Director Mark Wexler embarks on a worldwide trek to investigate just what it means to grow old and what it could mean to really live forever. But whose advice should he take? Does 94-year-old exercise guru Jack LaLanne have all the answers, or does Buster, a 101-year-old chain-smoking, beer-drinking marathoner? What about futurist Ray Kurzweil, a laughter yoga expert, or an elder porn star? Wexler explores the viewpoints of delightfully unusual characters alongside those of health, fitness and life-extension experts in this engaging new documentary, which challenges our notions of youth and aging with comic poignancy. Begun as a study in life-extension, How To Live Forever evolves into a thought-provoking examination of what truly gives life meaning.

Sunny is struggling to make a living in the Bollywood industry. He takes a job as assistant director (the operative word being assistant) for an American documentary filmmaking team, but during filming in the Indian Rajasthan province he is kidnapped by Pakistani terrorists – and detained in a small village in Pakistan. The situation is delicate, but the villagers share Sunny’s passion for Bollywood film, and little by little the hostage and the guardians come to understand each other. Eventually, Sunny lays a plan to escape with the help of the villagers.

A team of filmmakers take a tour of South America with mural artist and animator Blu, looking to see how his art and mind will be influenced through total immersion in foreign cultures. The team traveled through Mexico, Guatemala, Nicaragua Costa Rica and Argentina, and named the film after those countries. In the director’s words, “What came out was an unscripted film about improvisation, inspiration (and perspiration), innovation, self-exploration and all the other good things in life that end with -ion.”

A womanizing yet lovable loser, Charlie, a waiter in his early 30’s who dreams of selling his book entitled “7 STEPS OF HEALING THE MALE BROKEN HEART” finds himself still working in restaurants to survive in the Big Apple. Low on cash, he’s left with no other choice but to look for a roommate to share his tiny studio. Surprisingly, the first person to answer the ad is his ex and only love of his life Pam, who broke his heart and disappeared without reason and the inspiration behind his book. The Pam he remembered was a youthful spirit with lots of money who is now broke and disheveled. A new story begins and it is up to Charlie to find out why she ran out on him and what’s happened to her over the past three years. With a potential new love in his life, he must gather the strength to help Pam get back on her feet without rekindling old feelings.

Ah Jie lost everything in the stock market due to a severe economic crisis. He spends his days in his sealed apartment, smoking joints and looking after the marijuana plants that he secretly grows in his wardrobe. In desperation, he calls a suicide helpline and gets to know Chyi, whose sweet and gentle voice causes him to fall in love with his fantasized image of her. He tries to ask her out but is repeatedly rejected. He begins projecting his fantasy of Chyi on Shin, the new girl working at the betel nut stall downstairs. Shin is always sexily dressed in order to lure male customers. Ah Jie becomes closer to her and soon the two of them sink into a world of erotic and psychedelic pleasures. At the same time, Ah Jie begins to stalk Chyi.

Roy ‘Chubby’ Brown celebrates twenty-one years and an amazing one thousand performances at Britain’s favourite seaside resort. Filmed in front of a packed house at Blackpool’s Winter Gardens venue you can be sure Chubby will be as crude and as rude as ever. No subject is taboo for his trademark ferociously shocking blue humour.

Hot off the heels of Septic Man and Ejecta, genre studio Foresight Features and Pontypool writer Tony Burgess have unleashed the trailer for their third collaboration, and the company’s most ambitious film to date, the horror fantasy throwback HELLMOUTH. A visual mindwarp in the vein of F.W. Murnau meets Tim Burton, HELLMOUTH is director John Geddes’ (Exit Humanity) love letter to an era of forgotten cinema. Veteran actor in over 200 films, Hoser horror hero Stephen McHattie (300) is back, taking on two bigs roles within the film, including the leading role as a dying gravekeeper who must pass through Hell to save the soul of a beautiful woman, (Siobhan Giles Murphy). Full of gothic graveyards and monster mayhem, HELLMOUTH is based on an original screenplay by award-winning punk bard Tony Burgess. The film co-stars Julian Richings (Supernatural), Bruce McDonald (Hardcore Logo), Boyd Banks (Dawn of the Dead), and Ari Millen (Orphan Black).

