Diz (Joel Courtney) is a reckless teenage drifter living life on the run. Abandoned by his parents as a child, he looks out for himself and doesn’t accept handouts. He takes whatever he wants and runs. Jaded and determined to answer to no one, Diz lives a life marked by thievery and abandonment. Things change for Diz when he floats into a small town on the Snake River. There he is confronted by an unflappable old man named Marty and falls for Marty’s guarded granddaughter, Selah. When Diz robs a local drug-dealing crazy, he becomes the owner of a giant pile of cash and the target of two vicious killers. With more money than he knows what to do with, and criminals at his heels, Diz puts the people he’s learned to care about in danger, still trying to win Selah. But some things can’t be stolen or bought. The River Thief is a film about guilt, self-sacrifice, and accepting life as a gift.

Ten years ago a series of brutal murders rocked peaceful, isolated Camp Blackwood. The killer was never caught and the camp, renamed “Camp Blood” by the locals, was never reopened.Ignorant of the camp’s terrible history, two young couples visit Camp Blood. And they soon realise they are not alone. Someone is watching. Someone is waiting. The murders are far from over… they have only just begun.What began as a pleasant hiking trip turns into a savage struggle for survival. Will anyone make it out of Camp Blood alive?

Michael Shannon stars in the role of Herbert White, a character based on the poem of the same name by Frank Bidart. The story follows Herbert as he works in the lumber industry, supports his family, and stalks and murders women he picks up in town. While Herbert is not exactly sympathetic, viewers are allowed to enter the mind of a serial killer, and realize that most of the time he behaves like everyone else. Movies like “Henry: Portrait of a Serial Killer” have done this before, but to successfully position the audience inside the mind of a complex human monster in 14 short minutes is quite a feat.

Ever have one of those lifetimes where nothing seems to go right? Failing cartoon writer, Millard Mudd, has sunk deep into one. Living hermit-like and existing on a strict alcohol diet, Mudd’s world has collapsed. But one day everything changes when a dog named Lucky enters his life. You see, what makes Lucky no ordinary dog is his ability to talk. And what makes Lucky invaluable is his ability to teach Mudd how to write again. But what makes Lucky dangerous is his ability to get inside Mudd’s head and turn him into a serial killer.

Hell hath no fury like a woman scorned. Her name is BADMOUTH, and she’s about to unleash HELL! The new killer thriller from director Guy Moore is a roller coaster ride of characters, from transvestite prostitutes, lesbian zombies, stoned rappers, feral bushwackers and the best hit girl this side of Hong Kong.

A chess grandmaster is in a big tournament, and when his lover is found painted up and the blood drained out of her body he becomes a chief suspect. After he gets a call from the killer urging him to try and figure out the game, he cooperates with police and a psychologist to try and catch the killer, but doubts linger about the grandmaster’s innocence as the string of grisly murders continues.

Luke Palmer, a Los Angeles widower, has been in therapy for a year since his wife’s accused killer was found Not Guilty at trial. In an attempt to get away from his anguish, Luke takes a trip to Scottsdale for a three-day vacation, but is kidnapped and awakens to find himself in a room with a recording device…and an electrified restraining chair. The next thing Luke knows, a hooded man is dragged into the room and secured in the chair. The hood is removed to reveal Galen Terry, the man acquitted for Luke’s wife’s murder. An ominous voice comes over a loudspeaker and says “My name is Justice. You are here to retry the case of California vs. Terry for the murder of your wife… The defendant’s chair is electrified. The electricity is controlled by the red button. Feel free to use it.”

In the Tale of the Voodoo Prostitute, a master manipulator and hustler by the name of Fleetwood Deville dispenses heinous wrong-doings to nearly everyone that crosses his path. One particular female managed to meet and exceed any expectation of evil. She cursed Fleetwood to a fate even worse than death: impotence. With his harem of beautiful women and killers, Fleetwood must rival neighboring pimps to free himself from a curse that if left undone would not only take his manhood, but possibly his life. This film is based in the mean streets and interminglings of the Dallas/Ft. Worth area.

THE WHALE tells the true story of a young, wild killer whale – an orca – nicknamed Luna, who lost contact with his family on the coast of British Columbia and turned up alone in a narrow stretch of sea between mountains, a place called Nootka Sound.

In the underground world of contract killers, mistakes cannot be tolerated. Set “Doreé Seay”, a top brutal mercenary with an icy exterior, finds out the hard way when one mistake sends her on a treacherous mission to clear her name. Hunted by her former mentor Karlton “DeJean Brown” and his roster of psychopaths, she forms an unlikely alliance with a mysterious stranger and his sister as Set races against the clock to out-wit and out-fight the dark forces gunning for her life.

A time bomb is ticking in a small regional postal facility and his name is Oren Starks (Brad Garrett). Oren fits the profile of a new breed of killers – postal workers who crack under pressure. Their brains short circuit and the paranoid delusions begin. Going Postal begins as famed psychologist Dr. Nicolas Brink (Richard Portnow) launches his controversial research study in order to create a “psychological vaccine” to defuse these human time bombs who seem to be going postal at an alarming rate. It is revealed that almost everyone at this post office is on the brink of insanity! There’s a perverse love triangle involving Oren, Harry Cash (Rob Roy Fitzgerald) and the sexy survivor of another postal shootout, Tammy Skye (Grace Cavanaugh). Postmaster Calhoun (William Long, Jr.) is driving the staff nuts by constantly micro monitoring their bathroom breaks. Something has got to give and its not the timely delivery of the U.S. mail.

Is an Australian drama film directed by Alkinos Tsilimidos and released in 1994. Based on a play of the same name, written by Ray Mooney, the film details the early life of contract killer Christopher Dale Flannery and is set inside Melbourne’s HM Prison Pentridge’s maximum security H Division.[1] Filming was undertaken at HM Prison Geelong. Dale, a remandee, is awaiting a court hearing and yet to be sentenced, highlighting the horrific injustice of the repeated beatings he’s subjected to. Gradually Dale becomes indifferent to the bashings and horrors of prison life and develops an alternative, subversive way to exist and express his rage. As Dale walks defiantly from the prison in the last scene to be tried, the failure of the correctional system to produce docile, disciplined bodies pulls its last punch. Even if the system has enframed Dale he has maintained his sanity and his voice.