Santa narrates the story of Buddy’s travels to New York City to meet the father he never knew he had. Along the way his unrelenting cheer transforms the lives of everyone he meets and opens his father’s eyes to the magic of Christmas.

An ancient urn is found in a cemetery outside Rome. Once opened, it triggers a series of violent incidents: robberies, rapes and murders increase dramatically, while several mysterious, evil-looking young women coming from all over the world are gathering in the city. All these events are caused by the return of Mater Lacrimarum, the last of three powerful witches who have been spreading terror and death for centuries. Alone against an army of psychos and demons, Sarah Mandy, an art student who seems to have supernatural abilities of her own, is the only person left to prevent the Mother of Tears from destroying Rome.

35-year-old Morris Bliss (Michael C. Hall) is clamped in the jaws of New York City inertia: he wants to travel but has no money; he needs a job but has no prospects; he still shares an apartment with his widowed father; and the premature death of his mother has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with Stephanie (Brie Larson), the 18-year-old daughter of a former classmate, Morris quickly discovers his static life unraveling and opening up in ways that are long overdue.

It’s tough beat for San Francisco police lieutenant Jake Martin (Walter Matthau) when he has to investigate a city bus massacre in which a madman opened machine gunfire on eight people.

Corn grain contaminated with steroids produces large rats the size of small dogs who begin feeding on the residents of Toronto. Paul, a college basketball coach, teams up with Kelly, a local health inspector, to uncover the source of the mysterious rat attacks and they eventually try to prevent the opening of a new subway line as well as find the mutant rats nest quickly, or there will be a huge massacre of the entire city!

Twenty-year-old Cal returns from France to Britain after receiving news that his mother is ill. His finds his home city of Bristol facing hard economic times brought on by the global economic crisis, with poverty and crime on the rise and rioting and looting almost a nightly occurrence. It is not a warm homecoming as his sick mother remains stubbornly homophobic and wants nothing to do with the now openingly gay Cal while his battered Auntie Jane, now living in a run down council house, dulls her stagnation with welfare funded booze and disturbing attempts to sexually seduce her nephew. Navigating his way across this new landscape he meets a young student who needs his help. However his act of kindness brings him into contact with a lawless drug dealing pimp and a race against time to make peace with his mother and get out of town as quickly as possible. An intense tale of a family mired in poverty, angry and lost but still searching for love, respect and acceptance.

David Hyde Pierce, playing an alien (credited as infinity-cubed in the opening credits), narrates a courtship in a late-20th century American city as an extraterrestrial nature documentary. The relationship “footage” is played straight, while the voice-over (with its most often wildly inaccurate theories) and elaborate visual metaphors add comedy.

Rodrigo, a piano-tuner and former composer fallen on hard times, begins a love affair with the soon-to-be-married Susana. When a bomb in the city of Medellín nearly kills them, Rodrigo and Susana surrender to their attraction and fall into each other’s arms. Cocooned in her apartment above the vibrant city, Susana opens up to him every night and tells him a story of each of the different men from her past. Her stories inspire him to compose again, but his obsession makes him jealous and paranoid. When Susana finally leaves her fiancée to be with Rodrigo, he becomes obsessed with her fidelity.

The spirit of the old west lives on in South Central Los Angeles, and filmmaker Marquette Williams captures all of the energy and enthusiasm of an urban subculture that may take some folks by surprise. Urban Cowboy isn’t just a movie starring John Travolta; just outside of Compton, it’s a true reality. Most people associate horse riding and rodeos with country ranches and wide-open plains, but four young cowboys from the inner city are out to shatter preconceptions about what it really means to be a roughrider. Twenty-three year old Lil Ron, eighteen year old Yah-Ya, eighteen year old Mike, and eighteen year old Jazmine are a learning what it takes to win on the rodeo circuit, and Lil Ron has his eyes locked on the Rookie of the Year award. Follow these four young pioneers as they set out to find that perfect balance between inner-city toughness and wild-west determination.

BRUTAL centers on Trevor (Morgan Benoit), abducted from his backyard at the age of fifteen by an unseen alien presence. Forced into nearly two decades of no-holds-barred fights against other abductees inside an unearthly mixed martial arts arena, Trevor has evolved from an innocent boy into a brutal fighting machine. Derek, (Jeff Hatch) an ambulance chasing lawyer, is the latest lab-rat abductee forced to fight Trevor. As the two men exchange ever-increasing beating over the course of weeks and months, the brutality of their existence and the true nature of their humanity is slowly revealed. With elements of THE TWILIGHT ZONE and THE PRISONER, BRUTAL explores through science fiction, allegory and psychological drama, man’s violent nature and our propensity to commit unthinkable acts of violence against each other. Yet through this prism of brutality our capacity to love one another, even in the worst of circumstances is celebrated.

Jack and Diane, two teenage girls, meet in New York City and spend the night kissing ferociously. Diane’s charming innocence quickly begins to open Jack’s tough skinned heart. But, when Jack discovers that Diane is leaving the country in a week she tries to push her away. Diane must struggle to keep their love alive while hiding the secret that her newly awakened sexual desire is giving her werewolf-like visions.

