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Cassie, a 13 year old Gothic girl, is trying to fit in at her new school. To entertain herself, she plays a series of pranks on the popular kids and her younger brother, Max. When she goes to a Halloween store looking for new tricks, she finds a little book called “The Evil Thing”
Two couples spend a weekend in the country, only to cross paths with a brutal serial killer. As the body count rises, suspicion spirals into paranoia, climaxing in a terrifying battle for survival.
An American artist’s obsession with a disturbing urban legend leads her to an investigation of the story’s origins at the crumbling estate of a reclusive painter in Ireland.
A home-care nurse takes a job, but as it proves to be his toughest yet; he is inadvertently pulled into something much more sinister.
After years of domestic abuse, Donnie and his agoraphobic mother Helen attempt to make a normal life for themselves, only to find that they can’t shake their unforgiving past.
On the rocky path to sobriety after a life-changing accident, John Callahan discovers the healing power of art, willing his injured hands into drawing hilarious, often controversial cartoons, which bring him a new lease on life.
In his 5th stand-up special, Paavam (Innocent) comedian Kenny Sebastian talks about moving cities, his parents and why he is a former nice guy.
The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.
In this campy throwback to 1950’s monster films, a vicious monster, the Riverbeast, has arisen from its watery lair to terrorize a peaceful New England town. Local tutor Neil Stuart has seen the beast before, but nobody believed his story, making him the town laughingstock. Neil sets out to not only prove that the Riverbeast exists, but also, with the help of his beautiful pupil, scrappy tutor buddies, and a former professional athlete, to vanquish the aquatic menace!
Howard Spence has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to die now, nobody would shed a tear over him, that’s the sad truth. Until one day Howard learns that he might have a child somewhere out there…
A reenactment of the final days of the 2001 G8 Summit.
Married couple Jack and Terry Linden are experiencing a difficult period in their relationship. When Jack decides to step outside the marriage, he becomes involved with Edith, who happens to be the wife of his best friend and colleague, Hank Evans. Learning of their partners’ infidelity, Terry and Hank engage in their own extramarital affair together. Now, both marriages and friendships are on the brink of collapse.
Don’t Go in the Woods is sound advice, especially when there’s a killer on the loose. First-time director Vincent D’Onofrio (Full Metal Jacket, “Law & Order: Criminal Intent”) explores love, greed and ruthlessness in this twisted musical/horror hybrid, telling the story of a young band who heads to the woods to get away from their everyday lives in order to focus on writing new songs. Hoping to walk away from the trip with new tunes that will score them their big break, they instead find themselves in the middle of a nightmare beyond comprehension.
A fragile and sultry young woman claims to be the innocent victim of multiple attackers, but something doesn’t quite add up. Maybe it’s the way men turn up dead after spending the night with her. Maybe it’s her cloudy past. Maybe it’s the shady psychologist who interferes with the investigation.
Scott Rantzen (Brady Simenson) is a horror movie loving misfit who is teased by the popular students in school. When a date with the very popular and very beautiful Erica Carpenter (Stephanie Leigh Rose) backfires, he feels as though his life is ruined. Ten years later, the gang reunite for their class reunion. Little do they know that someone is waiting for them and ready to see that they pay for what they did. Is Scott back for revenge and will the old gang survive to tell the tale? It’ll be more gore for Class of 04.
“The big ALL FUN show for the whole family to enjoy!” was the tagline for this musical comedy classic. Sir Howard Morrison (as himself) and Rotorua are the stars in the tiki-flavoured tale. Moving from Sydney to a Rotorua music festival the plot centres on a romance between a young drummer (Gary Wallace) and his girl Judy (Carmen Duncan) and the hurdles they face to stay true. But this is only an excuse for a melange of madcap, pep-filled musical fun. Made by John O’Shea’s Pacific Films, it features Kiri Te Kanawa, Lew Pryme and Aussie star Norman Rowe.
A stirring story about regret, love, and second chances, woven together in a vignette style. The story follows four women who sit at a crisis point in their lives–their desires clouded by fear, duty, tragedy, and regret. As each story unfolds, the characters struggle to find the courage to live for themselves, to reclaim the relationships they have lost along the way, and to make time for the things that really matter.
