A stirring story about regret, love, and second chances, woven together in a vignette style. The story follows four women who sit at a crisis point in their lives–their desires clouded by fear, duty, tragedy, and regret. As each story unfolds, the characters struggle to find the courage to live for themselves, to reclaim the relationships they have lost along the way, and to make time for the things that really matter.
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Douglas, a broken, solitary, Spitfire Ace, must overcome his past to lead a Lancaster bomber crew in the pivotal aerial war over Berlin, in 1944.
When a truck crashes inside a tunnel, people on their way home for Christmas are brutally trapped in a deadly fire. With a blizzard raging outside, and the first responders struggling to get to the accident, it’s every man for himself.
On the way home from an art gallery featuring her work, a talented artist, Ali, her husband and their young child get into a car accident. The woman’s husband and child die on impact, while the woman survives, but loses her eyesight. At her doctor’s suggestion, Ali hires a caretaker named Jeff to help her adjust to life as a blind woman, and upon returning home, Jeff’s aid proves to be indispensable in helping her acclimate; Ali even meets and quickly befriends her new neighbor, Linda. It is soon apparent, however, that Jeff is becoming increasingly possessive and jealous of Ali, and his obsession rapidly turns violent when Ali decides she needs less of his assistance because she is ready to resume living independently. Unsurprisingly, Jeff does not take the request well, and Ali is soon forced to use her remaining senses to fight for her life.
Mato Grosso do Sul, Brazil, the present. When a young Guarani-Kaiowá woman commits suicide, Nádio leads his community to form a protest camp on the borders of a local farm that sits on their ancestral burial ground.
A young boy struggling with his parents’ divorce seeks solace in his infatuation with a captivating woman he discovers through a neighboring window.
A Taiwanese-American man is happily settled in New York with his American boyfriend. He plans a marriage of convenience to a Chinese woman in order to keep his parents off his back and to get the woman a green card. Chaos follows when his parents arrive in New York for the wedding.
Jerome becomes a street cop in hopes to find his mother but also seeks love in the mist, that may turn into a tragedy.
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
A man navigates parallel realities: one as a hardened criminal who has spent years building his drug empire; the other as an ambitious architect who has been working his way up the corporate ladder.
Stillman, a heartbroken physics student, builds a time machine when his girlfriend breaks up with him. Going back in time, he attempts to save their relationship by fixing every mistake he made—while dragging his best friend along in the process.
One night with a total stranger. And fate brought them together once again. That’s where their whirlwind romance started.
