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In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.
Karol has everything. He has three mistresses in addition to the bride. He is charming, loves sex and enslaves women in the blink of an eye. He’s also well aware of that women like and uses it for his benefits.
Viviana (Andrea Lopez) and Alicia (Martha Isabel Bolaños) have never met, but they’re about to get intimately acquainted. One day, while tipping drinks back in a bar, the two women strike up a conversation that quickly turns personal, Viviana is locked in an abusive marriage, and Alicia’s female lover, Lorena (Carolina Sepulveda), has recently fallen for another woman. As the two women strangers find common ground in their lives, they enter into a secret pact to kill the people who have made their lives a living hell. Seductive, bloody and shocking events send them both plummeting down a destructive path from which there is no escape
In Chile’s Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet’s regime.
Patrice and Corrine are two sexy, confident women with great relationships, but they’ve got it all wrong when it comes to love. Before they drive their men crazy, they’ve got some tough lessons to learn about trust and fidelity, if they hope to make love last.
Isabelle, HR of a large cruise company, made the mistake of choosing her boss as a lover. Before embarking on the maiden voyage of the new flagship of the fleet, though, he decided to disembark from their relationship! Some women take their revenge by poison, firearm, or slander. Isabelle chooses Remy a flamboyant, unemployed ne’er-do-well who flunked out in life on land, but after all is said and done, might have better luck at sea… She recruits him as leader of her plot and on this Palace of the Seas, Remy will first prove to be the worst nightmare of the CEO and Richard, the Cruise Director…then, little by little, he will change his life and that of all those who cross his path…
A tabloid reporter makes a shocking cryptozoological discovery while investigating a recent rash of Bigfoot sightings in this comedy featuring beer, bikinis, and the wildest party animal you’ve ever met. Harlan James (Chase Carter) doesn’t believe in Bigfoot. He’s determined to disprove his existence when he heads into the woods, and starts to interview witnesses. Much to Harlan’s surprise, he finds that Bigfoot is no forest-dwelling menace, but a mischievous Sasquatch with a taste for beer, and a love of beautiful women. Unfortunately for the fun-loving creature, vengeful redneck Chester Scroggins (Ron Blackwell) and some villainous bounty hunters are more interested in capturing Bigfoot than sharing a brew with him. Now, with the clock ticking, Harlan enlists the aid of the local sheriff (David Novak) and a pretty television reporter (Nicole Parsneau) in getting the story of a lifetime, and protecting the beast who only wants to party.
The life and career of rock n’ roll icon Joan Jett from her early years ripping it up onstage as the founder and backbone of hard-rock legends The Runaways, to her long time collaboration with Kenny Laguna as Joan Jett & the Blackhearts, and her enduring presence in pop culture as a rock pioneer and mentor. With her inimitable singles “I Love Rock n Roll,” and “Bad Reputation” Joan Jett inspired a generation of young women to rock.
Blake Conway, aspiring journalist, hopeless romantic. and frustrated with the lack of chivalrous guys her own age, a college senior gives up on dating for love to date an older man in exchange for gifts instead.As she documents the adventure in the hopes of winning a journalism award with a generous cash prize to escape looming student debt, she sets out on a quest to figure out if society is right to judge these women and if her own self worth comes with a price.
When Astrid Lindgren was very young something happened that affected her profoundly, and this combination of both miracle and calamity came to shape her entire life. It was an event that transformed her into one of the most inspiring women of our age and the storyteller a whole world would come to love. This is the story of when a young Astrid, despite the expectations of her time and religious upbringing, decided to break free from society’s norms and follow her heart.
Short in stature but big on love, a bachelor meets two very different women who broaden his horizons and help him find purpose in life.
Gao Chun, a young captain, steers his cargo boat up the Yangtze river. His father has recently died and, according to his beliefs, his son is now responsible for liberating his soul. At the same time, Gao Chun is looking for the love of his life. But all the women he meets in all the different ports are the same person: a magical being who grows ever younger the closer he gets to the source of the Yangtze. His trip up river turns into a journey through space and time.
