Two drug dealers on the lam seek refuge inside their mentally unstable friend’s mansion. But in order to stay, they have to participate in her elaborate, and increasingly dangerous, game of permanent make-believe.
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When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.
PT-218: THE REBELS OF WWII not only tells a true story, but gives us never seen details of what happened in 1942. At the height of WWII, the Atlantic Ocean becomes a deadly battleground as an American torpedo boat fights against the constant bombardment of German forces.
After the mysterious death of his Aunt, a confirmed skeptic lawyer, Bryan Becket, dismisses reports that her house is haunted and moves in. Immediately occurrences begin he cannot explain. And beyond the occurrences there is something about the house which gnaws at Becket – some strange connection he senses he has with the house’s past. Soon, the haunting turns personal.
A teenaged girl discovers that her stepfather is trying to murder her and her mother, but when she tells people, no one will believe her.
Stagnant since 1903, at an elevation of 9000′, a volcano erupts on the mythical and majestic Baekdu Mountain.
A private investigator takes on an odd job to retrieve a lost Rolex, only to find himself lured into a case filled with violence and sex by his mysterious employer.
Jacques Arnault, head of Sud Secours NGO, is planning a high impact operation: he and his team are going to exfiltrate 300 orphan victims of the Chadian civil war and bring them to French adoption applicants. Françoise Dubois, a journalist, is invited to come along with them and handle the media coverage for this operation. Completely immersed in the brutal reality of a country at war, the NGO members start losing their convictions and are faced with the limits of humanitarian intervention.
