This is the story of the rise and fall of the De Havilland Comet – the world’s first passenger jet airliner. At the height of World War II, a secret committee of visionary British scientists set about designing a revolutionary new aircraft that would launch a new era in aviation. When it came into service in May 1952, the revolutionary Comet was an instant hit with passengers. But then, in the space of just four months in early 1954, two Comet aircraft blew up in mid-air, killing all the passengers and crew. The catastrophic loss of these aircraft was as sudden as it was mysterious and the future of passenger jet aviation hung in the balance. On the direct order of Prime Minister Winston Churchill, a British team of leading aviation experts was assembled to discover what went wrong, and as part of the process of solving the mystery, they wrote the rulebook of modern air crash investigation, with many of their pioneering techniques still being used today.

What would it be like to step inside a great work of art, have it come alive around you, and even observe the artist as he sketches the very reality you are experiencing? From Lech Majewski, one of Poland’s most acclaimed filmmakers, The Mill and the Cross is a cinematic re-staging of Pieter Bruegel’s masterpiece “Procession to Calvary,” presented alongside the story of its creation.

Life in Solby is nice and peaceful until one day Mitcho and Sebastian find a message in a bottle by the harbour. The bottle is from the missing mayor of Solby with a message that he is on a mysterious island and has made a great discovery. Now they must embark on a perilous journey to help save the mayor and bring him home, and in the process they uncover something that will bring great pleasure to the city of Solby – a giant pear.

Weighed down by financial problems, Tina takes a job as a receptionist at an illegal massage parlour in London. As she slowly gets to know the women who work there, Tina is forced to question her values and morals. But how far will she be drawn into this world, and can she avoid losing herself in the process?

When a spirit medium is called to exorcise a demon from a possessed man, he is unknowingly captured in the act by two students looking to document the process. When the students accidentally release the devil fish demon into the world, it is up to them and the spirit medium to send it back to the hellish world from where it came.

Upon discovering a coded message in the self help book “6 Dynamic Laws for Success (In Life, Love & Money)” which purportedly reveals the location of $2.4 million missing from a bank robbery gone bad, a demoralized ex-used car salesman sets out on a quest to find the money and remake himself in the process. However, he soon discovers he’s not the only one after the cash, and that the road to riches and self-improvement is littered with irate ex-wives, litigious fiancés, household calamities, accidental murders, and love at first sight.

From director Andrew Rossi (PAGE ONE: INSIDE THE NEW YORK TIMES, THE FIRST MONDAY IN MAY) comes an electrifying portrait of writer and performer Okwui Okpokwasili and her acclaimed one-woman show, BRONX GOTHIC. Rooted in memories of her childhood, Okwui – who’s worked with conceptual artists like Ralph Lemon and Julie Taymor – fuses dance, song, drama, and comedy to create a mesmerizing space in which audiences can engage with a story about two 12-year-old black girls coming of age in the 1980s. With intimate vérité access to Okwui and her audiences off the stage, BRONX GOTHIC allows for unparalleled insight into her creative process as well as the complex social issues embodied in it.

I’ll Take Your Dead follows William who has a simple job, he makes dead bodies disappear. This isn’t something he likes to or even wants to do, but through circumstances out of his control, his little farm house in the country has become a dumping ground for the casualties of the gang related murders in the nearby city. His daughter Gloria has become used to rough looking men dropping off corpses and is even convinced that some of them are haunting their house. After a woman’s body, is dumped at the house, William begins his meticulous process when he realizes, she’s not actually dead. As the gang activity increases, William patches the woman up and holds her against her will until he can figure out what to do with her. As they begin to develop a very unusual respect for each other, the woman’s murderers get word that she’s still alive and make plan to go finish what they started.