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Things go horribly wrong when Catherine and Rebecca, two Catholic School girls, knock on the wrong door while selling Religious paraphernalia.
Momoko is an ordinary girl, living an ordinary life. Ordinary, that is, if you define ordinary as wearing elaborate lolita dresses from the Rococo period in 18th Century France. However, when punk girl and self-styled ‘Yanki’ Ichiko comes calling, her days as ‘ordinary’ are most certainly numbered…
An ex-con, on parole and trying to straighten his life out, decides to resume his boxing career when one of his prison enemies escapes and kills his girlfriend.
Michael Chapman was once a child TV star. But when he grew up, he couldn’t get work. So he and his brother, Ed start their own talent agency that specializes in child acts. They can’t seem to find the next big thing and they have to deal with another agency who’s not above bribery to get the kids to sign with them. One day Michael meets a girl named Angie and she’s a real spitfire. Michael thinks she could be what they are looking for. Problem is that she has a big chip on her shoulder.
A chronicle of the life of a middle-class French girl’s sexual adventures, her then fall into prostitution, and her ultimate redemption.
Sang-hoon is a lowlife gangster, a debt collector exercising thuggish ways to collect his money. The recipient of nothing but anger since his childhood, he expresses himself through violence. When he finally encounters someone who can stand up to him, feisty school-girl Yoon-hee they become unlikely friends.
Overachieving actress, Rebecca (Moore), must come to grips with her failing marriage to stay-at-home dad, Tom (Duchovny). While Rebecca’s slacker brother, Tobey (Billy Crudup), can’t seem to commit to his aspiring-novelist girlfriend, Elaine (Maggie Gyllenhaal). As both relationships spin out of control, the two couples embark on a quest to rediscover the magic and romance of falling in love in New York.
A little girl is taken on a mind-bending tour of her distant future.
While newspaper writer Church struggles with the death of his wife, he receives a “special” assignment. He must answer a little girl’s question about whether Santa Claus really exists.
Arthur (Dudley Moore), that irrepressible drunk, tries to sober up — and get a job — in this sequel to the 1981 smash hit. Meanwhile, the father of the girl Arthur stood up at the altar in the first film is conniving to trick the hapless boozer into marrying his daughter so he can gain entrée to Arthur’s $750 million fortune.
The death of the Kimbrough family matriarch affects the three male survivors of the clan. Widower Easy tries to reconnect with his old flame, Marg. Eldest son and struggling musician Guy moves back to town, feeling guilty that he missed the funeral. His brother, Beagle, who was his mother’s caretaker, falls for Marg’s granddaughter, Georgia, a chronically ill girl who fears her time is growing short.
An 18th century European village is haunted by the ghost of a murderous little girl.
Young master Cao Le chases his pregnant girlfriend away from the family castle. He does it in order to save her from vicious bandits who are going to murder his family.
Young adolescent girl Jenna’s mother is dying, while at the same time Jenna is turning from a young girl into a young woman. So it is difficult for her to admit that she is afraid to lose her mother; instead she behaves contrary to how one would expect.
The very sad tale of socialite & Warhol muse Edie Sedgwick (1943-1971) who effectively plays herself in a film that follows her life in a large part from the time she left Warhol’s ‘factory’ and what the life of excess drugs did to her sanity. Edie was such a beautiful fragile girl – who finally got her head together and got married (her wedding day video is edited into the end of the movie) but it was too late, her husband woke up on a morning in November 1971, only weeks after filming wrapped, and found her dead beside him. She had died in her sleep from overdosing on her medication she was 28.
A film poem inspired by the Peruvian poet César Vallejo. A story about our need for love, our confusion, greatness and smallness and, most of all, our vulnerability. It is a story with many characters, among them a father and his mistress, his youngest son and his girlfriend. It is a film about big lies, abandonment and the eternal longing for companionship and confirmation.
On a fishing boat at sea, a 60-year old man has been raising a girl since she was a child. It is agreed that they will get married on her 17th birthday. They live a quiet and secluded life, renting the boat to day fishermen and practicing strange divination rites. Their life changes when a teenage student comes aboard.
Number 37 is the story of Randall, wheelchair bound, playing a cat and mouse game blackmailing a powerful criminal whilst evading a sadistic loan shark who will kill him and his girlfriend if his loan is not paid back by the end of the week.
“Eia’s Christmas at Phantom Owl Farm” is about a 10-year-old girl Eia who, due to many coincidences, has to spend her Christmas break at a Southern-Estonian farm called Phantom Owl Farm. .
After living with her drug-addicted mother, 10-year-old Lizzy’s adopted by career woman Juliana and her boyfriend Greg. Julianna buys Lizzy an online genetics test and they discover that Lizzy’s related to a royal German family, but as Lizzy’s fascination with being a princess grows, the girl begins to lose her sanity, blurring fantasy & reality.
A mysterious death of a young girl unfolds a web of secrets and a conspiracy. The father of the girl, John day, is a simple , honest and god fearing man. Gautam , a nihilistic cop, the key player behind the tragic incident gets embroiled and sucked into the deep abyss that turns lethal. The thin line that separates the saint and the beast now stands blurred… broken… forever
A teenager (Derek Rydall) insists he saw a satanist (Allen Garfield) kill the call girl next door, and tries to prove it.
