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In the wake of their father’s death, two children gradually come to realize the perverse nature of their upbringing.
18th century Vienna. Maria Theresia von Paradis, a gifted piano player and close friend of Mozart’s, lost her eye-sight as a child. Desperate to cure their talented daughter, the Paradis entrust Maria to Dr. Mesmer, a forward-thinking-physician who gives her the care and attention that she requires. With the doctor’s innovative techniques of magnetism, Maria slowly recovers her sight. But this miracle comes at a price as the woman progressively starts to lose her gift for music.
The story follows Joe (Cage), a down-on-his-luck truck driver haunted by the memory of his deceased wife and child. He meets Julie (Potente), a spiritually gifted woman who enlists Joe in a desperate effort to find the lost soul of her comatose daughter, Billie (Mitchell). But the spirit of Joe’s dead wife Mary proves stronger, possessing the young woman’s body and determined to settle her unfinished business with the living.
Rachel has lived for years with the guilt of accidentally letting her younger sister Hannah drown when they were children. But sometimes guilt is not enough. Now, on Hannah’s birthday, the ghost of the dead girl returns to haunt and torment her older sister.
Josh and Danielle have found the perfect surrogate, Kailee, to bear their child. But when Kailee gives birth to a beautiful baby girl, the happy couple learns how deep and dark a mother’s love can go. But is it really Kailee whom they need to fear, or is she just a pawn in someone else’s game? Someone who will stop at nothing to take what she views as hers.
The Earnshaws are Yorkshire farmers during the early 19th Century. One day, Mr. Earnshaw returns from a trip to the city, bringing with him a ragged little boy called Heathcliff. Earnshaw’s son, Hindley, resents the child, but Heathcliff becomes companion and soulmate to Hindley’s sister, Catherine. After her parents die, Cathy and Heathcliff grow up wild and free on the Moors and despite the continued enmity between Hindley and Heathcliff they’re happy– until Cathy meets Edgar Linton, the son of a wealthy neighbor. Written by Marg Baskin
A highly-evolved planet, whose denizens feel no emotion and reproduce by cloning, plans to take over Earth from the inside by sending an operative, fashioned with a humming, mechanical penis, to impregnate an earthling and stay until the birth. The alien, Harold Anderson, goes to Phoenix as a banker and sets to work finding a mate. His approaches to women are inept, and the humming phallus doesn’t help, but on the advice of a banking colleague, he cruises an AA meeting, meets Susan, and somehow convinces her to marry. The clock starts to tick: will she conceive, have a baby, and lose Harold (and the child) to his planet before he discovers emotion and starts to care?
Returning to her home town, overwhelmed by the birth of her firstborn, nineteen-year-old Chloe van Heerden tries to come to terms with motherhood. Despite the support from her own mother, Chloe struggles with the demands of caring for a newborn child. The incessant crying of her baby, the growing sense of guilt and paranoia send her into a dark depression. With a heightened urge to protect her son, she sees danger everywhere.
Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.
Despite its stand-alone title, this mixture of martial arts and exploitation is a semi-sequel to Shaw Brothers’s Flying Guillotine series. This time, the focus is Rong Qui-yan (Chen Ping), a kung fu student turned dutiful wife whose life falls apart when her husband is murdered by a squad of government operatives led by the duplicitous Jin Gang-Feng (Lo Lieh). Qui-yan is forced to go into hiding as she plots her revenge and finds allies in fellow fugitive Ma Seng (Tsui Siu Keung) and ex-lover Wang-jun (Yueh Hua). Meanwhile, Jin Gang-Feng sends out an array of killers to track them down. Complicating things further is the fact that Qui-yan is pregnant and struggling to keep her unborn child safe while fighting her way to safety.
The O’Neills lived happily in their house in the Australian countryside. That was until one day fate struck blindly, taking the life of Peter, the father, leaving his grief-stricken wife Dawn alone with their four children. Among them, eight-year-old Simone denies this reality. She is persuaded that her father still lives in the giant fig tree growing near their house and speaks to her through its leaves. But the tree becomes more and more invasive and threatens the house. It must be felled. Of course, Simone won’t allow it.