Leigh’s comedy short follows Gary’s (Lee Ingleby) attempt to buy a second-hand car. What should be a straightforward task is turned into something of a quest by various people, including dodgy East End car dealer Perry (Eddie Marsan), Perry’s taxi-driver dad (Sam Kelly), a garage owner called Derek (Robert Putt) and, not least, Perry’s wife Debbie (Samantha Spiro). Oh, and a couple of twins (Danielle and Nichole Bird) are thrown into the mix to cause further confusion. The narrative’s series of gags are shot through with sporting references and images of everyday folk taking part in grassroots sports. The swimmers, joggers, cyclists, five-a-side footballers and the rest underline the importance of sport, however casual, to the population in general and the East End of London in particular in this Olympic year. [Source — Channel 4]

For more than thirty years, exit polls accurately predicted election results. Over the last ten years that reliability has disappeared. What’s going on? The last two presidential elections both came down to a relatively small number of votes, and in both elections the integrity of the voting process has been called into question. With the upcoming election looking to be similarly close, the time has come to ask the questions: What happened in 2000 and 2004? What, if anything, has changed since?

This film follows several independent game developers (Jason Rohrer, thatgamecompany, Douglas Wilson, Zach Gage, Aledander Bruce) examining why they make digital games. The film delves into their creativity and explores some of their thinking and design strategies. Game developers operate in terrain that demands both programming logic and aesthetic quality. The work is hard, however that’s what they want to do. The film explores how the developers go deeper into the notion of entertainment and discovery.

The exploding cork. Endless tiny bubbles floating up and up in the glass. An indulgence. A celebration. A seduction. A triumph. This is the essence of Champagne, isn’t it? But it’s not just bubbles in a glass that makes the wine, or the mystique. Only sparkling wine produced within the boundaries of the Champagne region is truly “Champagne.” At first glance, the region is not an obvious source of romance. Champagne’s history is grim and bloody, swept by war and destruction from Attila the Hun to the filthy trenches of WWI and the Nazi depredations of WWII. The environment for winemaking is desperately hard — northerly latitude, chalky soil, copious rain, frost, rot. Yet it’s these difficulties that help make the wine unique.

Set years ago in the era of the Joseon Dynasty, the story follows a young police officer named Namsoon (Ha Ji-won) who, along with her fellow officers, discovers a counterfeit ring operating out of the area they’ve been assigned to protect. However, as the criminals aren’t just printing up their own money, they also plan to use it to topple the economy and take down the government. As her investigative work continues, Namsoon soon makes the acquaintance of a young man known only as Sad Eyes (Gang Dong-won), for the way that he looks out at you from underneath his hair – he doesn’t say much, but he’s got that look and that’s all it takes to pique Namsoon’s interest in him, even if she shouldn’t be thinking those thoughts about someone she might have to toss in jail. Of course, Namsoon can’t deny her feelings even if the object of her affection belongs behind bars, and it’s not long before she’s starting to act on her emotions.

“A Film About Coffee” is a love letter to, and meditation on, specialty coffee. It examines what it takes, and what it means, for coffee to be defined as “specialty.” The film whisks audiences on a trip around the world, from farms in Honduras and Rwanda to coffee shops in Tokyo, Portland, Seattle, San Francisco and New York. Through the eyes and experiences of farmers and baristas, the film offers a unique overview of all the elements-the processes, preferences and preparations; traditions old and new-that come together to create the best cups. This is a film that bridges gaps both intellectual and geographical, evoking flavor and pleasure, and providing both as well.

Answering an in-home help ad for an elderly woman, Abby Daniels leaves family and friends for a remote farmhouse in the country. But all is not as it seems with her fluffy employer, whose locked doors and cellar seem to be hiding some unusual hobbies. When she drunkenly sneaks her boyfriend into the house, breaking the rules about cursing and fornication, Abby is plunged into a nightmare of hellish proportions – pitted against a clan of ruthless, amoral and degenerate flesh-eaters lead by their murderous GRANNY!

Richard Avery, whose young son is kidnapped while they travel in India. Embarking on a desperate quest to rescue him, and with a beeper providing his only lead, Avery seeks help from unlikely sources, including a drug lord and a beautiful but dangerous woman named Julia.

