joe is trading bananas without a license and decides to exploit it. Upon his next delivery, Joe is apprehended by the police and given the choice of either acquiring a legal license or getting his boat taken away and himself arrested for illegal shipment. Joe travels to the nearest city, which to him is a new world, as he grew up in the rainforest.
On 17-year-old Kate’s last weekend in town, she and her friends plan to spend it together at SpaceCON– the local science fiction convention they attend every year. At the convention Kate meets Paul, a recently turned teen-vampire (who is also dressed as one). But when Kate tries to make a move on him, he accidentally bites her in the neck. Kate and her friends soon discover Paul is not the only vampire at the convention, and it is up to them to stop the vampires and find a way to turn Kate back before it is too late.
Taxi dancer Charity continues to have Faith in the human race despite apparently endless disappointments at its hands, and Hope that she will finally meet the nice young man to romance her away from her sleazy life. Maybe, just maybe, handsome Oscar will be the one to do it.
Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early ’70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.
Percy and Veronica have been housesitting at a palatial modern spread in the Hollywood Hills for the summer, but the real world of New York, jobs and young professional struggles are merely days away. Nonetheless they are in a hurry to leave this paradise, because the tranquility was broken by an unwanted visit by former college classmate Freedgood. His time since their liberal arts’ years has been marked by imprisonment, shady business associations, and drug dealing. And as we learn quickly, this has lead to the man’s demise, an interested LAPD detective, and a longing for the everyday strife that seems so much more desirable than staying in their false Eden.
One night on a lonely highway, a speeding car tosses a satchel of money, meant for somebody else, into Jane and Alan Palmer’s back seat. Alan wants to turn it over to the police, but Jane, with luxury within her reach, persuades him to hang onto it “for a while.” Soon, the Palmers are traced by one Danny Fuller, a sleazy character who claims the money is his. To hang onto it, Jane will need all the qualities of an ultimate femme fatale…and does she ever have them!
Roberto, a drummer in a rock band, keeps receiving weird phone calls and being followed by a mysterious man. One night he manages to catch up with his persecutor and tries to get him to talk but in the ensuing struggle he accidentally stabs him. He runs away, but he understands his troubles have just begun when the following day he receives an envelope with photos of him killing the man. Someone is killing all his friends and trying to frame him for the murders…
On their way home from Brooklyn psychiatrist Vic, daughter Julie and sister Stacey run short of gas. They leave they highway to search a petrol station – but end up erring around in South Bronx. A youth gang under the sadistic Ice stops their car and starts menacing them. When Julie drives away in panic, she damages one of their bikes. Ice feels provoked and decides to hunt them down… without fuel the 3 women soon have to flee by foot and defend their life with all means possible. Only the youngest gang member T.J. tries to help them.
This is a sequel to 2001 A Space Odyssey. It is now 2010 and both the Americans and the Russians are racing to get to Jupiter to investigate the black monolith (similar to the one found in Lunar Crater Clavius) which was found by the U.S.S. Discovery in orbit around Jupiter’s moons. The U.S.S. Discovery’s orbit is rapidly decaying and it will crash into IO but the Americans cannot get there in time to save U.S.S. Discovery. The Russians can get to Jupiter in time but only the Americans have the knowledge to access and awaken the U.S.S. Discovery’s H.A.L.9000 sentient computer. This forces a joint American-Soviet space expedition against a backdrop of growing global tensions. The combined expedition is seeking answers to several mysteries. What is the significance of the black monolith? Why did H.A.L.9000 act so bizarrely and terminate 4 of 5 of the U.S.S. Discovery’s crew? What happened to David Bowman? Along the way, curious data is detected …
Troubled divorcee Mary Kee is tormented by a series of sinister phone calls from a mysterious woman. When the stranger reveals she’s calling from the past, Mary tries to break off contact. But the caller doesn’t like being ignored, and looks for revenge in a unique and terrifying way…
College student Tracy (Laura Lee Black) has just received an assignment to write a report on her favorite film genre. In her research she discovers a book, now Tracy is taken into three interlocking tales of the unexpected. First in THE VAT, two women (Jenny Coulter / Rodney Horn) are harassed by a religious fanatic (Angie Keeling) about their worldly ways. When the bible thumping hypocrite threatens violence, chaos takes it’s toll. Next in BIG DEBBIE, a robust woman (Rodney Horn) is abandoned at the altar, she runs into two guys that use her to fulfill their odd sexual fetish. When one accidentally dies, they’re forced to get rid of the body… the only problem: a woman on the edge (Rachel Stout) witnesses the ditching and blackmails them into killing her cheating girlfriend (Kelli Ellis). Finally in INGLOURIOUS BITCHES, a quirky pair of female vigilantes (Douglas Conner / Brian Dorton) use an app on a cellphone to track down and murder sex offenders.
