After a high school track runner, named Laura, suddenly dies from a heart attack after finishing a 30-second 200-meter race, a killer wearing a sweat suit and a fencing mask begins killing off her friends on the school track team one by one. The suspects include the track coach Michaels, Laura’s sister Anne who arrives in town for the funeral, the creepy school principal Mr. Guglione, and Laura’s strange boyfriend Kevin.

New York magazine’s October 2005 issue sent shockwaves through the literary world when it unmasked “it boy” wunderkind JT LeRoy, whose tough prose about his sordid childhood had captivated icons and luminaries internationally. It turned out LeRoy didn’t actually exist. He was dreamed up by 40-year-old San Francisco punk rocker and phone sex operator, Laura Albert.

A week in the life of a bus driver and poet named Paterson, and his supportive wife Laura.

When her father seemingly goes missing, divorcee Laura LeCrois is forced to return home after a 20-year hiatus. However, home is not the way Laura remembers it. Her father is in major debt with the bank, her ex-boyfriend is the town sheriff, and her ex-husband has quit his job as a world-renowned professor who is now suspiciously buying up swampland in the area. In an effort to save the swamp and to pass the time, Laura decides to work the dying family business giving boat tours of the Louisiana swamp. But on her first sunset tour, deep in the swamp, Laura and her passengers witness two Bayou swamp rats toss a squirming body into a gator pit, only the gators aren’t the ones that feast on the flesh. Instead it’s the most terrifying creature Laura has ever seen…(IMDB,com)

College student Tracy (Laura Lee Black) has just received an assignment to write a report on her favorite film genre. In her research she discovers a book, now Tracy is taken into three interlocking tales of the unexpected. First in THE VAT, two women (Jenny Coulter / Rodney Horn) are harassed by a religious fanatic (Angie Keeling) about their worldly ways. When the bible thumping hypocrite threatens violence, chaos takes it’s toll. Next in BIG DEBBIE, a robust woman (Rodney Horn) is abandoned at the altar, she runs into two guys that use her to fulfill their odd sexual fetish. When one accidentally dies, they’re forced to get rid of the body… the only problem: a woman on the edge (Rachel Stout) witnesses the ditching and blackmails them into killing her cheating girlfriend (Kelli Ellis). Finally in INGLOURIOUS BITCHES, a quirky pair of female vigilantes (Douglas Conner / Brian Dorton) use an app on a cellphone to track down and murder sex offenders.

At the prompting of his diplomat friend, Alex, writer Ted Fletcher takes his wife, Laura, and daughter, Amy, on an extended working holiday. Alex finds a house for them in Kyoto, Japan, and the Fletchers move in, laughing off rumors that the place is haunted. But the ghost of 19th-century samurai Shigero turns out to be very real, and is intent on making the family re-enact an ancient murder-suicide.

Laura is a 19-year-old university freshman who desperately wants to do well in school. She works a part-time job but cannot make ends meet. One evening in which she is short of funds, she answers a personal ad online by “Joe,” 57, who seeks a female student for “tender moments.” The pay is 100 euros per hour. Laura pledges to do this just once, and three days later, she goes to a hotel room with Joe. And then her spiral begins.

From acclaimed director Michael Apted (The Up Series, Masters of Sex, The World is Not Enough) comes a revealing look at the art of filmmaking and photography. A journey of glass, the documentary explores the relationship between the artisans who create camera lenses and the masters of light who use these lenses to capture their beloved art form. Bending the Light features never-before-seen footage from inside a premier Japanese lens factory, intimate interviews with lens engineers, and a peek into the world of award-winning photographers and cinematographers Stephen Goldblatt, ASC, BSC, Greg Gorman, Simon Bruty, Laura El-Tantawy, and Richard Barnes.

Laura’s life is turned upside down when she is attacked by a shark while celebrating her 18th birthday. She’s rescued by Bruce, a handsome young man just returned home from college. As she recovers, he becomes a local hero for his bravery. As the dust settles, Bruce seems smitten with his damsel in distress, but Laura is not ready to move past the boyfriend she lost in the attack.

Spencer is a cat person. Laura is a dog person. Spencer is headed to a beach town to work on his thesis. Laura is coming to the same beach town to escape the shambles of her life. Their personalities couldn’t be more different, but when a reservation screw up lands them – and their pets – in the same vacation rental house, they all have to figure out how to get along with each other.

Capturing the story of WikiLeaks founder Julian Assange with unprecedented access, director Laura Poitras finds herself caught between the motives and contradictions of Assange and his inner circle in a documentary portrait of power, betrayal, truth and sacrifice.

Vancouver-based filmmaker and TV news veteran Fred Peabody explores the life and legacy of the maverick American journalist I.F. Stone, whose long one-man crusade against government deception lives on in the work of such contemporary filmmakers and journalists as Laura Poitras, Glenn Greenwald, David Corn, and Matt Taibbi.

Laura and Carlos love each other as if every day was the last, and perhaps that first love intensity is what will tear them apart a year later.

