A historical drama set in the Koryo dynasty and focused on the relationship between a king and his bodyguard. Under the dominance of Yuan Dynasty China, the king of Goryeo Dynasty Korea is pressured to produce a successor to the throne. Unable to make love to his queen because he is in love with his bodyguard, Hong Lim, the king asks the two of them to sleep together instead. This sexual contact formulates a forbidden love between Hong Lim and the Queen.

Katrien (Cherié van der Merwe) is dumped by her boyfriend, high school rugby star Werner (Altus Theart), so he can focus his energy on the sport. To get even, she makes a bet with her friends that she can make a star out of the school’s dorkiest boy, ‘Wimpie’ Koekemoer (Ivan Botha), by pretending to be his girlfriend. The awkward Koekemoer rises to the challenge but Katrien finds herself falling unexpectedly in love with him, until he realizes she is merely using him.

Despite its stand-alone title, this mixture of martial arts and exploitation is a semi-sequel to Shaw Brothers’s Flying Guillotine series. This time, the focus is Rong Qui-yan (Chen Ping), a kung fu student turned dutiful wife whose life falls apart when her husband is murdered by a squad of government operatives led by the duplicitous Jin Gang-Feng (Lo Lieh). Qui-yan is forced to go into hiding as she plots her revenge and finds allies in fellow fugitive Ma Seng (Tsui Siu Keung) and ex-lover Wang-jun (Yueh Hua). Meanwhile, Jin Gang-Feng sends out an array of killers to track them down. Complicating things further is the fact that Qui-yan is pregnant and struggling to keep her unborn child safe while fighting her way to safety.

Pediatric specialist Tasha Mason is focused on one thing; keeping the kids in her ward as healthy and happy as possible. So when her high-school crush, who just happens to be handsome Prince Alexander Cavalieri, breaks his leg on a nearby ski-slope, Tasha is forced to allow him to secretly get well on her floor and she’s furious that a spoiled Royal is interrupting the precious healing time her kids so badly need. Soon, however, Tasha learns that some tough love and a lot of Christmas spirit, could turn this royal pain into a knight in shining armor.

An is-she-or-isn’t-she gay comedy focused on a Taiwanese teen, the boy she might like, and the girl she may love.

Julia is a 35-year-old English Literature teacher struggling with depression as she tries to get her life back together again after her long, intense love affair with Antonia. Feeling totally abandoned after she and her enigmatic girlfriend broke up, Julia is thrown into a desperate, painful process. Her life and her values have been tinged with unbearable melancholy and her life’s measure seems reduced to out-of-focus fragments of her memories. Her inner turmoil and conflicts hamper a process now made necessary – that of readapting to her new life. It is impossible for her to disguise her pain when she attempts to narrate emotions.

Bem, Bela and Belo arrive at a new town plagued by a series of mysterious, unsolved cases which, as they discover, are caused by another youkai, one more powerful than they have ever encountered. The story will also focus on Belo’s first love, and his increasing desire to become human. In the meantime, Bem and Bela have found a way to become human, but are conflicted about whether to let just Belo turn human, or along with Belo, become humans themselves.

MIDNIGHT SON is the story of Jacob, a young man confined to a life of isolation, due to a rare skin disorder that prevents him from being exposed to sunlight. His world opens up when he meets Mary, a local bartender, and falls in love. Tragically, Jacob’s actions become increasingly bizarre as he struggles to cope with the effects of his worsening condition. Forced by the disease to drink human blood for sustenance, he must control his increasingly violent tendencies as local law enforcement narrow their focus on him as a suspect in a series of grisly murders.

Jacek loves heavy metal and his dog. He converts the country lanes outside his door into a racing track and bombs down them in his little car. When he and his girlfriend Dagmara take to the dancefloor, everyone runs for cover. He enjoys his existance as a cool misfit in an otherwise stuffy environment, and keeps his muscles toned working on a building site close to the Polish-German border where the world’s largest statue of Jesus is being constructed. But then his life is thrown badly off course by a terrible accident at work that completely disfigures him. Eagerly followed by the Polish media, Jacek becomes the first person in the country to receive a face transplant. He may be celebrated as a national hero and martyr, but he no longer recognises himself in the mirror. Meanwhile, the statue of Jesus grows taller and taller. Whilst events around Jacek come thick and fast, the film never loses sight of the bigger picture and instead brings things even more into focus.

Don’t Go in the Woods is sound advice, especially when there’s a killer on the loose. First-time director Vincent D’Onofrio (Full Metal Jacket, “Law & Order: Criminal Intent”) explores love, greed and ruthlessness in this twisted musical/horror hybrid, telling the story of a young band who heads to the woods to get away from their everyday lives in order to focus on writing new songs. Hoping to walk away from the trip with new tunes that will score them their big break, they instead find themselves in the middle of a nightmare beyond comprehension.

The film focuses on the tumultuous romance in the lives of four women in The Hague. Teenage daughter Eva, her mother Judith, aunt Barbara and older sister Anna make it under one roof Hague together a nice game of. They are beautiful, courageous and sensible, but sometimes they just do not know in a world full of tender love, serial dating, slaked lust, affairs, children’s desires and indestructible old loves.

Aaron’s lonesome life is thrown into adulthood when his little brother Jared surprises him with a post-graduation visit. Hoping to reconnect with their absentee father, Jared enlists Aaron’s assistance discovering his current whereabouts. Throw in a dropped phone number and some awkward matchmaking with an actual, responsible grown up named Amanda, the definition of love and what it means to be family slowly come into focus.