The Bad Boy Squad, a variety of private detective agency, is composed of King (Ekin Cheng Yi-kin), Queen (Kristy Yeung), and Jack (Louis Koo Tin-lok), whose primary source of business is the reuniting of clientèle with their first flames, and when the trio of young operatives returns to Hong Kong from an assignment in Thailand and the Squad’s next three customers supply photographs of lost loves, the women in the pictures appear to be the same individual.
Alice, Judy and Sally are three Australian roommates who are unlucky in love. Over the course of a year, they endure numerous personal ups and downs. Meanwhile, Ewan, Joel and Neil are friends and coworkers with similar problems, and gradually their lives intersect with the trio of women to varying degrees. Will any of these young people finally find a satisfying relationship?
While cleaning offices at night, Zsolt Kovàcs learns a lot about his invisible employers by examining what they leave behind, carefully choosing his targets, often disillusioned women whom he seduces, methodically taking their money. An artist of manipulation, with a generous dose of humor and the ability to assume different personalities, Zsolt begins to work in a psychologist’s practice, where he meets Hanna, a 30 year-old dancer who is physically incapacitated and the daughter of a millionaire. The ideal victim if love doesn’t get in the way.
A solitary middle-aged bachelor and a naive Irish teenager transform one another’s lives to arrive at a place of recognition, redemption and wisdom in Atom Egoyan’s adaptation of William Trevor’s celebrated 1994 novel. Seventeen and pregnant, Felicia travels to England in search of her lover and is found instead by Joseph Ambrose Hilditch, a helpful catering manager whose kindness masks a serial killer. Hilditch has murdered several young women, but he has no conscious awareness of the crimes; like Felicia, he doesn’t see his true self. Felicia’s Journey is a story of innocence lost and regained: Felicia awakens to the world’s dangers and duplicities; and Hilditch, who grew up lonely and unloved, comes to realize what was taken from him, and what he himself has taken.
In modern-day London, three men (Craig Ferguson, Jimi Mistry and David Morrissey) and three women (Olivia Williams, Jane Horrocks and Catherine McCormack) fall in and out of love and back again, to the Greek-chorus accompaniment of two cab drivers, who engage in an ongoing conversation about sex. A winning romantic comedy, Born Romantic is the second feature by British writer-director David Kane of This Year’s Love fame.
In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it’s Purgatory and they’re dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover’s wife, and both these scenes take place in a ladies’ room, one backstage at a play that’s about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.
Eunice is walking along the highways of northern England from one filling station to another. She is searching for Judith, the woman, she says to be in love with. It’s bad luck for the women at the cash desk not to be Judith, because Eunice is eccentric, angry and extreme dangerous. One day she meets Miriam, hard of hearing and a little ingenuous, who feels sympathy for Eunice and takes her home. Miriam is very impressed by Eunice’s fierceness and willfulness and follows her on the search for Judith. Shocked by Eunice’s cruelty she tries to make her a better person, but she looses ground herself.
Kameda, who has been in an asylum on Okinawa, travels to Hokkaido. There he becomes involved with two women, Taeko and Ayako. Taeko comes to love Kameda, but is loved in turn by Akama. When Akama realizes that he will never have Taeko, his thoughts turn to murder, and great tragedy ensues.
A glimpse into the outrageous lives and loves of those responsible for a global women’s magazine. Their struggles are about finding your identity, managing friendships and getting your heart broken, all while wearing the perfect jeans to flatter any body type. Inspired by the life of Cosmopolitan editor in chief Joanna Coles.
Rosalía is a cashier at a supermarket. She lives alone, loves reading fairy tales and hides in a magic fantasy world in order to survive living in the real one. She thinks she is a fairy who came on a mission and got caught in this world. She travels by bus every day. At the bus-stop, there is a “web camera” which records images and puts them into the Internet. Santiago is a scientist who works in an international research project to detect signs of extraterrestrial intelligence. He is a lonely man who lives with his dog and his computer. Rosalía finds she has some extra-sensory powers and thinks three young women she knows are fairies. They will remarkably influence her life. She also feels the need to meet her father, whom she has not seen since she was 8.