In 2012, Atsuya (Ryosuke Yamada) and his 2 childhood friends do something bad and run into an old general store. They decide to stay there until the morning. Late into the night, Atsuya sees a letter in the mailbox. The letter is addressed to the Namiya General Store and the letter was written by someone to consult about worries. Incredibly, the letter was written 32 years ago. The mailbox is somehow connected to the year 1980. Atsuya and his friends decide to write a reply and place their letter in the mailbox.
After receiving an unexpected visit from his mysteriously injured brother Mark, Alex decides to take his family back to the country home of his childhood, but once there, Alex’s wife Vera confesses that she is pregnant again and that the child is not his. Agony ensues as Alex attempts to figure out how best to react.
The life of revered the 18th-century Armenian poet and musician Sayat-Nova. Portraying events in the life of the artist from childhood up to his death, the movie addresses in particular his relationships with women, including his muse. The production tells Sayat-Nova’s dramatic story by using both his poems and largely still camerawork, creating an impressionistic work.
An American reporter smells a story when he is stranded in an Iron Curtain country where the local dictator is using gamma rays to transform children into mutated henchmen.
Switzerland, 1955. The young orphan Max is sent as a foster child and contracted to work for the Bösiger family who lives on a farm. His foster parents treat him like a workhorse while their son seizes every opportunity to humiliate him. Playing the accordion is the one thing that is entirely his. But when the new teacher stands up for Max, it only makes a bad situation much worse. The only thing preserving his will to survive is his friendship with Berteli, who was also taken on to work at the farm. Max dreams of Argentina with her: a fantasy world, where allegedly even hayforks are made of silver.
For generations the Zhao family has wielded power, until their mortal enemy TU’AN GU slaughters the entire clan, determined to wipe out their influence forever. But one Zhao baby survives hidden by CHENG YING the doctor who delivered him. When Tu’an Gu learns of the baby’s escape he seizes every infant in the city, vowing to kill them all unless the Zhao baby is surrendered. As the tyrant’s soldiers arrive at Cheng Ying’s home the frantic doctor hides his wife with their own baby whilst surrendering the Zhao child as his own. But his family is discovered; his baby is presumed to be the Zhao heir and murdered along with his wife for harboring the infant. Now set on revenge Cheng Ying enrolls the Zhao orphan into the service of the Tu’an Gu household, plotting to use him as an instrument of vengeance when he comes of age.
After a serious sport accident in a swimming pool, Ben, now an incomplete quadriplegic, arrives in a rehabilitation center. He meets with other handicapped persons (tetraplegics, paraplegics, traumatized crania), all victims of accidents, as well as a handicapped since his early childhood. They go through impotence, despair and resignation, with their daily struggle to learn how to move a finger or to hold a fork. Some of them slowly find a little mobility while others receive the verdict of the handicap for life. Despite everything, hope and friendship help them endure their difficulties.
Julia (Trish Everly, in her only film role), a young teacher for deaf children living in Savannah, Georgia. Julia has horrid memories of her childhood, which was scarred by her sadistic twin sister Mary (Allison Biggers). At the urging of her uncle, Father James, Julia visits Mary, suffering from a severe skin disease, in a mental institution. The meet does not go well, and Mary vows to make Julia “suffer as she had suffered”. As their mutual birthday approaches, several of Julia’s friends and neighbors begin to die gruesome deaths, some of which committed by a mysterious Rottweiler dog that has some sort of connection to Mary. But is Mary really the killer?
Celia (Monica Keena, Freddy vs. Jason) has had a rough life, with a mother who died in childbirth and a father who disappeared. Unfortunately for Celia, death is not any easier than life. When she is drugged and raped at a frat party, Celia dies from an overdose, and must battle the terrible Soul Eaters who roam the afterlife.
Maggie has had four children, by four different fathers, removed by social services because of a previous violent relationship. When she meets Jorge, a gentle Latin American refugee, she gradually sees her chance for happiness, but her history still haunts her.
Several days in the life of Kenny, a typical 12-year-old, and his friends. Kenny goes through all the activities that most of us went through as kids as he and his friends prepare for Halloween. Along the way, Kenny deals with such childhood issues as bullies and his first crush on a girl.
