Edina and Patsy are still oozing glitz and glamor, living the high life they are accustomed to; shopping, drinking and clubbing their way around London’s trendiest hot-spots. Blamed for a major incident at an uber fashionable launch party, they become entangled in a media storm and are relentlessly pursued by the paparazzi. Fleeing penniless to the glamorous playground of the super-rich, the French Riviera, they hatch a plan to make their escape permanent and live the high life forever more!

Burt Reynolds plays a legendary stunt man known as Sonny Hooper, who remains one of the top men in his field, but due to too many stressful impacts to the spine and the need to pop pain killers several times a day, he knows he should get out of the industry before he ends up permanently disabled.

After the death of his brother on the road, unemployed and unstable drifter Arthur Waldo stays for a while in the rural Australian town of Paris as the guest of the mayor, who hopes he will become a permanent member of the Paris population. Arthur soon realizes the quaint hamlet has a sinister secret: they orchestrate car accidents and rob the victims. Survivors are brought to the local hospital, lobotomized, and used for a local doctor’s experiments.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

In 1940, Masaaki Takaoka works as a teacher in the agricultural division at a youth training institute. Although Japan’s defeat seems immanent, all of Masaaki’s students are drafted in a futile last-ditch effort. In an attempt to give the young men some hope, he makes everyone promise that they will all meet again under the cherry blossoms upon their safe return. Consumed by sadness over the fate of his students, Masaaki devotes the next 30 years of his life to develop a new species of cherry blossoms that could thrive in any climate in remembrance of his students.

Not long after John Chambers and his family arrive at their new home in a small country town of Pennsylvania, John begins to experience sleep paralysis. Lying there paralyzed, trapped within his own nightmare, other-worldly beings visit John. They are entities which exist in the darkest shadows of the night and can only be seen out of the corner of one’s eye. These encounters begin to haunt John, transforming to complete terror as he discovers the entities’ sole purpose… the abduction of his seven year old son. In the end, John will uncover the town’s horrific secret, a portal on his land, and make one last attempt to save his son before the shadow people permanently take him away to their world.

Lea is a tour guide in Japan who suffered from temporary blindness and if not cured in a few weeks could be permanent. Tonyo who lives right across from Lea is persistent and determined to be her friend. They then become closer and Lea has seen the true character of Tonyo.

When David Wilson’s young wife falls victim to cancer, he is left a single working dad with the sole responsibility of caring for his sixth grade son with autism. Patrick, who prefers to be called ‘Po,’ is a gifted but challenged child who was very close to his mother and unable to communicate his own sense of loss. As father and son struggle to deal with life after mom, they each begin to withdraw into their own worlds. David into the high pressure job he’s close to losing and Po drifting away from the school where he’s bullied into his magical fantasy world, the Land of Color, where he’s just a typical carefree boy with a rich cast of other worldly companions. The growing divide between father and son and the challenges of single parenthood of a special needs child threaten to separate David and Po permanently. Based on a true story, the bonds of love between a grieving father and son are tested in the most real way in Po.

Admiral Frank Beardsley returns to New London to run the Coast Guard Academy, his last stop before a probable promotion to head the Guard. A widower with eight children, he runs a loving but tight ship, with charts and salutes. The kids long for a permanent home. Helen North is a free spirit, a designer whose ten children live in loving chaos, with occasional group hugs. Helen and Frank, high school sweethearts, reconnect at a reunion, and it’s love at first re-sighting. They marry on the spot. Then the problems start as two sets of kids, the free spirits and the disciplined preppies, must live together. The warring factions agree to work together to end the marriage.

The relationship between four female temps all working for the same credit company is threatened with the arrival of a new hire, who lands a permanent position one of the women was vying for.

In 2030 the world is in a permanent state of economic recession and facing serious environmental problems as a result of global warming.