A magical and moving archive trip through the universal theme of love, from the very first kisses ever caught on film, through the disruption of war to the birth of youth culture, gay liberation and free love, we follow courting couples flirting at tea dances, kissing in the back of the movies, shacking up and fighting for the right to love.

Some 220 miles above Earth lies the International Space Station, a one-of-a-kind outer space laboratory that 16 nations came together to build. Get a behind-the-scenes look at the making of this extraordinary structure in this spectacular IMAX film. Viewers will blast off from Florida’s Kennedy Space Center and the Baikonur Cosmodrome in Russia for this incredible journey — IMAX’s first-ever space film. Tom Cruise narrates.

For some married couples, sex is an obsession that overwhelms their belief in strict monogamy. The ability to act out their sexual fantasies is more important than upholding any convention of love or marriage. Sex with Strangers paints an authentically intimate portrait of three such couples, from the euphoria of fantasies fulfilled to the desperation of splintering relationships, showing how their lives are profoundly affected by the lifestyle they lead. James and Theresa, a couple in their thirties, use their motor home as a pleasure palace travelling from club to club seducing couples wherever they go. Calvin and Sarah are thinking about getting married when they meet Julie, who doesn’t swing, and isn’t bisexual – until she falls for Calvin. Psychodrama almost displaces sex for Shannon and Gerard, who are passionate about swinging, even as they question whether the lifestyle is really for them…

In the tradition of Stephen King’s Stand by Me, Chiller’s original film Ghoul – based on the celebrated novel by author Brian Keene — tells the story of three damaged children who set out to find who, or what, is behind a rash of local disapperances. Staring Modern Family‘s Nolan Gould, the film explores the darkness that hides behind small town life. It is the summer of 1984 when a teenage couple goes missing among the gravestones of the local cemetery. Twelve-year-old Timmy and his best friends, Barry and Doug, have grown up hearing stories about a sinister Ghoul that haunts the cemetery. Eventually, they begin to wonder if the horrific legend might actually be real. Timmy and his friends are forced to put their friendship to the ultimate test when they dig up long-buried secrets, facing their personal demons and the one hiding underground.

Small town waitress Eve Stuckley is stuck. She has spent years pining for testosterone saturate local hunk Jeff Sweeney and yearns to escape from the Hog-Chow Diner she runs. Just when Eve finally decides to pursue her man, drop dead gorgeous Linda Avery blows into town on the hottest day of the year. The heat wave is nothing in comparison with the heat that’s on as Jeff and Eve’s dimwitted brother Chuck decide to face off for Linda’s affections. It’s a priceless contest: Linda wants Eve. Eve’s confidante Alma Kerns is a sex expert trained by mortician beau Red Bishop. She encourages Eve to use Linda’s interest in her to win Jeff’s affection but the situation becomes even more complicated when Linda advises Jeff she prefers Eve. Now determined to “save” Eve, the narcissistically injured Jeff elicits Chuck’s aid but Chuck, thinking it’s part of the game, refuses to believe him. Ultimately, Jeff and Linda square off over Eve’s future…

Tanya is upset about her life when a coworker tells her a story about a former employee, Kelly Cage. Kelly Cage was a woman in free fall a glumly average thirty-something desperately seeking an escape from her horrible life. A former alcoholic loses her daughter, her high profile position and her dignity. She is doing all she can to straighten out and her closest friend is her laptop. Cage discovers blogging about her life experiences is a therapeutic way to release her anxiety, fear and anger. She realizes thousands of people are reading her blog including Detective Jackson. What she reads in Kelly’s blogs will change their lives forever.

Two down on their luck Liverpool cabbies, Tommy and Gerry, strike an unusual deal with a local gangster to take their sons on a trip of a lifetime, to watch their beloved football team play in the European Cup Final in Istanbul. Hoping to use the trip as a chance to bond with their sons, big trouble awaits them in the form of a sexy hotel chambermaid, two ruthless crooks on a mission and a bag of counterfeit cash. It is 3-0 down at half time and things could not be more desperate both on and off the pitch. Stevie G and the boys in red are trying to launch the most amazing football comeback in history, and Tommy is in deep water, being held hostage. With the clock ticking and time running out, a miracle is needed fast. In the end a bit of faith, and Gerry’s lucky underpants may be the only thing that can get them and the cup back home in one piece.

