A time bomb is ticking in a small regional postal facility and his name is Oren Starks (Brad Garrett). Oren fits the profile of a new breed of killers – postal workers who crack under pressure. Their brains short circuit and the paranoid delusions begin. Going Postal begins as famed psychologist Dr. Nicolas Brink (Richard Portnow) launches his controversial research study in order to create a “psychological vaccine” to defuse these human time bombs who seem to be going postal at an alarming rate. It is revealed that almost everyone at this post office is on the brink of insanity! There’s a perverse love triangle involving Oren, Harry Cash (Rob Roy Fitzgerald) and the sexy survivor of another postal shootout, Tammy Skye (Grace Cavanaugh). Postmaster Calhoun (William Long, Jr.) is driving the staff nuts by constantly micro monitoring their bathroom breaks. Something has got to give and its not the timely delivery of the U.S. mail.
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When Snoopy receives a letter from his original owner Lila, he goes to visit her in the hospital while Charlie Brown and the gang are on the lookout for him. Suddenly, Snoopy feels that he must go live with Lila, but must say goodbye to all his friends. In his adventure to the hospital, he encounters numerous “No Dogs Allowed” signs, an annoying little girl who desires to keep him, and more!
Willing to risk it all, an unscrupulous art dealer and his socially-awkward painter and longtime friend develop an extreme and ludicrous plan to save themselves.
When Ida, cheeks streaked by mascara tears, unexpectedly shows up at her sister’s, the staid Alison bargains her way out of mom duty for the night and the two head off to an Eastside wine bar. There, they run into Will and the freshly divorced, sweatpants-attired Clark. After some slightly inebriated commiserating about mismanaged marriages and other adult concerns, the foursome head out into the night, careening from downtown lofts to pot dispensaries to midnight swims and back again, determined to prove they still have what it takes to have a good time.
December 1897, Paris. Edmond Rostand is not yet thirty but already two children and a lot of anxieties. He has not written anything for two years. In desperation, he offers the great Constant Coquelin a new play, a heroic comedy, in verse, for the holidays. Only concern: it is not written yet. Ignoring the whims of actresses, the demands of his Corsican producers, the jealousy of his wife, the stories of his best friend’s heart and the lack of enthusiasm of all those around him, Edmond starts writing this piece which nobody believes. For now, he has only the title: “Cyrano de Bergerac”.
80 minutes to live or die. Alex got injected with a high tech poison by his creditor and put on a time clock to pay his debt back in 1 hour and 20 minutes. Will he make it or even further will he stay loyal to his friends and relatives under a pressure like running out of time?
Three high school virgins, suspended from school on a bogus graffiti charge, flee to the inner city in an attempt to live out the plot of The Catcher in the Rye – a book they neither have read nor understand. BINDLESTIFFS documents their struggles along the way as they surrender their virginities to vagrants, prostitutes, and crack fiends. Hot on their tail is Charlie, the deranged school security guard. Under the impression that the boys are planning a school shooting, he takes the law into his own hands to stop them and save America.
A young man searches for his identity deep in the Amazon jungle, while living among the tribe that murdered his grandfather decades earlier. The Grandfathers is a motion-graphics documentary completing Jim Hanon’s inspiring trilogy begun with Beyond the Gates of Splendor and followed by End of the Spear. These films were produced by Mart Green. Jesse Saint struggles to find his place in a world dominated by the memory of a famous grandfather he never knew and a heroic father he could not understand. Years spent living among the Waodani and befriending the three old men who took part in his grandfather’s murder teach Jesse the healing power of dignity, respect and forgiveness. In the jungle, Jesse must confront his family’s past as he determines his own future. This documentary is a moving tribute to a young boy’s quest for significance and wholeness, and its imprint on three old men, who, unwittingly, are on a quest of their own.
Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play. A fight on the opening night threatens the production, as well as two thugs who have the mistaken idea that Fred owes their boss money and insist on staying next to him all night.
Napoleon, exiled, devises a plan to retake the throne. He’ll swap places with commoner Eugene Lenormand, sneak into Paris, then Lenormand will reveal himself and Napoleon will regain his throne. Things don’t go at all well; first, the journey proves more difficult than expected, but more disastrously, Lenormand enjoys himself too much to reveal the deception. Napoleon adjusts somewhat uneasily to the life of a commoner while waiting, while Lenormand gorges on rich food.
Prompted by their youngest granddaughter, four generations celebrate family and what Christmas was like in the ’40s, ’60s, ’90s, and present day.
