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The New Wave of French horror cinema has arrived and at its vanguard is 14 year-old director Nathan Ambrosioni. Meredith Langston always longed to have children. She finally makes this happen when she adopts two young adolescent girls. However, her now idyllic world sours rapidly and dream veers to nightmare when she quickly finds that she is unable to cope with their increasingly strange behaviour. Desperate, she seeks the help of two journalists working for a local TV programme ‘SOS Adoption’. Unfortunately it is all for nothing, especially when the reporters discover that there is another presence in the house.
An intimate, affecting portrait of the life and work of ground-breaking performance artist and music pioneer Genesis Breyer P-Orridge (Throbbing Gristle, Psychic TV) and his wife and collaborator, Lady Jaye, centered around the daring sexual transformations the pair underwent for their ‘Pandrogyne’ project.
A man navigates parallel realities: one as a hardened criminal who has spent years building his drug empire; the other as an ambitious architect who has been working his way up the corporate ladder.
A young farmer in rural Yorkshire numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker.
Zhenya and Boris are going through a vicious divorce marked by resentment, frustration and recriminations. Already embarking on new lives, each with a new partner, they are impatient to start again, to turn the page – even if it means threatening to abandon their 12-year-old son Alyosha. Until, after witnessing one of their fights, Alyosha disappears…
From Lemmy filmmaker Wes Orshoski comes the story of the long-ignored pioneers of punk: The Damned, the first U.K. punks on wax and the first to cross the Atlantic. This authorized film includes appearances from Chrissie Hynde, Mick Jones (The Clash), Lemmy and members of Pink Floyd, Black Flag, GNR, the Sex Pistols, Blondie, Buzzcocks, and more. Shot around the globe over three years, the film charts the band’s complex history and infighting, as it celebrated its 35th anniversary and found its estranged former members striking out on their own anniversary tour, while still others battle cancer.
This is the real history of America as you’ve never known it. The shocking truth of how America was engineered and controlled by a secret organization that has infiltrated religious groups, political parties, universities and corporations. Strategically placing their own people in positions of power and authority, they have controlled and manipulated the minds of the masses while concealing it from the very beginning. Explore how the Illuminati invaded and took control of the United States of America with the ultimate goal of a one-world government.
When nice-guy Jeremy Martin puts on mysterious virtual reality glasses at the mall, he suddenly loses his “inside voice” and starts spouting every thought he has out loud. Making matters worse, Jeremy is running for student council president against his classmate Milly, who is full of great ideas to improve the school. Desperate to get back to normal, Jeremy and his sister Victoria must figure out how to convince his brain that he can speak up for himself.
Yuan Shuai, a debt-ridden animal-breeder, tries to get out of his financial predicament by finding a wealthy girlfriend through matchmaking dates. He unexpectedly meets and fall in love with the fox demon, Bai Xianchu, who has arrived to the mortal realm to repay her gratitude. However, the head of the Demon tribe Yun Zhonghe forbids a love relationship between a demon and a human; and takes Bai Xianchu away. To seek his lover, Yuan Shuai bravely crashes the demonic world.
A routine run for a truck driver turns into a nightmare he can’t escape in this psychological drama from filmmaker Sergei Loznitsa. Georgy (Viktor Nemets) is driving a load of freight into Russia when, after an unpleasant encounter with the police at a border crossing, he finds himself giving a lift to a strange old man (Vladimir Golovin) with disturbing stories about his younger days in the Army. After next picking up a young woman (Olga Shuvalova) who works as a prostitute and is wary of the territory, Georgy finds himself lost, and despite asking some homeless men for help, he’s less sure than he was before of how to make his way back where he belongs. As brutal images of violence and alienation cross the screen, Georgy’s odyssey becomes darker and more desperate until it reaches an unexpected conclusion.
