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A bold, feminist film about how the vagina has shaped our view of the world and the shame around female sexuality. Women from 19 to 77 years old talk about puberty, menstruation, birth, motherhood, infertility, menopause, pleasure, sex, pain, trauma, gender, sexuality, cancer, rape and FGM.
On a spur of the moment road trip, new friends Sophie and Pete hatch a misguided plan to get hitched.
Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)
Since the assassination of Dr. George Tiller in Kansas in 2009, only four doctors in the United States continue to perform third-trimester abortions. These physicians, all colleagues of Dr. Tiller, sacrifice their safety and personal lives in the name of their fierce, unwavering conviction to help women.
A stirring story about regret, love, and second chances, woven together in a vignette style. The story follows four women who sit at a crisis point in their lives–their desires clouded by fear, duty, tragedy, and regret. As each story unfolds, the characters struggle to find the courage to live for themselves, to reclaim the relationships they have lost along the way, and to make time for the things that really matter.
Ali (LAWRENCE ADISA), is a struggling real estate agent and ladies man who has never desired to commit to anyone or anything. One night while out with his buddy Chris (OMAR MILLER), Ali meets and falls for Sandrine (DAVETTA SHERWOOD), a single mother who works hard and is looking for love. Ali’s best friend Joel (BRIAN HOOKS) and his wife (TANGI MILLER) are happy to see Ali cut off his line of women, while Sandrine’s best friend Steph (TEYANA TAYLOR) is unenthusiastic about Sandrine welcoming a man into her home to meet her son and mother (KELLITA SMITH). With a declining real estate career and issues with his new relationship, Ali starts questioning just how committed he’s willing to be. One important meeting with real estate mogul James Johnson (MEKHI PHIFER) could change his life for forever. For the first time it looks like Ali may make a transformation if he can steer clear of obstacles. In the end will love conquer all? Or will broken hearts be all that’s left of their romance?
Their relationship on the rocks, a young Brooklyn couple heads to a remote B&B to work things out. But from the moment they arrive at The Happy House it’s one disaster after another, and they soon begin to suspect they’ve wandered into a real life horror movie. Events escalate from weird to terrifying as they contend with the house’s batty owner, her imposing son, a moody Swedish lepidopterist, a pedantic English professor, an extraordinarily rare butterfly, the world’s best blueberry muffins, a .44 Magnum, a demented serial killer, and one very strict rulebook.
Esteban and Molly have been married for over twenty years. On a cold morning in June the couple realizes they have hit rock bottom and that their relationship is not what it once was. Marriage examines the different aspects that make a man and a woman click, those moments where a bond can become harder than a rock, but it will also illustrate the downfalls and all the little things that make a relationship worth fighting for.
Wealthy American housewife Mary Morgan takes her bullied son George out of school for home education,including a trip to Southern Africa. Whilst in Mozambique George is bitten by a mosquito which crawls through a hole in his net and dies of malaria. After his funeral at home Mary feels a compulsion to return to Africa where she meets English woman Martha O’Connell,whose 24 year old son Ben, a teacher with voluntary service overseas,has also died of malaria. Ben gave his net to one of his pupils,believing adults cannot catch malaria. The two women are shocked to see the high death rate caused by the disease and,whilst Martha stays in Africa as a voluntary helper,Mary petitions the American government to change things. Martha turns up at Mary’s house unannounced and,helped by Mary’s ex-diplomat father,they address a senate committee on health spending,persuading them to do more to combat malaria. They meet with some success though a coda states that much more can be done.
Our story takes place in the fertile, San Joaquin Valley. Fueled by gin and sheer determination, Elizabeth James (Ms. Liz) operates her third generation dairy farm outside the region’s domineering co-ops. To help keep the place afloat, she’s employed five renegade ranch hands. These boys have put a pin in responsibility and opted to stretch out the party as long as possible. Unfortunately, women, booze, and fisticuffs can only lead to one outcome: trouble. With the dairy farm reporting its third straight deficit year, Ms Liz is attracting some unwanted attention. Delbert Furgeson, the owner of the area’s largest co-op, is pushing to buy her out. This only incenses the prideful Ms Liz and starts a volatile feud between the two. Sharing the narrative are the ranch hands.
Comedy about the unlikely friendship that develops between two very different young women who meet waitressing at a diner in trendy Williamsburg, Brooklyn, and form a bond over one day owning their own successful cupcake business. Only one thing stands in their way – they’re broke.
