North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It’s not a military objective. It’s The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops’ tormentors are not the enemy, but their own comrades-at-arms.

Get swept up in a whirlwind romance and decide to move in together without actually really knowing each other.

While grieving for the loss of their mother, the Connolly sisters suddenly find they have a crime to cover up, leading them deep into the underbelly of their salty Maine fishing village.

After suffering a heart attack, Bill (Bill Oberst) takes his doctor’s advice literally to eliminate the stresses from his life. The plan is working until his killings attract the attention of a psychotic cop (Armand Assante) who isn’t sure whether he wants to arrest or join him. Complications deepen when it becomes apparent to Bill that the biggest cause of stress in his life might be his wife.

John Arnold DeMarco is a man who believes he is Don Juan, the greatest lover in the world. Clad in a cape and mask, DeMarco undergoes psychiatric treatment with Dr. Jack Mickler to cure him of his apparent delusion. But the psychiatric sessions have an unexpected effect on the psychiatric staff and, most profoundly, Dr Mickler, who rekindles the romance in his complacent marriage.

Aurore has separated, just lost her job and learns that she is going to be a grandmother.

Semi-autobiographical film directed by Franco Zeffirelli, telling the story of young Italian boy Luca’s upbringing by a circle of English and American women, before and during World War II.

Dorottya is a young Hungarian actress with a burning desire: to make it on the English stage. Legendary actor, Sir Michael Gifford suffers from an incurable disease, and has one desire: be left alone. When Dorottya becomes his carer they both hope their wish will be fulfilled.

After a harsh childhood, orphan Jane Eyre is hired by Edward Rochester, the brooding lord of a mysterious manor house to care for his young daughter.

Avalon is the third in Levinson’s semi-autobiographical series of four “Baltimore Films”: Diner (1982), Tin Men (1987), Avalon (1990), and Liberty Heights (1999). The film is set in Baltimore in the early 1950s and explores the themes of Jewish assimilation into American life.

Stingo, a young writer, moves to Brooklyn in 1947 to begin work on his first novel. As he becomes friendly with Sophie and her lover Nathan, he learns that she is a Holocaust survivor. Flashbacks reveal her harrowing story, from pre-war prosperity to Auschwitz. In the present, Sophie and Nathan’s relationship increasingly unravels as Stingo grows closer to Sophie and Nathan’s fragile mental state becomes ever more apparent.

The tale of an outlaw who escapes from prison and sets out across the Texas hills to reunite with his wife and the daughter he has never met.