Set in San Diego, the movie follows the desperate acts of Bill Templer head of a covert defense agency perpetrating a terrifying fraud on the American public – involving the imminent invasion of aliens – by leaking to the press a satellite image of an alien armada poised to strike earth. As terror of an alien attack spreads, the President of the United States orders the launching of Peacemaker, a surveillance satellite retrofitted with a nuclear warhead. Templer’s elaborate plot is threatened when police detective Kevin Anjanette discovers that the alien images were faked. To protect his scheme, Templer swiftly unleashes the lethal head of his security, Ava Zurich, onto Anjanette. But it’s soon revealed that an alien force actually does exist and is poised to strike if Peacemaker is used. In order to protect mankind from total annihilation, Anjanette must race to abort the nuclear bomb that will trigger the alien attack.
Paris 1930.
Paul has only ever had one and the same horizon: the high walls of the orphanage, an austere building in the Parisian working class suburbs. Entrusted to a joyful country woman, Célestine, and her husband, Borel, the rather stiff gamekeeper of a vast estate in Sologne, the city child, recalcitrant and stubborn, arrives in a mysterious and disturbing world, that of a soverign and wild region.
The huge forest, misty ponds, heaths, and fields all belong to the Count de la Fresnaye, an elderly taciturn man who lives alone in his manor.
The historical drama set during the Second World War centres on three people whose paths cross: a Russian aristocratic emigrant and member of the French resistance, a French collaborator and a high-ranking German SS officer.
For the last two years, Fairclough and Porter have traveled to every inhabited continent on the planet with a simple goal: to show the world a new vision of mountain biking. Joined on this quest by a collection of the most progressive and influential riders that this generation of mountain biking has to offer, Fairclough and Porter have embarked on an all-out assault on the bleeding edge of the sport’s limits. DEATHGRIP is a relentless mission to challenge the limits of creativity, technology, and the human potential. DEATHGRIP is a creative oasis for Fairclough and Porter – a place where the raw expression of Fairclough’s riding ability is captured with the most progressive filmmaking technology against the backdrop of the most visually engaging locations in the world. The future is now. #DEATHGRIPMOVIE
The game is real and the stakes are high as the future of humanity hangs in the balance. Can Paul Rudd, an actor, beat Stephen Hawking, one of the greatest minds of our generation, in a game of chess that will determine the future of humanity? Most likely not. Unless…
All seems normal with Joseph and Joanne. Joanne is pregnant with their first child. Life in their little urban house is cozy and familiar. But something is off about Joseph. He doesn’t seem excited about the baby. Work on his documentary is becoming increasingly untethered. As Joseph struggles to maintain the routines of his domestic life, his mask begins to slip. Late at night, while Joanne thinks he is working, Joseph prowls the streets of Los Angeles, deliberately courting danger. Joanne is growing worried about Joseph’s odd behavior. But not as worried as she should be.
The third installment of the blockbuster fantasy series sees the return of the Monkey King (Aaron Kwok) in his most action-packed adventure yet! While continuing their epic journey to the West, the Monkey King and his companions are taken captive by the Queen of an all-female land, who believes them to be part of an ancient prophecy heralding the fall of her kingdom. With a lot of sorcery and a little bit of charm, the travelers devise a plan to escape. But when their trickery angers the mighty River God, they realize they might just bring about the foretold destruction – unless they can find a way to quell her wrath.
Hitchhiking ghosts, haunted hotels, possessed dolls, famous graveyards and murder sites. Join the Haunted Routes crew as they map out the ultimate haunted road trip, stopping at such locations as Salem Massachusetts, Sleepy Hollow, Blood Manor, Troma Entertainment and many others, all the while sharing insight on the paranormal that celebrate the morbid and macabre.
HONDROS follows the life and career of famous war photographer Chris Hondros by exploring the poignant and often surprising stories behind this award-winning photojournalist’s best-known photos. Driven by a commitment to bear witness to the wars of our time after the events of 9/11, Chris was among the first in a new generation of war photographers since Vietnam. HONDROS explores the complexities inherent in covering more than a decade of conflict, while trying to maintain a normal life. It also examines the unknowable calculus involved in making split-second life and death decisions — before, during and after his photos were made. Chris was killed in Libya in 2011, but he left a lasting impact on his profession that is still felt today.
