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Mumu discovers a flock of sheep grazing in the park where he plays with his friends Milo, Rita, Talalo, Alfred and Olga, and can´t avoid compare her snowy appearance to them, the troops of cloth, fabrics made of very different prints, lots of spots of all colors playing in the field and in the puddles. And feel some shame and envy of his friends of the sheep shiny. And when he discovers that these sheep are actually spotless stars that will be part of a great show, Mumu is so fascinated that he have to change what is necessary for that to become also a glamorous star. She was a very special cow can not keep wasting time with a group of friends wrong.
When the Love Is Gone is a 2013 Filipino romantic drama film directed by Andoy Ranay, starring Cristine Reyes, Gabby Concepcion, Alice Dixson, Andi Eigenmann, and Jake Cuenca. The film is distributed by Viva Films with co-production of Multivision Pictures and was released November 27, 2013 nationwide as part of Viva Films’ 32nd anniversary. The movie is a remake of the 1983 blockbuster movie directed by Danny Zialcita entitled Nagalit ang Buwan sa Haba ng Gabi which stars Dindo Fernando, Gloria Diaz, Laurice Guillen, and Eddie Garcia.
Vinny and Sebastion, two burnouts, going nowhere in small town suburbia and still riding the high of their high-school days, start a business doing the only thing they have ever excelled at…drugs. With the help of a jealous girlfriend and a rich goth chick, Vinny and Sebastion take on the mob, angry, geeky, frat-boys, and zombies in the search of the perfect high.
Former college buddies Horaguchi and Okawa suddenly reunite on a whim after 15 years apart and try to resume their friendship by planning a trip together. Meanwhile, Okawa’s live-in girlfriend Kaede and the pair’s old friend Kyoko get roped into joining them. Soon, the four head off on a trip together with the goal of sharing sukiyaki by the sea.
A top actress, the daughter-in-law for a wealthy family and an innocent bride to be were once good friends. Someone then threatens to reveal their pasts if they don’t seduce three men. The three men are a photographer, a wealthy man and humorous guy. They have a secret hobby, ordinary people could not understand. By chance, these three men and women meet and they all go on vacation to a paradise like place. But, that is all part of a scheme. Who is behind the scheme?
Due to a road rage between two buses, an accident occurs which puts the lives of its passengers in jeopardy. But the ones greatly affected by such event are a middle-aged woman named Fiesta (Eugene Domingo), an old and retired family patriarch Tonio (Leo Martinez), and a lad named Caloy (Enchong Dee). These three people are pierced through a single steel bar – a dangerous situation that even their doctors find hard to solve. But even before this unfortunate circumstance, these three have their share of ill-fated lives.
Ken is quick to adopt a change in personality by becoming an “on-the-ball” recruit, even more so than “Wayang King” Aloysius. Differing viewpoints sour the friendship between Ken and Lobang. Meanwhile, Ken’s father has become partially paralyzed because of his stroke but is determined to make a recovery. After booking out, Aloysius seeks advice from his parents as he feels excluded from the group; his father (Chen Tianwen) tells him the best solution is not to do anything. Back at Tekong, Recruit IP Man learns about “Real Bullet” Zhen Zidan (Benjamin Mok), an “Ah Beng” who stole his girlfriend Mayoki (Sherraine Low). IP Man hits back by criticizing Mayoki for her inferior qualities.
The prideful and arrogant Bobby is the strongest hedgehog as well as the exception and rebellion in the whole hedgehog tribe. However, During his fight with “Tie Tui”, he accidently gets hurt, loses his memory and starts his mysterious journey.
I’m Still Here is a portrayal of a tumultuous year in the life of actor Joaquin Phoenix. With remarkable access, the film follows the Oscar-nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip-hop musician. The film is a portrait of an artist at a crossroads and explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye.
A man and woman meet by chance at a romantic inn over dinner. Although both are married to others, they find themselves in the same bed the next morning questioning how this could have happened. They agree to meet on the same weekend each year. Originally a stage play, the two are seen changing, years apart, always in the same room in different scenes. Each of them always appears on schedule, but as time goes on each has some personal crisis that the other helps them through, often without both of them understanding what is going on.
Continually smiling or laughing, this man, a self-acknowledged Nazi, proudly reveals that he went to the Congo to save Western civilization from Bolshevism — to complete the work of the Nazis. Dressed in his military jungle uniform (with his Second World War decorations) he waxes eloquent about the “colors” of South Africa, “explains” apartheid, and freely discusses his “adventures”. Shots of corpses, tortures, and executions of Blacks are intercut. It is not often that one can see and hear a real, “live” Nazi in action, talking (more or less) freely because he presumed him-self to be among friends instead of with two of the most cleverpolitical propagandists of our time, working for the other side.
