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1945: The red army stands at the gates of Berlin. In their desperation the Nazis turn to the most obscure Scientists. Through cruel experiments a new secret Weapon has been created – unstoppable and alive. A Russian attack destroys the lab, but the weapon – buried underneath the ruins – is immortal. Lost in time, it lurks in the darkness, only to return again. 2012: Punk-Rock legend Spike Jones leads a group of friends into the ruins of the old Nazi Lab. The complex shall be cleaned up for the reunion concert of his band. Believing they would help a poor soul, they free the beast from its prison. But the creature of the Nazis does not know about thankfulness. Again the smell of blood fills the old laboratories and screams of terror echo through the darkness. As now, the Werewolf starts his war against humanity.
When an African dictator jails her husband, Shandurai goes into exile in Italy, studying medicine and keeping house for Mr. Kinsky, an eccentric English pianist and composer. She lives in one room of his Roman palazzo. He besieges her with flowers, gifts, and music, declaring passionately that he loves her, would go to Africa with her, would do anything for her. “What do you know of Africa?,” she asks, then, in anguish, shouts, “Get my husband out of jail!” The rest of the film plays out the implications of this scene and leaves Shandurai with a choice.
Odd Jobs Gin has taken on a lot of odd work in the past, and when you’re a Jack of All Trades agency based in a feudal Japan that’s been conquered and colonized by aliens, the term “Odd Jobs” means REALLY ODD jobs. But when some more than slightly suspicious secrets from the shadows of Gintoki Sakata’s somewhat shady former samurai past and a new pair of odd jobs collide, the action is bound to get so wild and demented that only a feature film will do it justice!
With the epic dimensions of a Shakespearean tragedy, The Queen of Versailles follows billionaires Jackie and David’s rags-to-riches story to uncover the innate virtues and flaws of their American dream. We open on the triumphant construction of the biggest house in America, a sprawling, 90,000-square-foot mansion inspired by Versailles. Since a booming time-share business built on the real-estate bubble is financing it, the economic crisis brings progress to a halt and seals the fate of its owners. We witness the impact of this turn of fortune over the next two years in a riveting film fraught with delusion, denial, and self-effacing humor.
An uptight insurance man and his film-censor wife become a kinky couple’s landlords.
A showman introduces a small coastal town to a unique movie experience and capitalises on the Cuban Missile crisis hysteria with a kitschy horror extravaganza combining film effects, stage props and actors in rubber suits in this salute to the B-movie.
An emotionally and sexually charged journey through the love, addiction, and friendship of two men. Documentary filmmaker Erik and closeted lawyer Paul meet through a casual encounter, but they find a deeper connection and become a couple. Individually and together, they are risk takers—compulsive, and fueled by drugs and sex. In an almost decade-long relationship defined by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries and dignity and to be true to himself.
Film version of Jacqueline Susann’s best-selling novel chronicling the rise and fall of three young ladies in show business.
Is there room for principle in Los Angeles? Mike Terry teaches jujitsu and barely makes ends meet. His Brazilian wife, whose family promotes fights, wants to see Mike in the ring making money, but to him competition is degrading. A woman sideswipes Mike’s car and then, after an odd sequence of events, shoots out the studio’s window. Later that evening, Mike rescues an action movie star in a fistfight at a bar. In return, the actor befriends Mike, gives him a gift, offers him work on his newest film, and introduces Mike’s wife to his own – the women initiate business dealings. Then, things go sour all at once, Mike’s debts mount, and going into the ring may be his only option.
An anthology film set in a brothel, Bordello Death Tales incorporates three shorts by young horror directors, linked by a sinister venue: Madame Raven’s bordello. The bloodletting begins in James Eaves’ The Ripper featuring a mild-mannered psychopath. The second story, Stitch Girl, is Al Ronald’s homage to Bride of Frankenstein. The final short is Pat Higgins’ Vice Day showing how a politician has developed a way of keeping his private life away from the prying eyes of journalists.
This sensitive and sensual film draws together several narratives spanning several decades, all of them transpiring in the same room of the same Singaporean hotel — and all of them involving sex.
In his first feature film, director Bob Bowdon takes aim at America’s public school system, revealing a self-serving network of wasteful cartels that squander funding and fail to deliver when it comes to academic testing and basic skills. Both parents and teachers want change, but reform is an uphill battle in the face of heel-digging bureaucrats and so-called “dropout factories.” It’s a bona fide crisis that’s burgeoning out of control.
