A once-celebrated kid detective, now 31, continues to solve the same trivial mysteries between hangovers and bouts of self-pity. Until a naive client brings him his first ‘adult’ case, to find out who brutally murdered her boyfriend.
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Time travelers from the 23rd century return to 1992 to warn Japan that Godzilla will cause a catastrophic nuclear incident in the 21st century and suggest a way to rid the world of him forever. They intend to go back to 1944, to Ragos Island, where a dinosaur was exposed to radiation from the Bikini H-Bomb test and became Godzilla. Upon completion of this task, King Gidorâ appears in 1992 and the visitors’ true plan is discovered. They wish to destroy Japan so it will not become the dominant economic force. Luckily for the Japanese, Godzilla was still created and will now fight Gidorâ.
At first glance, Mica seems a perfectly normal boy. But first glances can often be deceiving… For one, Mica’s house is now a museum honouring Guillermo Garibai, the legendary Mexican crooner. Mica spends most of his time there, giving guided tours to aging Garibai fans. But stranger still, Mica smells. He smells like fish. Numerous doctors, his life-long therapist and even his own parents are at a loss. No one wants to be Mica’s friend. Girls won’t talk to him. His life appears pointless, uneventful, doomed. That is, until Laura walks into it.
Philo takes part in a bare knuckle fight – as he does – to make some more money than he can earn from his car repair business. He decides to retire from fighting, but when the Mafia come along and arrange another fight, he is pushed into it. A motorcycle gang and an orangutan called Clyde all add to the ‘fun’.
As a young child our protagonist is left by his mother and has to live with his violent father. He fights his way through adolescence and falls in love with the woman of his dreams and just as everything seems to be finally working out for him, a sudden event changes the course of his life forever. A story about how everything we love, everything we learn, everything we build, everything we fear, will one day be gone.
A Farewell to Arms is a 1957 American drama film directed by Charles Vidor. The screenplay by Ben Hecht, based in part on a 1930 play by Laurence Stallings, was the second feature film adaptation of Ernest Hemingway’s 1929 semi-autobiographical novel of the same name. It was the last film produced by David O. Selznick.
After being hit by a car, a woman comes home to realize her friends don’t really want to take care of her. Desperate for help, she turns to an unlikely source.
When Aurangzeb recruits his trusted soldier Udaybhan to control the Kondhana fort, Shivaji’s military leader Tanhaji Malusare and his army of Maratha warriors set out to recapture the fortress.
A wealthy young man pursues a young woman of modest means, but circumstances often separate them as the years pass.
A struggling prog-rock musician finds himself in a living nightmare when he accidentally kills his neighbor from hell.
Alien pods come to Earth and, naturally, start taking over Human Hosts. One such pod only manages to take over one human’s, Shin Izumi, right arm. Together they grow and co-exist, all the while the other aliens are making meals of other humans; Shin feels he must put a stop to it all, but his alien, Migi, doesn’t see why.
Kyle Fisher has one last night to celebrate life as a single man before marrying Laura, so he sets out to Vegas with four of his best buddies. But a drug and alcohol filled night on the town with a stripper who goes all the way, turns into a cold night in the desert with shovels when the stripper goes all the way into a body bag after dying in their bathroom. And that’s just the first of the bodies to pile up before Kyle can walk down the aisle…
