What would it be like to step inside a great work of art, have it come alive around you, and even observe the artist as he sketches the very reality you are experiencing? From Lech Majewski, one of Poland’s most acclaimed filmmakers, The Mill and the Cross is a cinematic re-staging of Pieter Bruegel’s masterpiece “Procession to Calvary,” presented alongside the story of its creation.
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Writer and Adderall enthusiast Stephen Elliott reaches a low point when his estranged father resurfaces, claiming that Stephen has fabricated much of the dark childhood that that fuels his writing. Adrift in the precarious gray area of memory, Stephen is led by three sources of inspiration: a new romance, the best friend who shares his history, and a murder trial that reminds him more than a little of his own story. Based on the memoir of the same name.
Hudson Milbank is a successful Hollywood screenwriter who suddenly and strangely finds himself without any emotional feelings. He tries doctor after doctor and shrink after shrink, but nothing works. The Golf Channel, lesbian exercise classes and a dizzying variety of pills get him through the day, but don’t quite solve his problem. His writing partner tries everything to get him back to normal, but it’s not until Hudson meets Sara that he finds a real motivation to get better and to actually start feeling again. From the writer of Deuce Bigalow, comes NUMB, a romantic comedy following an unusual man looking for strange love.
Christopher Walken shines in this cult-favorite dark comedy as Charlie, a former mobster who is abducted by five privileged young men (Sean Patrick Flanery, Johnny Galecki, Jay Mohr, Jeremy Sisto, Henry Thomas) desperate to raise a $2 million ransom to save the sister of a friend. As Charlie plays mind games, however, his captors splinter — each wondering whether one of their own had a hand in the crime.
Kaisa is a Scot, a successful London lawyer, who snorts coke and has one-night stands with strangers. Her mother calls from Aberdeen with some story begging her to fly to Norway and collect her alcoholic dad whom she hasn’t seen in years.
Chelsea is an in-demand call girl whose $2,000 an hour price tag allows her to live in New York’s lap of luxury. Besides her beauty and sexual skill, Chelsea offers her clients companionship and conversation, or, as she dubs it, “the girlfriend experience.” With her successful business and a devoted, live-in boyfriend, Chelsea thinks she has it made… until a new client rocks her world.
Suffering from a severe case of depression, toy company CEO Walter Black (Mel Gibson) begins using a beaver hand puppet to help him open up to his family. With his father seemingly going insane, adolescent son Porter (Anton Yelchin) pushes for his parents to get a divorce. Jodie Foster directs and co-stars as Walter’s wife in this dark comedy that also features Riley Thomas Stewart and Jennifer Lawrence.
This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather — without snow. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see — as the outcome of their wait — the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighboring settlings, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs — the appearance of the foreigners, the extreme frost — disturbs the order of the small town. Ambitious personages of the story feel they can take advantage of this situation. The tension growing to the unbearable is brought to explosion by the figure of the Prince, who is pretending facelessness. Even his mere appearance is enough to break loose destructive emotions…
A woman watches time passing next to the suitcases of her ex-lover (who is supposed to come pick them up. but never arrives) and a restless dog who doesn’t understand that his master has abandoned him.
When bullied Molly Flowers declares her dislike of boys, her boozy and self medicated mother invents a story to shock her into a more sympathetic view. The tale of how Molly had actually been born a boy called Bradford Dillman but, because of Mum’s want for a little girl, she asked the doctors to chop her willy off. The offending item has been kept for Molly in a shoebox on top of her wardrobe which now looms over everything she does. Molly’s over active imagination manifests itself into the arrival of Bradford Dillman. When Mum denies all knowledge of the tale, who will Molly choose to believe in?
An orphaned boy in a post-apocalyptic world, meets a grieving woman who is trying to find her lost daughter. Their journey leads them face-to-face with a despot who may have the daughter held captive.
A talented, but distracted photographer, Lola, on the verge of success in both love and work, could lose it all if she doesn’t make it to a crucial meeting on time. But, as usual, Lola is late. With her job and girlfriend on the line, she has three chances to make it right. In a desperate race through the streets and back rooms of San Francisco, time grows short-will Lola make it? Will she come at all? With a pop sensibility that mixes live action, animation and still photography, And Then Came Lola explores love’s age old question in a fresh new way, “If you try, try again, will you finally get it right?” (Written by M. Siler and E. Seidler)