King Solomon’s Mines is a 2004 two-part TV miniseries, the fifth film adaptation of the 1885 novel by the same name by Henry Rider Haggard. Starring Patrick Swayze as Allan Quartermain and Alison Doody as Elizabeth Maitland, the film was produced by Hallmark Entertainment, and originally aired June 6, 2004 on Hallmark Channel. September 2004 it was released as a one movie dvd box.
Mr. Hoppy is a shy old man who lives alone in an apartment building. For many years, he has been secretly in love with Mrs. Silver, a woman who lives below him. Mr. Hoppy frequently leans over his balcony and exchanges polite conversation with Mrs. Silver, but he is too shy to disclose how he feels. Mr. Hoppy longs to express his feelings to Mrs. Silver, but he can never bring his lips to form the words. Mrs. Silver has a small pet tortoise, Alfie, whom she loves very much. One morning, Mrs. Silver mentions to Mr. Hoppy that even though she has had Alfie for many years, her pet has only grown a tiny bit and has gained only 3 ounces in weight. She confesses that she wishes she knew of some way to make her little Alfie grown into a larger, more dignified tortoise. Mr. Hoppy suddenly thinks of a way to give Mrs. Silver her wish and win her affection.
A revisionist western, “Doc” is Frank Perry’s attempt to accurately portray the lives and persons of Doc Holliday, Wyatt Earp, and the now-legendary events that took place in the town of Tombstone, starring Stacy Keach, Faye Dunaway and Harris Yulin.
When a promised job for Texan Michael fails to materialise in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of the situation, collects the money and runs. During his getaway, things go wrong, and soon get worse when he runs into the real hitman, Lyle.
unReal is for those of us who escape. A film that celebrates breaking free from the confines of reality and venturing into a boundless world. This place isn’t remote or hard to find, and yet many never see it. Here, glacial walls transform into mountain bike trails, rain and snow aren’t the only elements to fall from the sky and thousand pound mammals become riding partners. Breathtaking visuals conjure feelings of awe and pure joy; feelings that only those of us who venture outside can truly understand. This film is dedicated to you — the dreamers, the rule-breakers, the ones who never grow up, the ones who know the secret — the ones who know the way into the unReal world.
Wealthy, sheltered Lina McLaidlaw is swept off her feet by charming ne’er-do-well Johnnie Aysgarth. Though warned that Johnnie is little more than a fortune hunter, Lina marries him anyway. She remains loyal to her irresponsible husband as he plows his way from one disreputable business scheme to another. Gradually Lina comes to the conclusion that Johnnie intends to kill her in order to collect her inheritance. The suspicion seems confirmed when Johnnie’s business partner dies under mysterious circumstances. Joan Fontaine won a Best Actress Academy Award for her performance.
The story of an emotionally detached backup dancer named Athena, who must return home to Florida to help care for her estranged father, Jack, after he gets diagnosed with cancer. There she must contend with Jack’s irresponsible lifestyle while looking after six year old Honey Bunny who is only beginning to grasp the err in Jack’s ways.
It’s four years later, and a new group of students has been placed in Saturday detention at the infamous and prestigious Crestview Academy. When Siouxsie, sophomore ‘undercrust,’ crashes the party to avenge her sister’s death, a Saturday detention reserved for the privileged seniors of Crestview Academy turns into a date in hell. It’s not long before a naïve pussycat lover, gay drug dealer, smokin’ hot preacher’s daughter, squeaky-clean senator’s son, and the uninvited younger outsider find themselves locked-up in school with no way out, wondering who (or what) has set them up. Hilarity and suspense ensue while each ‘bad kid’ pits one against the other, and one by one each falls victim to absurdly gruesome ‘accidents’ while trying to escape.
A group of friends get lost in the seedy streets where they encounter a crazed gang of homeless derelicts that seizes them and kills them one by one. The surviving man escapes on foot, naked and unarmed, with a pack of depraved transients in pursuit, and only seconds away from capture.