Legally Brown brings together for one night the funniest headline comedians who just happen to share one common threat, the color of their skin and their perspective on what that means in a post 911 world. Hosted by Tony Plana (ugly Betty) and starring, Alex Reymundo (Latin Kings of Comedy) Jerry Bednob, (Kumar go to white castle) Cristela Alonzo (Last Comic Standing runner up) Willie Barcena (Comedy Central) Omar Elba (Egyptian Born) and Border Patrol Agent Bubba Gomez (Rick Najera) poke fun at stereo types and the Arizona immigration law and prove that once and for all funny is truly funny no matter what color or religion you are.
Comedy – It’s not stalking – it’s extreme romance! Mikey’s video diary is a warts-and-all tour into obsession, striving to be the best and confronting our own fears in the pursuit of love. Part educational, part romance, and completely wrong, this feature comedy is the ultimate celebration of dedication, the anti-hero, and home security. – Jessie McKay, Bill Keir, Pauline Lander
A struggling NYC matchmaker is hired by a king to find his son a suitable wife in time for a national celebration. As the clock ticks towards her deadline, the matchmaker finds him the perfect wife — only to realize that she’s fallen in love with him!
Álvaro is a poor man obsessed with the idea of writing ‘high literature’. He starts provoking conflicts to write about them.
“Laura Smiles” is an alarmingly effective portrait of a woman’s mental breakdown. We are introduced to “Laura” at her happiest time, in a warm, loving relationship with her fiancé (a very appealing Kip Pardue) in the city, literally the love of her life. In flashbacks, we then see the sweet development of this relationship out of order as these moments become brightly lit and colored memories that desperately intrude on her later in life, as she becomes consumed with guilt and remorse over his fate. These feelings start to overwhelm her current life as a wife and mother. As something inconsequential in what she calls her “suburban drudgery” triggers the past — in the supermarket, cooking, cleaning, at a school play– she acts out increasingly aberrantly to counteract the feelings they generate, especially when she can no longer distinguish past from present from dreams, recalling Blanche Du Bois.
An evil curse passed down through the generations causes unsuspecting sufferers to lose their sanity and set the wheels of their own demise into motion in this dark tale from Sleep Disorder writer/director Chris Penney. Upon noticing that their friends and loved ones are all taking their own lives, two desperate survivors race to break the curse before their bloodline is lost forever.
Becca, Adam and their 5-year-old daughter Acie are a perfect family until a tragic accident during a 4th of July celebration kills their father. Struggling with grief, Becky decides she needs to leave the family farm and all its memories. She leaves Acie with her grandfather Ben and visits with her friend from school, June. With all the best intent, June offers Becky plenty of distraction from her family life. Fueled by her anger at G*d and loss of faith, Becky starts drinking and making other self-destructive choices. Then, after Becky is arrested, Ben threatens to keep Acie until Becky is back on track. A chance encounter in a bus station with a traveler gives Becky what she needs to restore her faith and reunite with her family.
Situated just above the awe-inspiring Ipanema beach in Rio is the Cantagalo slum. Every day, floods of Cantagalo residents make their way down the mountain, only to disappear into their surroundings as part of the invisible working-class that cleans apartments, works in restaurants, and sells food along the scenic, sun-drenched shores. Young Dé (Thiago Martins) is just such a man. Dé lives with his mother Bernadette (Cyria Coentro) in a cramped Cantagalo apartment, selling hot dogs on the beach in order to make the rent. His brother Beto was killed when Dé was just a young boy, and his adopted brother Carlão (Rocco Pitanga) has been jailed for a robbery that he didn’t commit. One day, while working on the beach, Dé meets Nina (Vitória Frate). Nina is the only child of a successful lawyer named Evandro (Paulo César Grande), who’s none to happy to discover that his daughter is dating a member of the lower class. How…
Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.
