Paris 1913. Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky’s The Rite of Spring is about to be performed. The revolutionary dissonances of Igor’s work parallel Coco’s radical ideas. She wants to democratize women’s fashion; he wants to redefine musical taste. Coco attends the scandalous first performance of The Rite in a chic white dress. The music and ballet are criticized as too modern, too foreign. Coco is moved but Igor is inconsolable.

One summer, mother and ex dancer Eileen lapses back to a troubled past as she starts a new relationship… we watch as she and her family combust. The film, shot on a micro budget, treads between darkness and humour as it moves from its beginning in the suburban cricket club to its conclusion at a music festival.

Mouri Kogoro is called to a special case in the ancient capital of Kyoto. There, Conan meets Heiji and they team up once again to solve the case, recover the stolen Healing Buddha statue, and even discover the identity of Heiji’s first love.

Carrie Watts is living the twilight of her life trapped in an apartment in 1940’s Houston, Texas with a controlling daughter-in-law and a hen-pecked son. Her fondest wish — just once before she dies — is to revisit Bountiful, the small Texas town of her youth which she still refers to as “home.”

Django is a 1966 Italian spaghetti Western film directed by Sergio Corbucci and starring Franco Nero in the eponymous role. The film earned a reputation as being one of the most violent films ever made up to that point and was subsequently refused a certificate in Britain until 1993, when it was eventually issued an 18 certificate. Subsequent to this the film was downgraded to a 15 certificate in 2004. Although the name is referenced in over thirty “sequels” from the time of the film’s release until the mid 1980s in an effort to capitalize on the success of the original, none of these films were official, featuring neither Corbucci nor Nero. Nero did reprise his role as Django in 1987’s Django 2: Il Grande Ritorno (Django Strikes Again), in the only official sequel to be written by Corbucci.

The story centers on paroled white supremacist who has just killed a cop, and takes a black family hostage. Within hours of being released from 14 years of solitary confinement in maximum-security Pelican Bay State Prison, Garrett Tully is on the run again. When he finds a house off a dirt road and takes a family hostage, he thinks the Aryan Brotherhood has his back–and his kidnap victims are black. The family’s patriarch, Mr. Walker, is a jaded ex-con who hates cops so much he disavowed his own son for becoming one. Seeing a familiar desperation in Tully, Walker refuses to call the authorities for help, causing familial tensions to escalate, and soon grave missteps are made.

A group of counter-terrorism agents are brought in to track down a man who was once the head of their squad, and is believed to have gone rogue.

A man is imprisoned for a crime he didn’t commit. When his wife is murdered and his son kidnapped and taken to Mexico, he devises an elaborate and dangerous plan to rescue his son and avenge the murder.

Jack Ryan, as a young covert CIA analyst, uncovers a Russian plot to crash the U.S. economy with a terrorist attack.

The Peanuts gang, including Snoopy and Woodstock, have gone off to summer camp. After a few days of the usual summer-camp activities, they all take part in a rafting race. Battling treacherous rapids, wild animals, and bullies from a rival camp, the teams make their way downriver to the finish line.

When Vanessa receives the results from her Family Tree DNA test, she discovers a family she didn’t know existed and travels to their home for Christmas.

A photographer suffering under artist decline begins taking out his aggression on his girlfriend. When she disappears, he enters his subconscious, descending down a spiral of mystery and madness on his search for her, as well as himself.