Trailer Park Boys: Don’t Legalize It is the third film in the Trailer Park Boys franchise, and a sequel to Trailer Park Boys: Countdown to Liquor Day (2009). In the film, Ricky (Robb Wells), Julian (John Paul Tremblay) and Bubbles (Mike Smith) attempt a series of get-rich-quick schemes after being released from prison, but are again pursued by former Sunnyvale Trailer Park supervisor Jim Lahey (John Dunsworth).
A team of hardened detectives come face to face with evil as they investigate a killing spree in San Bernardino California.
Based on true events that changed the law. This is the story of a survivor, Lyndal, a young woman sexually abused as an 11 year old while attending a prestigious school. Her courage to fight for justice is entrusted to a local lawyer determined to build a case and give Lyndal peace from her torment. With the help of his aspiring young associate and an enigmatic barrister, the lawyer and Lyndal find their way together.
The border between Brazil and Paraguay: living on opposite sides of a big river, Brazilian boy Joca falls in love with indigenous-Paraguayan girl Basano. A magical tale of impossible love and adventure in this land full of memories of colonial wars and indigenous genocide.
An outlaw and his ex-con grandfather team up for a big score, but a ruthless killer stands in their way.
In a small peaceful town, zombies suddenly rise to terrorize the town. Now three bespectacled police officers and a strange Scottish morgue expert must band together to defeat the undead.
“I’m known to be a feminist, but I don’t do male bashing, because I think men and women need each other, and all we need is a new equation: love and mutual respect.” – Aruna Raje. CineVedas Inc. presents Women Beyond Bollywood, a film in which women filmmakers in India are challenging Bollywood’s misogynistic tropes, venturing into taboo territories with dramatic, realistic, and subversive films. In Women Beyond Bollywood, director Rahila Bootwala meets with some remarkable women, from doyennes of Indian cinema to vibrant emerging filmmakers. She meets three generations of women who are reshaping the film industry and taking controversial stances on religion, sexuality, marriage, and other taboo subjects. “Women Beyond Bollywood” has opened at the Indian Film Festival (Melbourne, Australia), Tasveer South Asian Film Festival (Seattle, U.S), Through Women’s Eyes (Florida, U.S), La Femme International Film Festival (Los Angeles, U.S), Chicago South Asian Film Festival (Chicago, U.S).
REZ METAL follows the Navajo heavy metal band I Don’t Konform’s remarkable journey from performing on poverty-stricken reservations to recording their debut album with Grammy-award winner producer of Metallica while telling the compelling story of thriving heavy metal scene on the Navajo reservations.
Tim Rice and Andrew Lloyd Webber’s Jesus Christ Superstar first exploded onto the West End stage in 1971 and it was clear that the musical world would never be the same again. For the first time ever, Jesus Christ Superstar has been specially filmed for video. Shot at Pinewood Studios, this brand new filmed stage version starring Glenn Carter and Rik Mayall captures one of the best score Andrew Lloyd Webber has ever written and is packed with hit songs including, ‘I Don’t Know How To Love Him’, ‘Gethsemane’ and ‘Superstar’.
This sequel to Paranormal Retreat 1 is just as crazy and scary, will JB ever find his Team and Madam Della, I don’t think so, what he encounters on this property and deep woods is horrifying! JB has been hospitalized on and off for over a year, the cops are out to get him, they think he is somewhat crazy or is he? Watch the horror unfold and ask yourself is it real or not?
Hardwell is a fictional town near the border of two provinces at odds with each other. Meanwhile, the camp Ashley and Ty work at is called Kilometer 72. They have just crossed over into a province whose energy values don’t align with their own and run into protests and antipathy. A single, debt-ridden mother takes a job as a pipe labourer at a remote camp near the town of Hardwell. As tensions grow between workers and neighbouring communities, Ashley is challenged to protect the industry and her only source of income. Forming an unlikely bond with a member of her crew, Ashley and Ty help one another navigate hostile working conditions and the complexities of an industry in transition. Pipe Nation is a fictional analysis of the historical, political and economic significance of pipelines. It works to illuminate the unique relationships between individual citizens and the webs of steel which lie below.
