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Blair Jensen, a young mother, get’s released out of prison after being arrested on multiple drug charges one year earlier. On the day of the release, Blair received shocking news that her boyfriend got married to someone else who’s now playing mother to her daughter Linda. When Blair finally reunites with her daughter she’s facing a social worker giving her the devastating news she has restricted visits only until she can prove in court that she can obtain and require full time employment.
Two mismatched homicide detectives are forced to team up and stop a killer from reaching his dark twisted goals. There is one small problem; the cannibalistic killer is a crooked cop who could be closer than they think! As the body count grows and the bullets fly three cops and a rat put their lives on the line to stop a mad man and his crazed cult from killing and devouring 100 women. Can Dick and Jeff figure out a way to stop the killing without killing each other?
Sargad is about a young woman, Elina, that drives to a cabin with her mom and younger sister to spread her dad’s ashes. They encounter three brothers that will make their weekend a living hell.
Single mom Laura, along with her awkward 14 year-old son Henry is forced to drive Jack, her estranged, care-free pot dealing father across country after he’s kicked out of yet another nursing home.
A vigilante with a mysterious past becomes a one-man army in a crime-infested town as he takes the law into his own hands, at the same time protecting a young mother and her daughter. He sets his sights on a local kingpin, setting up an action-packed and fateful confrontation.
An infection which appears to be caused by a bacteria in the water turns out to be more. A fourteen-year-old student, Dannie, feels the real cause is linked to her recurring dreams. When the infection reaches an epidemic level. it becomes clear that this infection not only kills, but restores the body to a minimally functioning state where the infected become the “living-dead”. This unique twist on the classic zombie theme, centers around the highly-intuitive Dannie Jacobs and a group of four other middle school students who try to save their friends, their town and themselves in spite of the odds against them. While they are desperately trying to find an answer before it’s too late, they meet researcher Sue who may hold the key to the infection and Dannie’s dreams.
In the dawn of the Meiji period, the Gokumonjou, an inescapable prison, has been established in the middle of an enormous lake to counter the soaring crime rates the new era has brought. Serving as the ferrymen are the famous Kumou brothers: the eccentric family head, Tenka; the reckless but noble second son, Soramaru; and the guileless youngest, Chuutarou. In spite of their grim work, the three lead relatively peaceful lives in the ever-cloudy town of Oumi, together with their housekeeper, Shirasu Kinjou. But buried in the long history of Oumi is the legend of the terrifying “Orochi,” a serpentine beast that awakens every three hundred years in a human vessel. Unbeknownst to Soramaru and Chuutarou, the actual job of the Kumou family is to seal the Orochi away before it fully revives—or the world will be plunged into destruction. Amid the monster’s next resurrection, the Kumou family must find the resolve to keep laughing under the clouds.
A young girl’s brother comes home from the army, and brings an army buddy with him. The three of them go out that night to celebrate, and after much drinking has been done, the brother’s friend rapes the sister. After the two men have gone back, the girl finds that she’s pregnant–and discovers that her parents don’t blame the soldier, but blame her.
When an attractive young girl is murdered, suspicion falls on several members of the local tennis club. It falls to Police Inspector Halloran to sort out all the red herrings, and finally after a confrontation at the top of the local church spire, arrest the culprit. Another fascinating look at what life was like in Britain during the 50’s.
A prisoner in her own home, a captive in her own body. Assaulted and trapped with no one to hear her cries for help… and knowing no one will believe her if they do. This is the terrifying reality Alaina finds herself in when she moves in to the house her mother died in. At first she thinks it’s the loss of her mother that is haunting her, but she is soon shown it is something far more malicious and unrelenting. The spirit taunts her as it invades her body, mind, and soul, completely trapping her. Alaina has to fight for answers on what really happened to her mother if she has any hopes of survival. She must find a way to endure this monster who lives and breathes to rob her of her sanity as it demands a savage hold on her.
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
1965: Mr. Jaffee is a curious but closeted married man, who decides to take a walk on the wild side one night over to the local bath house located in Times Square, New York. When he is a approached by Thomas, a swinging regular who takes an interest in Mr. Jaffe as the new face “on the scene”, a deep and philosophical discussion about marriage, homosexuality and other social taboos begins to unexpectedly unfold. The two become emotionally intimate in a very short time, with no sexual contact of any sort, while everyone around them are screwing like rabbits.