Aging record producer, Nick Silver sets out to prove he’s still relevant by curating a playlist with multiple artists instead of an album with one artist. When his doctor tells him he’ll be deaf in three months, he panics and begins speaking his memoirs into a video camera in bathroom mirrors all over Los Angeles.

‘Blood on the Mountain’ focuses on the environmental and economic injustice and corporate control in West Virginia and its rippling effect on all American workers. This film will tell the story of a hard-working people who have historically had limited choices and have never benefited fairly from the rich natural resources of their land. The failure to diversify the economy has insured control by outside, unrestricted corporations with the support of politicians kept in their positions by these very same companies.

James Lavelle played his first DJ set at 14, launched pioneering record label Mo’Wax at 18 and released the genre defining UNKLE album Psyence Fiction at 22. His phenomenally rapid rise seemed limitless, but it’s only when you’re going so fast that the wheels fall off. The Man from Mo’Wax tells the remarkable story of one of the most enigmatic yet influential figures in contemporary British culture. Unearthed from over 700 hours of footage including exclusive personal archive spanning three decades, we get the rare opportunity to watch a boy become a man in the world of music. The result is an exhilarating, no holds-barred ride into the life of an extraordinary man and an equally extraordinary era, taking in some decidedly flawed decision-making (both personal and professional), Lavelle emerges as an innovative artist who thinks big and consistently overcomes adversity.

Anabel Bolio is a beautiful and young workingwoman; Oskar Pratz is a brilliant and handsome entrepreneur. A spark of mutual attraction is inevitable and a torrid romance ensues. But what seams to be the prefect love story quickly decay and spiral downward into dangerous sexual games that lead to tragedy.

A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not spoken to one another since a late-nineties falling out, they’re each grappling with the challenges of stalled careers and relationships, as the hands of time creep ominously past forty-o’clock. Splick’s most recent TV show, centered around his character’s perverse relationship with dessert foods, is unceremoniously cancelled by the network, forcing a return to his childhood bedroom at his mother’s apartment in New York. Frustrated by a barrage of comments about the “good,” “funny,” movies he used to make with his old partner, Jason, Splick determines to seek him out and attempt a reunion.

The film opens on a water-skiing accident – a girl (Délie) drives a speedboat and pulls a young man (Stan). They are both challenging their own limits when a crash occurs… Stan wakes up from a coma after this serious accident, to find out that genealogists are looking for an individual whose identity corresponds to his. Instead of asking himself questions about this testamentary filiation, he subscribes for Professor Starkov’s legacy, and embarks for the country of Las Estrellas… Purging odyssey where intuition and telepathy accelerates the journey in time. Dharma Guns revisits the myth of Orpheus and Eurydice fighting with the tyranny of Time-God…

Down-on-his-luck Carter has recently become homeless, single and unemployed. Desperate to win back his ex-girlfriend, he goes off on an adventure throughout London to find her, picking up some odd helpers along the way.

As a pirate enters the Kingdom of the Dead he encounters its beautiful Queen. She captures his heart, but hers is not so easily won.

Just weeks after being diagnosed with a rare and incurable form of cancer, 31-year-old actress Kris Carr turned the camera on herself as she embarked on the fight of her life. The result is this moving and funny inspirational documentary. In need of experimental treatment, Carr travels the country seeking experts on alternative medicine and, along the way, meets other cancer-stricken women driven to survive.

Called “The American Bowie,” “The True Fairy of Rock & Roll” and “Hype of the Year,” Jobriath’s reign as the first openly gay rock star was brief and over by 1975. Now, 35 years later, “Jobriath A.D.” spotlights his life, music, groundbreaking influence and the new generations of fans slowly re-discovering him.

Doc Pomus’ dramatic life is one of American music’s great untold stories. Paralyzed with polio as a child, Brooklyn-born Jerome Felder reinvented himself as a blues singer, renaming himself Doc Pomus, then emerged as one of the most brilliant songwriters of the early rock and roll era, writing “Save the Last Dance for Me,” “This Magic Moment,” “A Teenager in Love,” “Viva Las Vegas,” and dozens of other hits. Spearheaded and co-produced by his daughter, Sharyn Felder, and packed with incomparable music and rare archival imagery, this documentary features interviews with collaborators and friends including Dr. John, Ben E. King, Joan Osborne, Shawn Colvin, Dion, Leiber and Stoller, and B.B. King, as well as passages from Doc’s private journals read by his close friend Lou Reed.