Feature film from award-winning writer/director Patrik-Ian Polk, tells the story of five black Brown University classmate s- four gay men and one lesbian – reuniting in the Big Apple for a weekend of sin, fun, secrets, lies and drama.
Driven by biological excess, a young man and woman search for sexual fulfillment, unaware of each other’s existence. Unfortunately, they eventually meet, and the bonding of these two very unusual human beings ends in an explosive and ultimately over-the-top sexual experience, resulting in a truly god awful love story….
A group of young film students run into real-life zombies while filming a horror movie of their own.
Me, Myself & I is a 1992 dark romantic comedy starring JoBeth Williams and George Segal. The movie is the directorial debut of editor and producer Pablo Ferro. Bill Macy, Shelley Hack and Ruth Gilbert also appear in this independent film.
By 1314, through effort and intrigue, Scottish King Robert Bruce had captured every major English-held castle except Stirling. Now English King Edward II would try to stop him – and subdue the Scottish rebellion forever. This is the story of the pivotal campaign culminating at the decisive Battle of Bannockburn, in the shadow of Stirling Castle. Today as Scotland contemplates a countdown to a referendum for renewed Scottish independence, we search the hearts and minds of the characters whose efforts at the Battle of Bannockburn would build a nation. Filmed in the style of 300 and Sin City and with intense and bloody battle scenes, we bring to life one of the most iconic times in Scottish history.
Zone of the Dead, also known as Apocalypse of the Dead (Zona Mrtvih in Serbian) is a 2009 Serbian horror film. A police-escorted prisoner transport supervised by Interpol sets off to Belgrade. The route leads the transport through Pancevo, where they encounter an ecological disaster and infected people who are trying to kill them. Interpol agents Mortimer Reyes and Mina Milius soon realize that their only chance for escape from the zombie hordes lies in allying with the dangerous, mysterious prisoner.
Sizzingly sexy Madonna leads a star-filled cast in this erotic thriller as a woman accused of killing a wealthy, elderly man through her insatiable sexual prowess.
In this lively French remake of Humpday, best buds reunite and revive their friendship on a questionable dare. Can two straight guys really make a gay sex film, together?
Jason, is bit by a strange organism while on vacation with his girlfriend, Sam, at her sister’s secluded farmhouse. The bite begins a transformation in Jason, and now the couple must race against time to figure out what happened to Sam’s sister and her family, and what lies in store for them. All of these elements are tantamount to the ultimate fear addressed in the film, the fear of losing a loved one and worse, becoming a monster in their eyes.
This first feature film from Indian playwright Anand Gandhi, tells three stories about persons forced to think about the ethics and moral issues raised by medical advances: a visually impaired Egyptian photographer, who after a cornea transplant has trouble adjusting to her newfound sense of sight; a devout Indian monk fighting against animal testing, who has to confront his beliefs when he is diagnosed with liver cirrhosis; and an Indian stockbroker, who after having a kidney transplant learns about the illegal trade in stolen organs and decides to help a poor victim of such theft – even though it means travelling all the way from India to Sweden.
The film was first shown at the 2012 Toronto International Film Festival, where it received great critical acclaim and was touted as “the hidden gem of the year”. It was released in India in July 2013, and was awarded Best Feature Film of 2013 at the Indian National Film Awards in 2014.
College student Tracy (Laura Lee Black) has just received an assignment to write a report on her favorite film genre. In her research she discovers a book, now Tracy is taken into three interlocking tales of the unexpected. First in THE VAT, two women (Jenny Coulter / Rodney Horn) are harassed by a religious fanatic (Angie Keeling) about their worldly ways. When the bible thumping hypocrite threatens violence, chaos takes it’s toll. Next in BIG DEBBIE, a robust woman (Rodney Horn) is abandoned at the altar, she runs into two guys that use her to fulfill their odd sexual fetish. When one accidentally dies, they’re forced to get rid of the body… the only problem: a woman on the edge (Rachel Stout) witnesses the ditching and blackmails them into killing her cheating girlfriend (Kelli Ellis). Finally in INGLOURIOUS BITCHES, a quirky pair of female vigilantes (Douglas Conner / Brian Dorton) use an app on a cellphone to track down and murder sex offenders.
The film is an odd retelling of the story of Hercules battling the wizard Minos, who uses “science” in an attempt to take over the world. Hercules must stop him and rescue his princess love in the process. Part of the adventure finds Hercules battling giant robots brought to life by stop motion animation.