Camille Logan is determined to be more than the spoiled heiress and daddy’s girl that everyone sees. After fighting hard to be independent and happy, she finds her life threatened as a result of one of her father’s business deals. Camille isn’t prepared for the length her father will go to protect her, or for the man he hires to do the job. Jake Sharp resides in his own personal hell. Accepting the job of bodyguard to Camille isn’t the kind of distraction from his demons that he should take. He soon discovers that she isn’t the woman she’s perceived to be. She’s warm and compassionate and soon his duty goes deeper than a well-paid job. He needs absolution. He comes to need Camille. But he knows he can’t have both.
A young girl is kidnapped by a strange man, who forces her to be the star of his sick and twisted live stream.
Young Public Prosecutor Keiichiro Okino (Kazunari Ninomiya) is assigned to the department of Tokyo Public Prosecutors Office which deals with violent cases. He is thrilled to work with Takeshi Mogami (Takuya Kimura) whom he admires. One day, an elderly money lender is killed and Shigeo Matsukura is identified as a suspect. He borrowed money from the victim. In his past, Shigeo Matsukura testified in a female middle school murder case. Takeshi Mogami is aware of the heavy grief carried by the deceased girl’s family and he tries his best to prove Shigeo Matsukura’s guilt. –asianwiki
A woman’s past as a convict follows her everywhere and because of this she doesn’t open up to others. But then she strikes up a friendship with a broken child who has suffered from domestic violence and decides to save the girl from the cruel world. A man who holds feelings for the woman, tries to protect her in his own way.
A 16-year-old girl visits her gay half-brother and ends up seducing his boyfriend, thus wreaking havoc on all of their lives.
Pastor Park is head of a religious investigation center that exposes cults and cult leaders. While looking into a suspicious new religion called ‘Deer Mount,’ he slowly uncovers clues that connect this cult to a series of mysterious cases of missing teenage girls when a body is found inside a damaged tunnel beams. He begins to uncover dark secrets surrounding this cult and its enforcer Na-han.
Sick, twisted, politically incorrect and Freakin’ Sweet animated series featuring the adventures of the dysfunctional Griffin family. Bumbling Peter and long-suffering Lois have three kids. Stewie (a brilliant but sadistic baby bent on killing his mother and taking over the world), Meg (the oldest, and is the most unpopular girl in town) and Chris (the middle kid, he’s not very bright but has a passion for movies). The final member of the family is Brian – a talking dog and much more than a pet, he keeps Stewie in check whilst sipping Martinis and sorting through his own life issues.
Mizore Yoroizuka and Nozomi Kasaki are two close friends who are part of the Kitauji High School music club. Quiet and reserved Yoroizuka plays the oboe while lively and popular Kasaki plays the flute. The group has decided to play Liz and the Blue Bird, a song inspired on a fairy tale about the relationship between a girl and a bird. The musical piece puts both Mizore and Nozomi on the spotlight due to a solo part by Yoroizuka and forces the two girls to reexamine their friendship.
Christa Bright is an aspiring personal stylist who has an instant connection with new client Kat Niven, a shy woman who needs help gaining confidence. But when Kat’s admiration for Christa turns into plain obsession, Christa begins to get suspicious. She soon discovers that Kat is her fiance Jack’s ex-girlfriend and she’s trying to become Christa in a demented ploy to win Jack back for good.
When Emily Thorne moves to the Hamptons, everyone wonders about the new girl, but she knows everything about them, including what they did to her family. Years ago, they took everything from her. Now, one by one, she’s going to make them pay.
A young girl returns home from Europe and is stalked and murdered while unwittingly booking an online short term rental from a network of dark-web creeps using spy cameras to capture her stay. Her estranged brother embarks on a personal investigation into her fate, and becomes obsessed with avenging her death.
Vietnam, 1969. War is Hell. For Marine Sergeant Jack Stryker (Brian Schulz), however, Hell is just the beginning. Trapped outside a Viet Cong village, Stryker takes two bullets to the leg. Sent home from the war, he discovers his ex-girlfriend (Cheryl Hausen) has been kidnapped by a religious cult with a vicious Manson-like leader (Sam Raimi). Stryker teams up with some marine friends to form an assassination squad and annihilate the gang of crazed killers.
Virtual technologies and human touch interaction blend when scientist Max Bernholm discovers that by connecting himself to a computer server he can achieve “the human feel.” This allows users of the program, known as “The Generator,” to experience the same feelings that the human subjects were experiencing when connected to their computer systems. Leander, the captain of the subjects was brought in as a kid and trained to make other people’s dreams or fantasies come true within the virtual world. However when Max, testing his newest technology of mind control, starts to lose control, Leander and his girlfriend Natalia are drawn into a hazardous game. The only chance to stop Max depends on Leander gambling with his life, but if he succeeds, he could save not only his own life, but the lives of his loved ones.
From director Andrew Rossi (PAGE ONE: INSIDE THE NEW YORK TIMES, THE FIRST MONDAY IN MAY) comes an electrifying portrait of writer and performer Okwui Okpokwasili and her acclaimed one-woman show, BRONX GOTHIC. Rooted in memories of her childhood, Okwui – who’s worked with conceptual artists like Ralph Lemon and Julie Taymor – fuses dance, song, drama, and comedy to create a mesmerizing space in which audiences can engage with a story about two 12-year-old black girls coming of age in the 1980s. With intimate vérité access to Okwui and her audiences off the stage, BRONX GOTHIC allows for unparalleled insight into her creative process as well as the complex social issues embodied in it.