Ten years ago, on a train home during the busy Spring Festival travel period, fate brings Xiaoxiao and Jianqing together. Like many young couples, they meet, fall in love, and strive to make it work, but eventually, the harsh realities of life make them drift apart. Ten years later, they run into each other again. Will they make the most of this second chance and rekindle what they once lost?
Newspaper men compete against each other to find a serial killer dubbed “The Lipstick Killer”
Concert pianist Henry Orient (Peter Sellers) is trying to have an affair with a married woman, Stella Dunnworthy (Paula Prentiss), while two teenage private-school girls, Valerie Boyd (Tippy Walker) and Marian Gilbert (Merrie Spaeth), stalk him and write their fantasies about him in a diary. Orient’s paranoia leads him to believe that the two girls, who seem to pop up everywhere he goes, are spies sent by the husband of his would-be mistress. When Val’s mother, Isabel Boyd (Angela Lansbury), finds their diary, she suspects that Henry has acted inappropriately with her daughter. She contacts Orient and they end up having an affair. Val finds out about it, as does her dad.
Five short stories loosely dealing with the roles of women in society. A superstar actress travels to a mountain resort, only to evoke jealousy from women and lust from men. A woman offers to take an injured man to the hospital. A widowed father and his son seek for a new wife/mother. A man seeks revenge for a woman’s honor. A bored housewife tries to explain to her husband that he’s not as romantic as he used to be.
Peter Fonda plays ‘Heavenly Blues’, the leader of Hell’s Angels chapter from Venice, California while Bruce Dern plays ‘Loser’, his best pal. When they both botch their attempt to retrieve Loser’s stolen bike, Loser ends up in the hospital. When the Angels bust him out, he dies, and they bury him. Nancy Sinatra plays Mike, Blues’ “old lady” and Diane Ladd plays Loser’s wife (Dern’s real-life wife at the time). The plot is basically a buildup to the last half-hour of the film in which Loser’s funeral becomes another wild party.
Returning to her home town, overwhelmed by the birth of her firstborn, nineteen-year-old Chloe van Heerden tries to come to terms with motherhood. Despite the support from her own mother, Chloe struggles with the demands of caring for a newborn child. The incessant crying of her baby, the growing sense of guilt and paranoia send her into a dark depression. With a heightened urge to protect her son, she sees danger everywhere.
Despite its stand-alone title, this mixture of martial arts and exploitation is a semi-sequel to Shaw Brothers’s Flying Guillotine series. This time, the focus is Rong Qui-yan (Chen Ping), a kung fu student turned dutiful wife whose life falls apart when her husband is murdered by a squad of government operatives led by the duplicitous Jin Gang-Feng (Lo Lieh). Qui-yan is forced to go into hiding as she plots her revenge and finds allies in fellow fugitive Ma Seng (Tsui Siu Keung) and ex-lover Wang-jun (Yueh Hua). Meanwhile, Jin Gang-Feng sends out an array of killers to track them down. Complicating things further is the fact that Qui-yan is pregnant and struggling to keep her unborn child safe while fighting her way to safety.
Wang Yu plays a vagabond who earn a living on people’s superstitions, but also puts things right. (A Shaw Brothers production)
1951: Andy Schmidt is in his last year of college. Taking life easy and always a saucy joke on his lips, he manages to win fellow student Mary’s heart, although she’s already otherwise engaged. But getting a job after college turns out much harder than expected; most directors take offense at his free interpretation of his roles. Desperate, he tries in wrestling. To avoid getting beaten up he stages the fights – and incidentally invents show-wrestling.
Feature documentary about humor and the Holocaust, examining whether it is ever acceptable to use humor in connection with a tragedy of that scale, and the implications for other seemingly off-limits topics in a society that prizes free speech.
These are times when one civilization is replacing another. A new era is about to begin in Central Eurasia. Scythians, the proud warriors, are all but gone. The few of their descendants have become ruthless mercenary assassins, the “waves of Ares.” Lutobor, is a soldier with a difficult task at hand. He becomes involved in internecine conflicts and sets off on a perilous journey to save his family. His guide is a captive Scythian by the name of Weasel. Lutobor and Weasel are enemies. They pray to different gods but must embark on this journey together. They brave the wild steppes, moving toward the last haven of the Scythians, to what seems to be their inevitable demise…
A suicide cult led by a mysterious figure known as The Master. Oliver Martin is the hero, who tries to rescue pretty Caroline Cartier from the cult, only to find out that yet another group of vampires wants to save her too.