King Solomon’s Mines is a 2004 two-part TV miniseries, the fifth film adaptation of the 1885 novel by the same name by Henry Rider Haggard. Starring Patrick Swayze as Allan Quartermain and Alison Doody as Elizabeth Maitland, the film was produced by Hallmark Entertainment, and originally aired June 6, 2004 on Hallmark Channel. September 2004 it was released as a one movie dvd box.
Based on the short story, “Where Are You Going, Where Have You Been”, by Joyce Carol Oates, this film chronicles a 15-year-old girl, Connie’s, sexual awakening in the Northern California suburbs. Her experimenting begin to get out of hand when the mysterious Arnold Friend takes an interest in her.
unReal is for those of us who escape. A film that celebrates breaking free from the confines of reality and venturing into a boundless world. This place isn’t remote or hard to find, and yet many never see it. Here, glacial walls transform into mountain bike trails, rain and snow aren’t the only elements to fall from the sky and thousand pound mammals become riding partners. Breathtaking visuals conjure feelings of awe and pure joy; feelings that only those of us who venture outside can truly understand. This film is dedicated to you — the dreamers, the rule-breakers, the ones who never grow up, the ones who know the secret — the ones who know the way into the unReal world.
From the first time he performed Swimming to Cambodia – the one-man account of his experience of making the 1984 film The Killing Fields – Spalding Gray made the art of the monologue his own. Drawing unstintingly on the most intimate aspects of his own life, his shows were vibrant, hilarious and moving. His death came tragically early, in 2004; this compilation of interview and performance footage nails his idiosyncratic and irreplaceable brilliance.
Scooby and the gang have their first musical mystery in “Scooby Doo: Music of the Vampire.” It begins when they take a sing-a-long road trip into bayou country to attend the “Vampire-Palooza Festival” – an outdoor fair dedicated to all things Draculian. At first it looks as if they’re in for some fun and lots of Southern snacks, but events soon turn scary when a real live vampire comes to life, bursts from his coffin and threatens all the townsfolk. On top of that, this baritone blood sucker seems intent on taking Daphne as his vampire bride! Could the vampire be a descendant of a famous vampire hunter who is trying to sell his book? Or perhaps he’s the local politician, who has been trying to make his name in the press by attacking the vampires as downright unwholesome. The answers are to be found in a final song-filled showdown in the swamp in which our heroes unmask one of their most macabre monsters yet.
When documentary filmmaker Danny Hart boards a train at Grand Central Station he has no reason to expect anything more than a pleasant ride to upstate New York to interview the subjects for his latest project. But a chance encounter with a mysterious young woman leads him on a journey of a very different sort. Within the blink of an eye his life of complacency is left behind for a world in which the line between fantasy and reality is blurred…a world of intrigue, danger, and the possibility of blood
An FBI agent (Debra Winger) falls in love with a white supremacist (Tom Berenger) whose group she infiltrates.
The film is set during the period of growing influence of the Indian independence movement in the British Raj. It begins with the arrival in India of a British woman, Miss Adela Quested (Judy Davis), who is joining her fiancé, a city magistrate named Ronny Heaslop (Nigel Havers). She and Ronny’s mother, Mrs. Moore (Peggy Ashcroft), befriend an Indian doctor, Aziz H. Ahmed (Victor Banerjee).
The film documents, in an often dramatic and humorous fashion, Gray’s investigations into alternative medicine for an eye condition (Macular pucker) he had developed.
A prison riot breaks out at the moment of a serial murderer’s execution by electrocution, and his fate becomes indeterminate when the prison is shut down. 18 months later, a team of filmmakers converge on the prison to film a women-in-prison exploitation flick, but find that a certain somebody is disrupting their shooting schedule…
Three young men, a scriptwriter, a producer and a director are called in by Benny U Murdoch, an exotic movie producer. He wants to make a new erotic movie starring a big woman – the “Eskimo Nell” of the title. However problems start from the beginning, the scriptwriter is a virgin, a lover of penguins and hasn’t a clue on how to write an erotic movie, each of the three main backers want a different type of movie – a western, an erotic and a kung-fu movie with different people in the main part. However problems really start for the three when Benny runs off with all the money and they have to make three different versions of the same film and try not to let the backers and stars know what has happened. And this is made harder when there is a clean-up-filth society breathing down their necks….
The 25th Anniversary performance – filmed at London’s Prince Edward Theatre in 2014 – of the epic musical tale of a young Vietnamese bar girl, Kim, who falls in love with Chris, an American GI. But their lives are torn apart by the fall of Saigon.