The mutant babies have been placed by court order on a deserted island. Appalled by the cynicism and exploitation of the children by the legal system and the media, the man responsible for them leads an expedition to the island to free them.
Rich Froning Jr entered the 2014 CrossFit Games competition with three consecutive victories, a feat that no other athlete had accomplished. After finding CrossFit in 2009, Froning began a history-making career, finishing second at the CrossFit Games in 2010 and dominating the competition for the next four years. His four titles, five trips to the podium, 16 event wins, 35 top-five event finishes and 45 top-10 event finishes are all records, and he’s revered in the community. Froning’s athletic prowess has been under the microscope for five years, but there’s much more to the man from Tennessee than snatches and pull-ups. In this in-depth documentary by Heber Cannon, take a look into the life and childhood of the fittest man in history, follow his quest to a fourth straight CrossFit Games championship, and see him as a son, a husband, and a new father.
Schoolchildren Norimichi, Yuusuke, and Junichi want to know if fireworks look round or flat from the side. They make a plan to find the answer at a fireworks display, while Nazuna schemes to run away with Norimichi or Yuusuke, whoever wins at the pool.
Ellie, a recovering drug addict, has just moved to a new city with her two teenage children. She has struggled to stay sober in the past and is determined to make it work this time, finding a stable job and regularly attending her meetings. Unfortunately, new friends, a new job, and the chance of a new life, can’t keep Ellie from slipping once again. Her life changes when she meets Christopher – a different kind of addict – which forces her daughter and son to accept a new version of Ellie.
Tony, a promising young motorcycle racer, is forced to do perilous drug runs to save the mother of his child from a dangerous mobster.
Tortured by the memory of a childhood trauma, a woman returns after a decade to her family’s fly-in hunting lodge to assist her siblings with their dying father, only to find herself stuck in a life threatening nightmare.
In the harsh post-war years’ Catalan countryside, Andreu, a child that belongs to the losing side, finds the corpses of a man and his son in the forest. The authorities want his father to be made responsible of the deaths, but Andreu tries to help his father by finding out who truly killed them. In this search, Andreu develops a moral consciousness against a world of adults fed by lies. In order to survive, he betrays his own roots and ends up finding out the monster that lives within him.
In 1870, a Jamaican colonial family sends its children to Britain for proper schooling, but their ship is taken over by pirates, who become fond of the kids.
General Yu is executed after having been accused of treason by the powerful eunuchs, and his children will be deported. Eunuchs plotting to kill even the children, and prepare an ambush on Dragon’s shelter in the middle of the desert. There are other guests, who are also interested in the deal.
Five young men linger in a postadolescent limbo, dreaming of adventure and escape from their small seacoast town. They while away their time spending the lira doled out by their indulgent families on drink, women, and nights at the local pool hall. Federico Fellini’s second solo directorial effort (originally released in the U.S. as The Young and the Passionate) is a semiautobiographical masterpiece of sharply drawn character sketches: Skirt chaser Fausto, forced to marry a girl he has impregnated; Alberto, the perpetual child; Leopoldo, a writer thirsting for fame; and Moraldo, the only member of the group troubled by a moral conscience. An international success and recipient of an Academy Award® nomination for Best Original Screenplay, I vitelloni compassionately details a year in the life of a group of small-town layabouts struggling to find meaning in their lives.
In a small English village everyone suddenly falls unconscious. When they awake every woman of child bearing age is pregnant. The resulting children have the same strange blond hair, eyes and a strong connection to each other.
In 1977, a book of photographs captured an awakening – women shedding the cultural restrictions of their childhoods and embracing their full humanity. FEMINISTS: WHAT WERE THEY THINKING? revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.
Puff, grew up as a child spoilt by her parents. During the party celebrating her return from overseas studies, she had a romantic encounter with a young university student, it was love at first sight.
The film explores Mauro Ranallo’s career, including his work on the two biggest pay-per-view events in television history, and his relentless pursuit of a childhood dream despite seemingly insurmountable odds. Through this deeply personal portrait, Ranallo hopes that the film might inspire others to persevere in pursuing their dreams despite the challenges of a mental health condition.