Four student filmmakers set out to explore an abandoned building famous for its connection with the occult, but as their journey becomes littered with strange behavior and unexplained phenomena, it becomes clear the horror they are attempting to document may already be lurking among them.
Cosmo Vittelli, the proprietor of a sleazy, low-rent Hollywood cabaret, has a real affection for the women who strip in his peepshows and the staff who keep up his dingy establishment. He also has a major gambling problem that has gotten him in trouble before. When Cosmo loses big-time at an underground casino run by mobster Mort, he isn’t able to pay up. Mort then offers Cosmo the chance to pay back his debt by knocking off a pesky, Mafia-protected bookie.
Set over the course of a weekend tournament for chess software programmers thirty-some years ago, COMPUTER CHESS transports viewers to a nostalgic moment when the contest between technology and the human spirit seemed a little more up for grabs. We get to know the eccentric geniuses possessed with the vision to teach a metal box to defeat man, literally, at his own game, laying the groundwork for artificial intelligence as we know it and will come to know it in the future.
AmeriQua is the story of a lazy recent graduate, Charlie (Bobby Kennedy), whose rich parents cut him off with a $5000 check and an ultimatum to start a life of independence and responsibility. Instead, he buys a plane ticket to Italy, gets robbed upon arrival and winds up in Bologna in the care of his new friend Lele (Lele Gabellone), the self-proclaimed King of Bologna, who lives with a scraggly punkabbestia, Ballo (Gianlucca Bazzoli), and the insatiable prostitute frequenter, Il Pisa (Giuseppe Sanfelice). In Bologna, Lele teaches Chrlie the subtle strategies that the King knows so well, namely hitting on Italian women, throwing all-night parties and inciting general anarchy. Charlie takes to it like a pro and in the process meets the dangerously beautiful Valentina (Alessandra Mastronardi) and all-American Jessica (Eva Amurri).
A dark, twisted retelling of “Dante’s Inferno,” done in the torture-porn style of “Hostel” and “High Tension.” To escape her abusive foster home, headstrong 18-year-old Danielle Hitches a Ride with an affable psycho who calls himself Virgil and has an axe to grind against women based on his warped religious beliefs. She realizes she hasn’t quite found her knight in shining armor when she awakens half-naked, chained to a post in Virgil’s basement. As Virgil, puts Danielle through a sadistic “moral cleansing” of debauched torture sessions that could kill her at any moment, she must choose either to fight back or to become as inhuman and deranged as Virgil himself. What Virgil doesn’t know is that Danielle may be more than up to the challenge of his psychotic head games.
Fear, anger, sadness, joy, disgust, envy, shame. Adaś Miauczyński goes back to his childhood days when, like most of us, he used to find it problematic to name the emotions that accompanied him. To improve the quality of his adult life, he decides to return to that time – which proves not so carefree after all – to learn how to experience the seven basic emotions. This extremely unpredictable journey into the past features an abundance of hilarious, even comical, situations but is also filled with lots of touching moments and food for thought.
Including extraordinary and unseen historical footage of WW1 and 2 and narrated by Sir Martin Lewis, 100 Years of the RAF is a definitive film that pays tribute to the determination and courage our men and women take on in the theatres of war; to defend our freedom and bring relief to people in need.
A vision of an unconventional family together with their conflicts and rivalry, a vision full of ironic sense of humour but also emotional moments and true closeness. When the elder brother, Andrzej, suddenly falls ill, despite their differences and a wall of misunderstandings that has grown between them, his younger brother is taking it upon himself to care for his brother in need.
Cute waitress/hooker is romanced and wed to handsome stranger/funeral director. He, as well as most of the town prefer their women dead. She is the obvious candidate for that position, as his two previous wives were in terrible shape even for dead persons. She must be fleet of foot indeed to avoid their fate.
Martin sedates women with a syringe full of narcotics and then slices their wrists with a razor blade so he can drink their blood. Martin, who comes to live with his uncle and cousin in the dying town of Braddock, Pennsylvania, has romantic monochrome visions of vampiric seductions and torch-lit mobs, but it is impossible to tell how seriously he takes them.