After an incident which nearly cost Littlefoot’s grandmother her life, Littlefoot learns a series of lessons which his species call “Wisdoms”. Meanwhile, a trio of dim-witted Beipiaosauruses named Loofah, Doofah and Foobie arrive in the Great Valley and behave in a strange manner towards Littlefoot and the gang. Littlefoot is determined that they learn the “Wisdoms” and the journey to the one place the trio have dreamed of, Berry Valley, begins.
When the dinosaur families get trapped in a valley by an ice storm, one family of “spike tail” dinosaurs volunteers to leave since they consume more food than the others. Meanwhile, the young dinos and a new adult dinosaur named Mr. Thicknose, head out to bring back their friend Spike, who has left his friends to be with members of his own species.
This fourth sequel in the series finds “leaf gobblers” eating all the vegetation in Great Valley, driving Littlefoot, the young brontosaurus, and the other dinosaur inhabitants out. Arguments break out among the adults during migration, and Littlefoot and his friends decide to take matters in their own hands by crossing the “big water” to an unknown island. There they meet an old friend from The Land Before Time II–Chomper, the T-rex, who has to protect the gang from his own, carnivorous parents. Plenty of drama in this one, and as the series has been wont to do from the beginning, it shows adults as sometimes being less than perfect.
Jason Staebler lives on the Boardwalk and fronts for the local mob in Atlantic City. He is a dreamer, who asks his brother David, a radio personality from Philadelphia to help him build a paradise on a Pacific Island, yet another of his get-rich-quick schemes. But luck is against them both and the game ends badly – real life reduced to radio drama.
When legendary hunter Bob Rainsford is shipwrecked on the perilous reefs surrounding a mysterious island, he finds himself the guest of the reclusive and eccentric Count Zaroff. While he is very gracious at first, Zaroff eventually forces Rainsford and two other shipwreck survivors, brother and sister Eve and Martin Towbridge, to participate in a sadistic game of cat and mouse in which they are the prey and he is the hunter.
Orphaned brothers Kutchek and Gore are adopted by a tribe led by Canary the owner of a powerful jewel. The evil Kadar wants both Canary and the jewel. Attacking the tribe he kidnaps Canary but the stone eludes him. The brothers are taken to be trained as gladiators and years later have grown to be VERY big. They escape and set off on a quest to find the jewel and rescue Canary.
After receiving an unexpected visit from his mysteriously injured brother Mark, Alex decides to take his family back to the country home of his childhood, but once there, Alex’s wife Vera confesses that she is pregnant again and that the child is not his. Agony ensues as Alex attempts to figure out how best to react.
Alyssa Milano, who also serves as producer, stars as Jane Claremont, who, as a young girl, would accompany her mother Vivian (Stockard Channing) to Tiffany’s in New York every Sunday and bring along her imaginary friend, Michael. Now, 20 years later, Jane is a successful businesswoman, set to marry Hugh (Ivan Sergei), her handsome fiancé, until Michael (Eric Winter) suddenly reappears.
In London, stuffy statesman Carter Harrison meets Toni, a Bohemian artist with a hot Italian temper. The two impulsively marry and then find that they disagree on everything. Shortly afterward they separate. We then meet them five years later on the eve before their divorce becomes final. After seeing each other again, sparks are reignited and they spend the night together. Reality sets in when morning comes and they begin arguing again. Once again, divorce proceedings are on, until Carter that an important promotion hinges on whether he’s married. He schemes to win back Toni and eventually succeeds. But can he keep her from destroying his career by posing as Lady Godiva in a protest movement?
While on holiday in Rhodes, Athenian war hero Darios becomes involved in two different plots to overthrow the tyrannical king, one from Rhodian patriots and the other from sinister Phoenician agents.
Zambrano is a young criminal with the only hope of joining the legendary prison American football team known as The Dogs of Santa Martha. His hopes end up involving him with organized crime since The Dogs, who are also known as The 4th Company, a squadron of inmates at the service of the administration that controls the jail, its vice and its privileges. Corruption and crime have no limits; they ravage the city with car thefts, bank robberies and other crimes under the auspices of the authorities, the story takes place during the López Portillo presidency and his men.