The dry quarry and a forest that still beats. A very sick father reviews the daughter. Resentments are brought to the table. The memory of the dead awakened by blood, objects, shadows and dreams affects Clarisse at this scenario of beauty and agony. Husband and business are expecting she in the city for a cathartic outcome.
A chronicle of the iconoclastic life of gay poet, filmmaker, and spiritual visionary James Broughton, one of the defining voices of the sexual revolution, whose groundbreaking artistic celebrations of sexuality and the body influenced generations of the 1960’s and 70’s to profoundly embrace life and ‘follow your own weird’.
Filmmaker and omnivore John Papola, together with his vegetarian wife Lisa, offer up a timely and refreshingly unbiased look at how farm animals are raised for our consumption. With unprecedented access to large-scale conventional farms, Papola asks the tough questions behind every hamburger, glass of milk and baby-back rib. What he discovers are not heartless industrialists, but America’s farmers – real people who, along with him, are grappling with the moral dimensions of farming animals for food.
Two drug dealers on the lam seek refuge inside their mentally unstable friend’s mansion. But in order to stay, they have to participate in her elaborate, and increasingly dangerous, game of permanent make-believe.
Big money artists and mega-collectors pay a high price when art collides with commerce. After a series of paintings by an unknown artist are discovered, a supernatural force enacts revenge on those who have allowed their greed to get in the way of art.
Cell phone novelist Yukina Himuro has decided that in order to satisfy her fans’ demand for love stories, she must experience romance firsthand. However, with her icy reputation, how can she find someone willing to play the part of boyfriend? By blackmailing the most popular boy in school, of course.
Kim lives with his dad, sells weed to skaters, writes poetry, and snorts painkillers to get through the day. One evening, while strolling through the subdivision painted up as his alter ego Shadow Zombie, Kim catches the eye of a registered nurse and part-time clown Brandi. What follows is a brief romance marked by destruction by the very real phantoms emanating from Kim’s dead-end present and Brandi’s traumatic past. Shooting under near-documentary conditions in and around Lafayette, Louisiana, Jorge Torres-Torres operates peopling his film with a coterie of genuine Acadiana misfits. The merciless and at times unexpectedly poignant observation of Kim’s world dares to see through to the human core of a drug addict or clinically depressed clown.
Two brothers witness the murder of their parents and grow up dealing with the tragedy in very different ways. As one brother struggles with mental illness and sleep paralysis, the other finds success in the unique world of found object art.
The fourth film of firefighter-turned-director Yang Shupeng, Blood of Youth follows a young hacker named Su Ang (Oho Ou), who anonymously tips off the police about the remains of a woman buried in the woods near the city of Hangzhou. Detective Zhang (Zhang Yi) discovers the victim was beaten to death almost two decades ago, and starts investigating the events that lead to her death.
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound (Vivaldi, Bach, Wagner), and is an interpretation of the particular aria.
Blood Riders is a blood soaked adventure comedy about 4 young friends who stumble upon a body after stealing a car. That discovery pushes the friends on a road trip around town during which they try get rid of the increasing amount of corpses. Along their wild ride the kids encounter neo-Nazis, punk artists, devil worshipers and a plan to resurrect Hitler.
Schooled: The Price of College Sports is a comprehensive look at the business, history and culture of big-time college football and basketball in America. It is an adaptation of “The Cartel” by Pulitzer Prize Winning civil rights scholar Taylor Branch, and his October 2011 article in The Atlantic, “The Shame of College Sports.” Schooled presents a hard-hitting examination of the NCAA’s treatment of its athletes and amateurism in collegiate athletics; weaving interviews, archival and verité footage to tell a story of how college sports became a billion dollar industry built on the backs of athletes who are deprived of numerous rights.
Canyoneering is the sport of descending canyons by means of hiking, climbing, rappelling and swimming. Relatively obscure, the sport was brought to the mainstream in 2003 with the news of Aron Ralston who had severed his own arm while trapped in a canyon. Experiencing an overnight spike in popularity by the late 90s – a result of information appearing on the internet – the sport became inundated with thrill-seekers of all backgrounds and skill levels. Facing a new era of off-the-couch recreationalists, three influential participants, a canyoneering instructor, pioneer, and guidebook author each respond to a growing interest in the incredibly dangerous activity. Gorging employs the story of canyoneering to examine larger questions about the pursuit of thrills and the consequences that follow.
After losing his best friend Charlie on Christmas Eve, Bobby Whiteside ventures out onto the lake where they played games of winter hockey. Upon shoveling the ice surface he discovers a magic, perfectly groomed hockey rink that appears only at night in his presence. When a development company starts purchasing lake frontage, Bobby joins forces with his high school crush to rally the town to play one last game on the night pond.