In 1951 New York poet Elizabeth Bishop travels to Rio de Janeiro to visit Mary, a college friend. The shy Elizabeth is overwhelmed by Brazilian sensuality. She is the antithesis to Mary’s dashing partner, architect Lota de Macedo Soares. Although frosty at first, the architect soon makes a play for Elizabeth and the poet finally succumbs to Lota’s advances. Mary is jealous, but unconventional Lota is determined to have both women at all costs. Their ménage à trois is thrown off balance when Lota starts work on her biggest project to date, designing Parque do Flamengo in Rio. Elizabeth accepts an academic teaching post in the USA and the women drift apart. Lota, at all other times brimming with self-confidence, is inconsolable. This eternal triangle plays out against the backdrop of the military coup of 1964. Bishop’s moving poems are at the core of a film which lushly illustrates a crucial phase in the life of this influential Pulitzer prize-winning poet
Aliens who take on the form of humans are invading Earth. When a team of agents who are tasked with tracking down these aliens for termination realize that the creatures have the ability to manipulate women on a psychological level, their assignments become terrifyingly uncertain.
In the history of aviation, there have been only 14 of them: sole survivors of a commercial aviation disaster. Most have never spoken publicly about the loss, the guilt, the immense pressure of feeling “spared.” Who, after all, could ever truly understand? The answer is only each other. Sole Survivor brings four of them together (George Lamson, Cecilia Cichan, Bahia Bakari and Jim Polehinke) to share their very complex, personal stories for the first time. They revisit the most harrowing moments of their lives in an effort to heal and overcome their most perplexing questions.
Fausta is suffering from a rare disease called the Milk of Sorrow, which is transmitted through the breast milk of pregnant women who were abused or raped during or soon after pregnancy. While living in constant fear and confusion due to this disease, she must face the sudden death of her mother. She chooses to take drastic measures to not follow in her mother’s footsteps.
Comedian Shane Mauss goes on a series of adventures to deepen his understanding of psychedelics. He describes the indescribable and takes us through some of his most intense experiences, while getting the added perspectives of some of the top scientists and experts in this realm. With moments of both confusion and clarity, this is as an honest account of the experiences of a genuine Psychonaut.
The Singer is a film about the all-time favourite singer in Finland, Olavi Virta. A man who rose from poverty all the way to the top and became an artist who was dearly loved by the Finnish people. A man who loved beautiful women and was loved by beautiful women. A man who enjoyed speed, American cars, applause and alcohol and who finally lost everything but his unique voice.
Three pregnant women are kidnapped from abortion clinics and held for seven months until they all give birth. Seven years later, those who held the women have been arrested, admitting to their deeds. They have been brought to trial, and now the jury deliberates their fate. The kidnappers had video-taped the entire seven months that the women were held. In essence, duri
Six kickass women must fight off a horde of terrifying monsters at an 18th birthday party.
An actress accidentally ends up in a room with a weird group of women claiming to be travelling in a secret high-tech space device to Mars.
After a nuclear holocaust tears the world apart, mankind is forced to the harshness of not only the oppression of others who are much more powerful, but the dead earth which seems to be getting worse with every passing moment. But a savior has risen from the ashes, a man who will defeat those who would torment the weak and make the world a livable place once more. A man named Kenshiro…
Weighed down by financial problems, Tina takes a job as a receptionist at an illegal massage parlour in London. As she slowly gets to know the women who work there, Tina is forced to question her values and morals. But how far will she be drawn into this world, and can she avoid losing herself in the process?
When a devastating attack shatters Mark Hogancamp and wipes away all memories, no one expected recovery. Putting together pieces from his old and new life, Mark meticulously creates a wondrous town named Marwen where he can heal and be heroic. As he builds an astonishing art installation — a testament to the most powerful women he knows — through his fantasy world, he draws strength to triumph in the real one.
As one of the youngest Planned Parenthood clinic directors in the nation, Abby Johnson was involved in upwards of 22,000 abortions and counseled countless women on their reproductive choices. Her passion surrounding a woman’s right to choose led her to become a spokesperson for Planned Parenthood, fighting to enact legislation for the cause she so deeply believed in. Until the day she saw something that changed everything.
Held hostage in an isolated house, three kidnapped women attempt to escape from their sadistic captors.
WrestleMania 35 will be the thirty-fifth annual WrestleMania professional wrestling pay-per-view (PPV) event and WWE Network event produced by WWE for their Raw, SmackDown, and 205 Live brands. It will take place on April 7, 2019 at MetLife Stadium in East Rutherford, New Jersey. The event is set to feature the first-ever women’s main event match in the show’s history.