A single bachelor dates multiple women over several weeks, narrowing them down to hopefully find his true love.
The story takes place in LA, in the house of four housemates, three women, MJ, Frankie and Amanda, and an homosexual, Banks. MJ is the kind of girl to whom money means everything and to whom others mean almost nothing. Frankie is a social worker and Amanda, a painter. Banks is an unfortunate actor. The problem is that Frankie is deeply in love with Taylor, and he loves her back, but he’s sleeping with MJ, for sex. MJ will become more and more jealous of Frankie as days flow…
Not only did Mary Tyler Moore “turn the world on with her smile,” as her show’s theme song declared, she also influenced a generation of women to become more independent and to pursue successful and fulfilling careers. Moore’s own 50-plus-year career has spanned award-winning films and Broadway shows, as well as two beloved television series that broke ground and continue to entertain viewers. This one-hour special includes highlights from a recent interview with Mary Tyler Moore, tributes from her co-stars and clips from iconic moments throughout her career. The program looks at her breakthrough role on The Dick Van Dyke Show, her iconic turn as TV’s first independent career woman on The Mary Tyler Moore Show and her Academy Award-nominated work on Ordinary People.
Two estranged sisters torn apart by their differences suddenly find themselves working together towards a common goal in this heartwarming drama…For years, overachiever Terri (Kristy Swanson) and her idealistic sister, Mandy (Alberta Mayne), have kept their distance from each other, as well as from their parents’ struggling florist business. But when a tragic turn of events brings both women home, they discover just how much they need one another in order to continue their family legacy. Filled with romance, humor and hope, it’s an endearing story about making time for the ones you love.
One suspects writer-director Carol Lai may have harboured some Black Swan ambitions with a tale that also centers around a stage practitioner who embarks on an unwitting destructive journey when playing a role to die for. The Second Woman, whose Chinese title Romance Riddle may hold better clues as to how this film developed, being more of a guessing game that threw constant clues rather than a overly romantic film about twins falling in love with a man who decided it’s perfectly OK to string both women along, until he discovers that this spells double trouble.
Drama runs deep with betrayal between friends and distrust between lovers. It only takes one moment to realize that what seems to be right turns out to be wrong. As deception falls upon the hearts of these women, vulnerability becomes the objective in this passionate story.
What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex …
An epic love story: Olanna and Kainene are glamorous twins, living a privileged city life in newly independent 1960s Nigeria. The two women make very different choices of lovers, but rivalry and betrayal must be set aside as their lives are swept up in the turbulence of war.
The film focuses on the tumultuous romance in the lives of four women in The Hague. Teenage daughter Eva, her mother Judith, aunt Barbara and older sister Anna make it under one roof Hague together a nice game of. They are beautiful, courageous and sensible, but sometimes they just do not know in a world full of tender love, serial dating, slaked lust, affairs, children’s desires and indestructible old loves.
When James met Penelope at a club, it took all of three weeks before they were married. But after the marriage, other women became attracted to James and he kept getting promoted, which took him away from Penelope. So Penelope puts on a disguise and robs her husband’s bank. Her psychiatrist, Greg, believes that this condition is caused by James being over worked and under romantic with Penelope. She also tells Greg that she robs the business associates of James. But Greg is in love with Penelope – in fact everyone likes her. The problem is when she confesses to her crimes, no one believes her.
A stirring story about regret, love, and second chances, woven together in a vignette style. The story follows four women who sit at a crisis point in their lives–their desires clouded by fear, duty, tragedy, and regret. As each story unfolds, the characters struggle to find the courage to live for themselves, to reclaim the relationships they have lost along the way, and to make time for the things that really matter.
The Singer is a film about the all-time favourite singer in Finland, Olavi Virta. A man who rose from poverty all the way to the top and became an artist who was dearly loved by the Finnish people. A man who loved beautiful women and was loved by beautiful women. A man who enjoyed speed, American cars, applause and alcohol and who finally lost everything but his unique voice.