Charles Dickens’ classic heart warming tale…not really. The Jewish mafia has decided to steal Scrooge’s whoring business and ruin the holidays; all the while Scrooge is visited by the three ghosts of Christmas, who attempt to show him the errors of his greedy ways.
Yasutake Shingo is a newspaper reporter whose only redeeming feature is his earnestness. He meets Matsunaga Chie, who attends a music college, and they start dating. Each day becomes all the more bright and enjoyable for Shingo because of the lively Chie. She loves to laugh, sing and eat. After one and a half years, Chie is employed as a music teacher. One day, Shingo is informed that Chie has breast cancer. After thinking about it, he decides to share a lifetime with her and proposes. His proposal gives her the courage to undergo surgery which she had been mulling over. One day, Chie starts to teach 5-year-old Hana the “important things in life” such as laundry, cleaning and cooking. She thinks that even if she is no longer around, her daughter and husband will be able to live.
Albert is a seasoned renegade with a heart of gold. With his memory beginning to fail and his wife wheelchair bound, his young granddaughter, Jean, has her hands more than full taking care of the couple. When Albert journeys into the desert, Jean must learn and grow over the course of her epic quest into the wilderness with her faithful canine. “Agnosia” is a miraculous adventure into the strength of the human spirit, and the power of love, courage, and faith.
How would you feel about carrying your home in your pocket or having clothes to live in? For most of us, “house” means stability, structure, and permanence. In an age of increasing population and technological gains, today’s mobile society has resulted in a demand, or perhaps a dream, for portable dwellings and dwellings in new settings and situations.
Microtopia explores how architects, artists and ordinary problem-solvers are pushing the limits to find answers to their dreams of portability, flexibility – and of creating independence from “the grid”. Modern nomads, homeless people, people in stress, people in need of privacy or seclusion. We hear about the personal reasons behind the dwellings, and to see how they actually work. On the sidewalk, on rooftops, in industrial landscapes and in nature we will see and feel how these abodes meet the dreams set up by their creators. Microtopia deals with a contemporary urgent ideas that are addressed, and solved, in a very surprising way.
Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.
Evidence supports that the CIA manipulated musicians and activists to promote drugs for social control, particularly regarding the Civil Rights and anti-war movements. Some musicians that resisted these manipulations were killed.
Trapped in the center of a lucrative organ trafficking racket, Claire (Jessica Hegarty) discovers her father runs the grisly global criminal organization. Her sheltered life now shattered and exposed, Claire must work with Interpol to pursue the hidden truth. This journey thrusts Claire into a dark world, forced to fight for her life against a barrage of deadly hitmen assigned to silence her. No match against such organized assassins, Claire’s only hope rests on a chance encounter with a protective guardian, Michael (Rody Claude), who is not all as he seems. Her fight for survival reunites Claire with her father, pushing a family’s bond to its limits in a tense and desperate showdown.
A young woman returns to her birthplace after her father’s death and unearths distant memories and long-buried secrets that change everything she thought she knew about her family, past and herself.
Every town has a devil. For the small community of Braxton, that devil is Tommy Miller. A bullied and tormented teen who finally snapped, killing his friends and family at the annual Braxton town hall party, Miller escaped into the woods, never to be seen or heard from again. Until now. Ten years later, a group of fresh-faced teens find themselves targeted by a masked man in a hooded cloak. It’s up to Detective Ryan Fenton and his fish-out-of-water partner to protect the town from Miller’s clutches; there’s just one issue – Ryan himself is a survivor of the original massacre. Is Miller opening up a new chapter, or has he returned to attend to some unfinished business?
Paranoid computer programmer Simon wakes up to find a package in his room one day. Despite attempts at securing his apartment, the packages keep arriving. While cameras watch Simon’s every move, he struggles to find the answers to the mysterious forces taking over his life.
Bob Saget takes to the stage with a song in his heart. A filthy, filthy song to be exact. In his latest stand up special, Saget lets loose and embraces the dark side as he tells his favorite dirty jokes and stories about his dad – the guy who made him like this.
A group of Central-American teen-agers depart from the slums of Guatemala City escaping poverty and violence, towards the promised land of California.
Goldberg is short and thin. He wears glasses. He’s lonely. He’s a mediocre computer programmer that lives in Tel Aviv and spends most of his energy searching online for a girlfriend. His only friend is Audrey, his beloved female dog. Eisenberg is a thug. Tall, fat, approaching middle age and not completely sane. He spends his days slouching around Meir Park, harassing innocent bystanders and doing business with petty thieves and small-time criminals. Unfortunately the two cross paths, and Eisenberg decides that they should start hanging out. But something in his demeanor says that he wants to be much more than just friends…This is a story about random meetings with strangers that lead to anxiety and paranoia. About lonely people in the big city. About losing control.