Occupy Unmasked features the conservative visionary Andrew Breitbart and journalists Brandon Darby, David Horowitz, Pam Keys, Anita MonCrief, Mandy Nagy, and Lee Stranahan. Written and directed by award-winning director, Stephen K. Bannon (The Undefeated, Generation Zero) and produced by David N. Bossie (Border War, Perfect Valor), Occupy Unmasked is a shocking indictment of one of the most controversial movements in American history.

All Alza Bennett wants is to get home to her estranged family for the Easter holiday, but an auto mishap leaves the high strung executive more than 700 miles short of her destination and standing on the doorstep of a grizzled, reclusive farmer named Lincoln, who’s goal in life is to be left alone. After a deal is struck the mismatched pair sets out on a three day odyssey of misadventure along the highways and byways of America where they encounter rat infested hotels, convenience store hold ups, rural rabbit stalkers and a starstruck couple from a local trailer park. Best of all, they are forced to encounter each other as the two worlds of the princess and hermit collide at each and every turn. A humorous retelling of The Story of The Prodigal Son, told through the eyes of a young woman looking to make amends while she searches for the road back home.

There is something horribly wrong with the bodies found in the dark city streets. Some are mutilated while others have the Price equation (wΔz = Cov (w,z) = βwzVz) carved into their flesh. Detective Eddie Argo and his new partner Helen Westcott unearth the meaning of the odd equation and realise each victim is being offered a gruesome choice: kill your loved ones, or be killed. Before long it becomes clear that the perpetrator has suffered a similar fate and is now coping by seeking a way to solve this philosophical dilemma.

After running into a neighbourhood acquaintance at the local used record store who shared his list of 15 reasons to live, Alan Zweig felt a strong compulsion to make a film on the subject, despite his admission, “I didn’t make lists and I never thought about reasons to live.” From this inspiration begins a series of episodic chapters adapted to the themes of Ray Robertson’s collection of essays. The participants are as eclectic as the list, sharing personal anecdotes related to (among other themes) work, love, intoxication, humour, solitude, duty, home and death. Humorous and sometimes heartbreaking, Zweig’s compassion for his subjects and their stories, expressed through his conversational and candid interview style, ties these vignettes together in a visual essay that strikes deeper chords about finding meaning in our existence. Amongst his subjects’ reasons to live Zweig finds a couple of his own in his touching, honest and endearing way.

A corporation plans to develop a residential tower block into luxury city apartments. As the residents galvanise, the corporation sends in someone to ‘shake them up’. The Horror of The Dolls features a strong ensemble cast, inter-twined narratives and an iconic piece of London architecture. The narrative is underpinned by the wealth divide, untouchable high-finance, malleable politicians and the resolve of a community under assault. All wrapped in a blood-soaked and stylised horror thriller set against the breath-taking cityscapes of contemporary London. The Horror of The Dolls is a terrifying, atmospheric and unpredictable journey. Influences on the project are The Shining, Blue Velvet, The Wild Bunch, Short Cuts and Antichrist.

A Japanese girl (Kato Youki) is on a three month visit in Taiwan after breaking up with her boyfriend to study Chinese at a language center. One day she has a brief affair with Wu and later he requests her to sign a contract to be his girlfriend for 90 days and she agrees. One of the condition of the contract is they must get separated after 90 days. However, after getting know each other quite well, both find that the relationship seems to be true love and both are unwilling to break the contract agreement as the dateline approaches. What is the outcome of their love story in the end?

Taking refuge in a shabby Brooklyn motel after narrowly surviving a failed mission in Eastern Europe, Black Ops soldier Malcolm Gray (Idris Elba) begins to disintegrate mentally as he broods over the legacy of his actions in this taut psychological thriller. Haunted by his demons while holed up in his room, Malcolm ponders the ascent of his brother (Eamonn Walker), an ambitious senator with designs on the presidency.