College student Tracy (Laura Lee Black) has just received an assignment to write a report on her favorite film genre. In her research she discovers a book, now Tracy is taken into three interlocking tales of the unexpected. First in THE VAT, two women (Jenny Coulter / Rodney Horn) are harassed by a religious fanatic (Angie Keeling) about their worldly ways. When the bible thumping hypocrite threatens violence, chaos takes it’s toll. Next in BIG DEBBIE, a robust woman (Rodney Horn) is abandoned at the altar, she runs into two guys that use her to fulfill their odd sexual fetish. When one accidentally dies, they’re forced to get rid of the body… the only problem: a woman on the edge (Rachel Stout) witnesses the ditching and blackmails them into killing her cheating girlfriend (Kelli Ellis). Finally in INGLOURIOUS BITCHES, a quirky pair of female vigilantes (Douglas Conner / Brian Dorton) use an app on a cellphone to track down and murder sex offenders.
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Vivica A. Fox sizzles as a woman scorned who plans to get her man back by any means necessary. In this comedy about players and those who “get played.” As corporate overachiever and all-around fly chick Shanté Smith, Fox thinks she’s got the goods to keep her slickster boyfriend (Morris Chestnut) from straying – until he discovers a greener pasture, Shanté’s archrival (Gabrielle Union)
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Ann is consumed by the fantasy of finding true love. Just when she thinks she’s found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.
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Drew Latham is an executive leading an empty, shallow life with only wealth on his side. Facing another lonely Christmas ahead, he revisit his old childhood home in the hope of reliving some old holiday memories – but he finds that the house in which he was raised is no longer the home in which he grew up.
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