35-year-old Morris Bliss (Michael C. Hall) is clamped in the jaws of New York City inertia: he wants to travel but has no money; he needs a job but has no prospects; he still shares an apartment with his widowed father; and the premature death of his mother has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with Stephanie (Brie Larson), the 18-year-old daughter of a former classmate, Morris quickly discovers his static life unraveling and opening up in ways that are long overdue.
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It’s been five years since Terry’s friend Glen discovered The Gate to hell in his backyard. Glen has now moved away and Terry begins practicing rituals in Glen’s old house and eventually bringing back demons through The Gate and leading to demoniac possession and near world domination.
Alice spends her days enslaved on a rural Georgia plantation restlessly yearning for freedom. After a violent clash with plantation owner Paul, Alice flees through the neighboring woods and stumbles onto the unfamiliar sight of a highway, soon discovering that the year is actually 1973.
When it comes to women, playboy Mike has all the right moves. So when Mike’s buddies ask for advice on how to reconnect with their wives, Mike figures he’ll share some secrets and help the guys regain their marriage mojo. But when Mike’s lessons start backfiring with hilarious results, it takes a beautiful, no-nonsense friend to show Mike he still has a thing or two to learn about relationships.
Two low-level government workers follow orders from their absurd superiors.
Eight guys from a crime organization in London are sent to guard a coffin.
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