On the night that Jasper Jones, the town’s mixed race outcast shows him the dead body of young Laura Wishart, Charlie’s life is changed forever. Entrusted with this secret and believing Jasper to be innocent, Charlie embarks on a dangerous journey to find the true killer. Set over the scorching summer holidays of 1965, Charlie defeats the local racists, faces the breakup of his parents and falls head over heels in love as he discovers what it means to be truly courageous.

Accused of killing his brother during adolescence, Salvador lives alone in the middle of Patagonia. Several decades later, his brother Marcos and his sister-in-law Laura, come to convince him to sell the lands they share by inheritance.

Having just returned from a mission to Mars, Commander Ross isn’t exactly himself. He’s slowly becoming a terrifying alien entity with one goal — to procreate with human women! When countless women suffer gruesome deaths after bearing half-alien offspring, scientist Laura Baker and hired assassin Press Lennox use Eve, a more tempered alien clone, to find Ross and his brood. Before long Eve escapes to mate with Ross.

During preparation for Christmas baby Rose Wilder is kidnapped by the woman who recently lost her child. Looking for her Laura, Almanzo and Mr Edwards meet lonely orphan boy, who finally stays with that woman.

While Charles and Caroline are visiting Walnut Grove, the townspeople learn that a land development tycoon has acquired title to all the land in Hero Township. They are inspired by Laura to vent their anger at this injustice.

With her husband away at work, and her son at school, Laura dreams of a home-renovation project to supplant her restless days. Elliott, her irresistibly hot private contractor, soon fulfills her more forbidden dreams.

Weeks before Christmas, interior designer Laura is sent to her hometown of Santa Fe, New Mexico to remodel a landmark hotel. As Laura is kept busy with the renovations, her 8-year-old daughter Nicole is introduced to the art of salsa dancing at a local dance studio. Laura is surprised to find that the studio’s owner is Ricardo, her old high school sweetheart and former salsa dance partner. When Laura and Ricardo reconnect, sparks fly on and off the dance floor. The beautiful Christmas traditions of New Mexico become the backdrop for spirited dancing and unexpected romance.

Laura Ullman, a single mother, kills her abusive ex-boyfriend and turns the gun on her son when he threatens to call the police. Paul leaves home to start a better life and falls for Ashley, a young woman looking for direction in her life, unaware of his past troubles.

The Enchanted Cottage is a romantic retelling of Sir Arthur Wing Pinero’s classic play. When socialite Oliver Bradshaw is disfigured by war wounds, he hides from his father, Golden Globe Nominee Richard Hatch, to convalesce in seclusion at a Cottage he rented for his originally planned honeymoon. Laura Pennington, a shy plain nurse is hired on to care for Oliver. The two begin developing feelings for each other and ultimately fall in love. After they marry, they discover the enchantment of the cottage has the power to transform.

When Detecive Max Garrett is assigned to protect the sultry photographer Laura Cross from a ruthless killer, he has no idea what he’s in for. The more involved Garrett gets in the case, the more attracted he is to Cross, but as they get closer, so does the killer.

Laura Chant. 16, lives with her mother and four-year-old brother Jacko in a poor new suburb on the edge of a partially demolished Christchurch, New Zealand. Laura is drawn into a supernatural battle with an ancient spirit who attacks Jacko and slowly drains the life out of him as the spirit becomes ever younger. Laura discovers her true identity and the supernatural ability within her, and must harness it to save her brother’s life.

Plagued by the abuse of her past and the turmoil of failed intimate encounters, Laura struggles to find a lover and a sense of normalcy. Her beacon of hope comes in sixteen year-old Eva, a talented pianist disillusioned by the life her mother imposes upon her. An unlikely relationship is formed between the two and Eva becomes an obsession to Laura. In light of Eva’s unhappiness, Laura convinces her to runaway to her house and they soon find themselves caught within an intense entanglement. Manipulation, denial and codependency fuel what ultimately becomes a fractured dynamic that can only sustain itself for so long.

Welcome to 2020: The European Union has collapsed following the fourth Gulf War and massive barricades keep illegal immigrants out of cities that are barely functioning. In the middle of this highly volatile environment is the family of Walter Kuper, an energy conglomerate executive. Walter’s daughter, Cecilia, has joined the Black Storm terrorist group. Her sister Laura must choose between motherhood and the man she loves; their brother Philip has been called into fight for Germany in a hopeless war to secure the last remaining oil fields. Starring leading actors Daniel Brühl, Johanna Wokalek and Jürgen Vogel, “The Days to Come” asks provocative questions about the current state of things as it depicts personal and political realities in a scarily believable near–future.

It has been five years since Laura and Carmilla vanquished the apocalypse and Carmilla became a bonafide mortal human. They have settled in to a cozy apartment in downtown Toronto, Laura continues to hone her journalism skills while Carmilla adjusts to a non-vampire lifestyle. Their domestic bliss is suddenly ruptured when Carmilla begins to show signs of “re-vamping” – from a fondness for bloody treats to accidental biting – while Laura has started having bizarre, ghostly dreams. The couple must now enlist their old friends from Silas University to uncover the unknown supernatural threat and save humanity – including Carmilla’s.