Christine and her husband Barry have bought an old fixer upper in a small town, using her recent inheritance, believing that fixing it up and a fresh start, will help her recover from a near nervous breakdown. Christine has invited her sister Lisa to move in with them unaware that she is having an affair with husband Barry. Barry, a police detective, only stays with Christine for her money and is looking a way to rid himself permanently of her. Lisa flirts with Barry under Christine?s nose delighting in the thrill of the possibility of being discovered. They find a secret room in the basement laundry with a heavy, titanium door with a cross and mystical writings, locked by an intricate mechanism. They joke about it but only as a way of coping with the mounting fear that it hides something horrible.

Him and her. A husband and a wife staying in a cozy hotel where you can come for just a couple of days with a risk to get stuck forever. It is so easy to get trapped in the daily routine. Indeed, nothing is more permanent than the temporary. Their time is like a flat circle. He has his phone calls and business meetings. She is wrapped in her dreams and doubts. All reactions are predictable, all conversations are learnt by heart. An endless LP record of life keeps playing again and again repeating itself. But a few things can break this tune, like a scratch on the record, a crack on a wine glass, a sudden glance or a meeting with a stranger. And then you know: tomorrow will come soon. Any moment something can go wrong, throw you off course, and force you to make a choice.

Good-looking, well-spoken Phil is broke and cannot understand how flatmate James has recently acquired a lot of extra cash and a permanent grin on his face. James’s secret? Adonis Escorts – 40 pounds an hour, 150 for the night. Faced with imminent eviction, a reluctant Phil is persuaded to join the agency and soon the two gigolos have a loyal following including bored housewife, Frances. In fact business is booming until love rears its ugly head. And then chaos reigns as James falls in love with Phil, Phil falls in love with Helen, Helen takes Phil home to her mother – Frances, Frances goes crazy because she had fallen for her daughter’s new boyfriend Phil, and Darren just wants to make it alright – by settling down with James. Who is definitely not gay. Just confused!

Cop drama meets romance: This intense thriller is about a police officer who shoots his best friend (who also wears a badge) while on the job. His buddy is permanently paralyzed, and the incident raises eyebrows around the precinct. Was it an accident, or did this detective’s feelings for his pal’s wife cause him to cross the line? Only true super sleuths will figure it out before the end!

Jared, the son of a Baptist pastor in a small American town, is outed to his parents at age 19. Jared is faced with an ultimatum: attend a gay conversion therapy program – or be permanently exiled and shunned by his family, friends, and faith.

Two drug dealers on the lam seek refuge inside their mentally unstable friend’s mansion. But in order to stay, they have to participate in her elaborate, and increasingly dangerous, game of permanent make-believe.

How would you feel about carrying your home in your pocket or having clothes to live in? For most of us, “house” means stability, structure, and permanence. In an age of increasing population and technological gains, today’s mobile society has resulted in a demand, or perhaps a dream, for portable dwellings and dwellings in new settings and situations.
Microtopia explores how architects, artists and ordinary problem-solvers are pushing the limits to find answers to their dreams of portability, flexibility – and of creating independence from “the grid”. Modern nomads, homeless people, people in stress, people in need of privacy or seclusion. We hear about the personal reasons behind the dwellings, and to see how they actually work. On the sidewalk, on rooftops, in industrial landscapes and in nature we will see and feel how these abodes meet the dreams set up by their creators. Microtopia deals with a contemporary urgent ideas that are addressed, and solved, in a very surprising way.

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

Two strangers are drawn to a mysterious pharmaceutical trial that will, they’re assured, with no complications or side-effects whatsoever, solve all of their problems, permanently. Things do not go as planned.

The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)

Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.

Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.

Stef Foster, a dedicated police officer, and her partner Lena Adams, a school vice principal, have built a close-knit, loving family with Stef’s biological son from a previous marriage, Brandon, and their adopted twins, Mariana and Jesus. Their lives are disrupted in unexpected ways when Lena meets Callie, a hardened teen with an abusive past who has spent her life in and out of foster homes. Lena and Stef welcome Callie and her brother, Jude, into their home thinking it’s just for a few weeks, until a more permanent placement can be found. But life has something else in store for the Fosters.