In this playfully provocative story set amidst the often-turbulent backdrop of gentrification, things get hot when an openly gay white couple moves into an East L.A. neighborhood where the locals have more than skeletons in their closets. The arrival of the Anglo newcomers rocks the quiet world of Diego Campos (Rene Alvarado), a handsome young local who is tired of being played for a boy toy by his closeted real estate agent lover Pablo (David Beron). Will Diego stay at home and fulfill his Mexican grandmother’s desire for him to inherit the family restaurant – or will he follow his heart and become a chef in the big city? Award winning producer Carlos Portugal makes his directorial debut with a winning combination of quirky characters, rich storylines and suggestive situations that will appeal to fans of Latino telenovelas and popular series such as “Sex and the City,” “Ugly Betty” and “Queer As Folk.”

Trace Adkins (The Lincoln Lawyer), Ron Perlman (TV’s “Sons of Anarchy”) and Brendan Penny (Ring Of Fire) star in this gritty and riveting re-imagining of the classic Western saga. Raised by powerful cattle baron Judge Henry (Perlman), South, aka “The Virginian” (Adkins), lives his life as a ranch enforcer with bravery and steely determination. When a big-city writer (Penny) raises questions about the fierce treatment of rustlers, South is quick to defend the brutal realities of the “Code of the West.” But as he looks deeper into the latest string of rustling and finds his convictions questioned by a pretty new schoolteacher (Victoria Pratt, Mutant X), South begins to wonder if the Judge had ulterior motives in raising him to a life of bloodshed and violence in this explosive, action-loaded epic on the open range.

In an effort to control the city the Mayor opens the doors to the Russian Mob. It is not long until he realizes they aren’t going to follow his rules. To fix the problem he accepts an offer to set up the Russians and open the door for the Cartel. When the Russians find out they take the Mayors Daughter and then the real games begin.

Chinatown Fair opened as a penny arcade on Mott Street in 1944. Over the decades, the dimly lit gathering place, known for its tic-tac-toe playing chicken, became an institution, surviving turf wars between rival gangs, changing tastes and the explosive growth of home gaming systems like Xbox and Playstation that shuttered most other arcades in the city. But as the neighborhood gentrified, this haven for a diverse, unlikely community faced its strongest challenge, inspiring its biggest devotees to next-level greatness.

The government cover-up of the causes behind a massive explosion in a futuristic UK metropolis spur photo journalist Jennifer Preston on to search for the truth and in the process blow open a paranormal phenomenon haunting the city.

This Christmas, Thunder Mountain Ski Resort is abuzz when celebrity chef Shane Roarke is named the new head chef. Clara Garrison isn’t as excited and is instead focused on getting resettled after her failed attempt at opening a restaurant in the city. With their paths constantly crossing, will their shared passion for cooking bring them together or will secrets keep them apart?

In 1952, an Inuit hunter named Tivii with tuberculosis leaves his northern home and family to go recuperate at a sanatorium in Quebec City. Uprooted, far from his loved ones, unable to speak French and faced with a completely alien world, he becomes despondent. When he refuses to eat and expresses a wish to die, his nurse, Carole, comes to the realization that Tivii’s illness is not the most serious threat to his well-being. She arranges to have a young orphan, Kaki, transferred to the institution. The boy is also sick, but has experience with both worlds and speaks both languages. By sharing his culture with Kaki and opening it up to others, Tivii rediscovers his pride and energy. Ultimately he also rediscovers hope through a plan to adopt Kaki, bring him home and make him part of his family

Ferdinand is a long-standing employee at Fish Land, the aquatic centre within the globalised leisure complex “Worlds Apart”. He’s a small, bald forty year-old, and a solitary, anxious introvert, entirely devoted to his passion for fish. But Ferdinand’s obsessive little existence is turned upside down the day Fish Land closes down for six months of renovation. He is transferred to another section of “Worlds Apart”, the Finnish-Turkish Delight spa, entirely geared towards the pleasure of saunas and steam rooms. Ferdinand is suddenly thrown into a world of nudity, sensuality, relaxation and letting go… In short, everything he could possibly be afraid of! HOT HOT HOT is the belated journey of initiation of an inhibited little man, who slowly but surely learns to open up to the pleasures of life. It paints a colourful yet sensitive picture of a world caught between artificiality and authenticity, between norm and peculiarity.

The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic system and he becomes the binding bridge between the geopolitical problems of post-soviet space and the common people. The economic devastation of the country had an enormous impact on the industrial workers and yet despite the upheaval, these people did not seize to love and suffer, to have and be friends and to enjoy their lives. In particular our resilient electrician, who possesses a wonderful and open heart. He not only brings electric light (which is often out) to the lives of the inhabitants of this small city, but he also spreads the light of love, loyalty, life and mainly laughter.

One day, one moment, one idea can change lives. Noah Davis is a Pastor in an affluent community. Depressed after losing his wife to illness, he is contacted by an old friend who has opened a mission in a rough inner city neighborhood. With Christmas approaching, he packs up and together with his two daughters, moves into Salvation Street Mission. Now the family must struggle with the challenges they face in the crime ridden community. Noah’s inspiration guides his daughters, the mission and the neighborhood by bringing them the greatest gift of all, hope.

The second in-name-only sequel to the first Meatballs summer camp movie sets us at Camp Sasquash where the owner Giddy tries to keep his camp open after it’s threatened with foreclosure after Hershey, the militant owner of Camp Patton located just across the lake, wants to buy the entire lake area to expand Camp Patton. Giddy suggests settling the issue with the traditional end-of-the-summer boxing match over rights to the lake. Meanwhile, a tough, inner city punk, nicknamed Flash, is at Camp Sasquash for community service as a counselor-in-training where he sets his sights on the naive and intellectual Cheryl, while Flash’s young charges befriend an alien, whom they name Meathead, also staying at the camp for the summer.