Fleeing an arranged marriage in China, the independent Peony signs a contract to work as a “flower girl” in America, where she meets Tom, an American Born Chinese cook whose father works on the Transcontinental Railroad. Thwarted by a Hong Kong Triad boss seeking to extend his power into America, theirs is the tale of the first great Chinese immigration to the United States – a story of romance, bigotry, passion, food and a search for everlasting love – set against the largest mass lynching in American history, in Los Angeles’ Chinatown, in 1871.
Brought together by their shared love of music, ten years on Liam and Natalie are at breaking point. In their case opposites attract but don’t necessarily work long-term. Making the difficult decision to separate, they must split their prized music library. But the soundtrack that defined their relationship keeps pulling them back together.
Posy Pinkerton needs to step out of her shell. For this late-20s serial monogamist, life has been smooth sailing. She’s got Tom, her doctor fiancé; her burgeoning career as a medical illustrator and a side hobby as a visual artist. But after a chance encounter with Jack, a handsome and worldly businessman, Posy’s shell begins to crack. She finds him mysterious and he finds her charming, and for Posy it is an opportunity to try on confidence for size. Posy is reluctant to take it any further than petty flirting, but her cousin Laura, her polar opposite, pushes her for one last fling before settling down with Tom, her one and only. Posy’s growing desire to break free allows her to exercise her inner self with Jack, an alter ego she’s created called the Queen of Sin. Little does Posy know, as she’s being swept up by Jack, she’s really making a deal with the devil.
Two brothers (twins) born to an honest businessman are separated at birth when their father exposes a smuggling racket and a king pin. One of the brothers is thought to be dead but only resurfaces stronger after living life on the streets to reunite with his family over a sequence of events and twist of fate. Genetically bound by reflexes both the brother’s lives interlink in strange ways and a comedy of errors. They eventually come together to destroy the smuggling nexus and save their family from a downfall that awaits them.
Jen is enjoying a romantic getaway with her wealthy boyfriend which is suddenly disrupted when his friends arrive for an unannounced hunting trip. Tension mounts in the house until the situation abruptly — and viciously — intensifies, culminating in a shocking act that leaves Jen left for dead. Unfortunately for her assailants, Jen survives and reemerges with a relentless, wrathful intent: revenge.
Puppets! Pixels! Anime! Live action! Stock footage!
Lumpennerd Johannes Grenzfurthner gives an ideotaining cinematic revue about important political concepts. Everyone is talking about freedom! Privacy! Identity! Resistance! The Market! The Left! But, yikes, Johannes can’t tolerate ignorant and topically abusive comments on the “Internet” anymore! Supported by writer Ishan Raval, in this film, Johannes explains, re-evaluates, and sometimes sacrifices political golden calves of discourse.
Not to be used with false consciousness or silicone-based lubricant.
Filmed on location in South Africa, a retelling of H. Rider Haggard’s classic novel “King Solomon’s Mines,” featuring the adventurer who was the inspiration for Indiana Jones.
Three narratives (“Cutting Moments,” “Home” and “Prologue”) combine to create a shocking trilogy of modern American life, a portrait drawn with brushstrokes of hidden violence and disturbing cruelty. Directed by Douglas Buck, this unflinching film reveals what lies behind the drawn curtains of so-called “ordinary” households.
A woman celebrates her 40th birthday by having her three best friends come and stay with her and her husband for a long weekend. This woman has been in a wheelchair for the past two years, and it has led her to isolate herself inside of her home. Her husband stands by her as he lives with the guilt of causing the car accident which put her in the wheelchair. Over the course of the three day celebration, it is revealed that everyone is struggling with their own lives and identities. When one best friend makes a terrible mistake and betrays the woman on her birthday, everyone is immediately and uncomfortably forced into looking at their own lives and their own limitations.