Donald shows his nephews the moves that won him his hockey trophy. But the boys have a few moves of their own.
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The story follows a family of inbreeds who have been afflicted by a genetic disorder known as ‘Merrye syndrome’, named after the family in which the disorder developed. This malady causes its victims to enter a state of age regression that starts at the age of ten and continues throughout the remainder of the person’s life, rendering them with the intelligence of a child. The final generation of the family has been entrusted to the care of the family chauffeur (Lon Chaney Jr), and all is well for these odd people until a greedy branch of the family decides that they want to relieve the family of its home. Mental illness has always, and will always be, a fascinating subject for horror movies as it probes into the unknown and Spider Baby makes best use of that fact.
Barry B. Benson, a bee who has just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry’s life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue us.
A former political police agent that has left communist Romania decades ago in search of freedom has to go back to find it.
A high school nerd, Jerry Mitchell (Siemaszko) is assigned to write a piece for the school paper about new boy Buddy Revell (Tyson), who is rumored to be a psychopathic nutcase. When Jerry accidentally touches Buddy, he says that they must fight in the parking lot at 3pm. Jerry will just about do anything to avoid the confrontation
College student Tracy (Laura Lee Black) has just received an assignment to write a report on her favorite film genre. In her research she discovers a book, now Tracy is taken into three interlocking tales of the unexpected. First in THE VAT, two women (Jenny Coulter / Rodney Horn) are harassed by a religious fanatic (Angie Keeling) about their worldly ways. When the bible thumping hypocrite threatens violence, chaos takes it’s toll. Next in BIG DEBBIE, a robust woman (Rodney Horn) is abandoned at the altar, she runs into two guys that use her to fulfill their odd sexual fetish. When one accidentally dies, they’re forced to get rid of the body… the only problem: a woman on the edge (Rachel Stout) witnesses the ditching and blackmails them into killing her cheating girlfriend (Kelli Ellis). Finally in INGLOURIOUS BITCHES, a quirky pair of female vigilantes (Douglas Conner / Brian Dorton) use an app on a cellphone to track down and murder sex offenders.
Aimie Roarke is always up for a cause and when the town’s beloved Oak tree is set to be cut down, she takes it upon herself try and save it. When the Mayor hires a handsome new landscaper to cut it down, she decides the only way to save the tree is to chain herself to it. As Kyle attempts to wait her out and the two start to spend more time together, they may find the Old Tree brings them both more than they could have imagined in life and love.
When work moves Jason across the world, the only way he can bring his love Carla, is if they are married by Christmas.
A suburban mom relives her season with the soccer obsessed sports parents whose outrageous “win at all costs” behavior spirals out of control.
After losing her parents and being left by her boyfriend, Bubblegum Teddybear moves from Kansas to Albuquerque, New Mexico. She rejects the dating life and lives in a ghost world, where she is fully aware that her life is a movie. Bubblegum is familiar with cinematic structure and tries to make problems for herself so that her movie can have a happy ending. Despite her best efforts, love follows her and pushes her genre ever closer to tragedy.
Baratometrajes 2.0 is a feature length documentary on low-budget films made in Spain and dives deep and directly in the guts of most independent films, their characteristics and their reasons for being. More than forty interviews with directors, producers, journalists, cultural managers and distributors are shaping a broad mosaic of opinions and adventures of different creators to get their films and turn them into a reality, allowing the cameras to talk through their methodology work and the secrets that lie behind the making of these productions. Movies like “El mundo es nuestro,” “Mi Loco Erasmus” or “The Cosmonaut” are part of the object of study of this essential documentary that brings us to the reality of New Spanish Cinema Lowcost.