Posy Pinkerton needs to step out of her shell. For this late-20s serial monogamist, life has been smooth sailing. She’s got Tom, her doctor fiancé; her burgeoning career as a medical illustrator and a side hobby as a visual artist. But after a chance encounter with Jack, a handsome and worldly businessman, Posy’s shell begins to crack. She finds him mysterious and he finds her charming, and for Posy it is an opportunity to try on confidence for size. Posy is reluctant to take it any further than petty flirting, but her cousin Laura, her polar opposite, pushes her for one last fling before settling down with Tom, her one and only. Posy’s growing desire to break free allows her to exercise her inner self with Jack, an alter ego she’s created called the Queen of Sin. Little does Posy know, as she’s being swept up by Jack, she’s really making a deal with the devil.

Laura has spent years looking for her sister Sara who went missing in the depths of the jungle in the Congo. Neither the NGO she works for, nor the embassy, have news on her whereabouts until a photo appears of Sara in a mining town. Apparently, Sara is being held captive by The Hawk, the fearsome rebel leader who controls the mafias behind the prized mineral coltan.

Cassie Ross is scarred by the suicide of her mother, which occurred when Cassie was a child. She is convinced that her father was to blame for her mother’s death. Cassie’s older sister, Laura, has always sided with their father, so for years Cassie has been estranged from her family. When Cassie discovers that her father has had a debilitating stroke, she sees it as the perfect opportunity to return home and seek justice for her mother. Confiding in her mute and helpless father her plans to destroy her sister and stepmother and ultimately kill him, Cassie sets out on her path to destroy her broken family and take all of their riches. But Cassie’s revenge won’t come as easy as she thinks as hidden truths about her family may derail her entire plan.

Veggie pals Laura Carrot and Junior Asparagus have a big job to do…save their beloved Celery Park from being destroyed! All hope of saving the park seems lost until the group remembers that God forgives without question, so why can’t they do the same? Will the band reunite to save Celery Park? Find out in this groovy, music-filled VeggieTales adventure. – Written by Anonymous

Laura Collins (Shannen Doherty), single mom to daughter Sarah (Matreya Scarrwener), has had a history of rocky relationships, so when Sarah begins dating the popular and charismatic Rob Tennison (Callan Potter), Laura is thrilled with what she sees. But when it becomes increasingly clear that Rob has a darker, possessive side, Laura lives in a state of denial about her daughter’s relationship until Sarah goes missing. Laura must find the will to fight for justice for Sarah when a case against Rob is brought to trial and presided over by a powerful judge (Mira Sorvino).

Single mom Laura, along with her awkward 14 year-old son Henry is forced to drive Jack, her estranged, care-free pot dealing father across country after he’s kicked out of yet another nursing home.

Two years ago reporter Kate Fisher’s interview with the man who turned out to be a serial killer sparked public outrage. Not believing that this man was in fact the September Slayer – led to another senseless murder. Had Kate turned over the interview to the authorities would Laura Rose still be alive? After losing her husband, her job and sense of self, she is now making a fresh start as a professor of ethics in the media. But someone out there can’t forget her past. Kate must figure out which one of her students wants her dead before it’s too late for her and her young son.

A young woman is torn between her past self, Laura, and the woman she has become, Vivian, when her sadistic family threatens to destroy her only chance at a future.

The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.

On Laura’s 27th birthday, her and six friends are trapped into a closet by a psycho killer. It turns out they’re part of a twisted game, where fans watch the murders live over an internet webcast.

Will the threat of abnormal activity sideswipe the joy of Jared and Laura’s newly inherited home, or will whatever previously lived there take it back by force?

Collateral damage….sometimes it’s unavoidable. Paul Varlo’s attempt to kill the man who is going to rat him out by poisoning his water supply leads to an outbreak of zombie carnage. To make matters worse, these zombies are different, they’re faster, meaner and they’re armed. With the town being over run by fast zombies with guns, one group of people are attempting to make their escape to Chicago to survive. Meanwhile, Jake and his girlfriend Laura are on their way to Spring Grove to bring Varlo a priceless heirloom and collect their 2 million dollars. They make it to Spring Grove and discover an empty town, its streets paved in blood. Will the group survive the terror that has befallen them? Will Jake and Laura get their 2 million? Will the zombies run out of bullets?

A taut reinvention of vampire lore, Shadowland opens in modern day North America, where construction workers uncover an old stone cross and what appears to be a wooden stake. They remove the stake from the ground, allowing Laura (Caitlin McIntosh), a slumbering vampire, to revive and rise from the earth. Beaten and weak, Laura is unable to speak, remember who she is, or even the fact that she is a vampire! As Laura attempts to make sense of the strange new world around her, she begins to remember not only an idyllic human life in 1897 but the handsome Lazarus (Carlos Antonio León), a mysterious lover who may not have had her best interests in mind. Soon Julian (Jason Contini), a world-weary vampire hunter employed by the church, begins tracking Laura, but as he closes in for the kill he learns that things are not what they seem.