A time bomb is ticking in a small regional postal facility and his name is Oren Starks (Brad Garrett). Oren fits the profile of a new breed of killers – postal workers who crack under pressure. Their brains short circuit and the paranoid delusions begin. Going Postal begins as famed psychologist Dr. Nicolas Brink (Richard Portnow) launches his controversial research study in order to create a “psychological vaccine” to defuse these human time bombs who seem to be going postal at an alarming rate. It is revealed that almost everyone at this post office is on the brink of insanity! There’s a perverse love triangle involving Oren, Harry Cash (Rob Roy Fitzgerald) and the sexy survivor of another postal shootout, Tammy Skye (Grace Cavanaugh). Postmaster Calhoun (William Long, Jr.) is driving the staff nuts by constantly micro monitoring their bathroom breaks. Something has got to give and its not the timely delivery of the U.S. mail.

Suzanne, a single parent and succesful lawyer, returns home to find her daughter missing. About to call the police, she is confronted by a disembodied voice warning her that if she attempts to leave or seek help, her daughter will die. Suzanne discovers she is being monitored through surveillance cameras operated by the tyrannical voice. The voice informs her that in order for her daughter to live, Suzanne must commit suicide. In a race against time Suzanne must think of a scheme to get a message to the outside world…

From the director of RFK Must Die, Killing Oswald explores the mystery of how and why John F. Kennedy and Lee Harvey Oswald were assassinated in 1963, tracing Oswald’s strange transformation from US Marine radar operator in Japan, monitoring U2 spy planes over Russia; to 20-year-old Marxist defector, decamping to Moscow threatening to share military secrets with the KGB; to pro-Castro activist in New Orleans and self-proclaimed patsy in Dallas.

A contemporary British re-working of The Twilight Zone with stories that tap into the collective unease about our modern world. 

Over the last ten years, technology has transformed almost every aspect of our lives before we’ve had time to stop and question it. In every home; on every desk; in every palm – a plasma screen; a monitor; a smartphone – a black mirror of our 21st Century existence.

An ace police crisis negotiator, Chae-yoon, is called to the scene where her supervisor is taken hostage. Through the control room monitor, she is faced with the cold-blooded hostage taker, Tae-gu, whose demeanors are difficult to interpret. Against the 21-hour deadline Tae-gu has set, Chae-yoon tirelessly tries to crack the unusually calm perp over multiple video-calls. Eventually, the shocking truth begins to unveil.