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Long a mainstay of Christchurch’s underground music scene, Into the Void are ready for their close-up in this lively and eccentric film which documents two plus decades of heavy rocking, hard drinking and artistic endeavour.
Germany, May 1945, deep in the Harz Mountains a U.S. tank crew discovers a platoon of Germans preparing to ambush U.S. supply trucks.
A documentary based on the book of the same name by Joe Simpson about Simpson’s and Simon Yates’ disastrous and near-fatal attempt to climb 6,344m Siula Grande in the Cordillera Huayhuash in the Peruvian Andes in 1985.
In the middle of a routine patrol, officer Daniel Carter happens upon a blood-soaked figure limping down a deserted stretch of road. He rushes the young man to a nearby rural hospital staffed by a skeleton crew, only to discover that patients and personnel are transforming into something inhuman. As the horror intensifies, Carter leads the other survivors on a hellish voyage into the subterranean depths of the hospital in a desperate bid to end the nightmare before it’s too late.
This psychedelic tour of life after death is seen entirely from the point of view of Oscar (Nathaniel Brown), a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda (Paz de la Huerta). When Oscar is killed by police during a bust gone bad, his spirit journeys from the past — where he sees his parents before their deaths — to the present — where he witnesses his own autopsy — and then to the future, where he looks out for his sister from beyond the grave.
”Reverse murder” began with the criminal police team receiving an anonymous murder live broadcast email. From the perspective of the different characters of the criminal police team, the puzzle was slowly pushed forward, and a murder many years ago was re-presented in front of everyone in the form of revenge. In addition to the mysterious and compact plot of the story, the friction between the criminals and the police, the truth of the confusing, but also reveals the ingenious connection between the various roles of society and various things in the tiny details, there is a family, The longing for love, and the enthusiasm of the brothers, and the true interpretation of the image of the people in the new era, can be thought-provoking.
A 30-something slacker finds his carefree life turned upside down when he falls for his sister’s teenage babysitter.
When the power mysteriously fails, and almost everyone vanishes from a small tourist vessel in the Arctic, fear becomes the master for the three who remain. Forced ashore, the men deteriorate in body and mind until a dark truth emerges that compels them to ally or perish.
Four people from an Arab generation roaming over the ruins of ideologies, causes and virtues of their predecessors. It portrays their intellectual and emotional nonchalance about what is happening around them in their daily lives and relationships. In a house whose architecture is a sixties’ experiment in mixing modern and Islamic architecture, a stone and concrete cube suspended over a rocky shore bashed by the waves of the Mediterranean, by famed Iraqi architect Refaat Chaderji, we spend a night with four characters whose non-stop conversations and peculiar actions reflect the void and chaos they are living in.
What if you could answer any question and eliminate all doubts before making the most important decision of your life? What if, by some sort of magic, you could live your life pursuing your wildest and deepest desires? That’s what’s about to happen to Andrea, a thirty-year-old man on the eve of his wedding with Laura, the girl he met in college and with whom he built a life together. Andrea starts waking up everyday in a different life and a different self, in realities where he and Laura never got together in the first place. Exploring the many paths his life could have lead him on to, from unapologetic womanizer to acclaimed musician, Andrea will have to face the void Laura’s absence left in his many different “iterations”. Will he try to break the spell?
The Mouth screams. It swells, hunting the night like a snake in the dark. The laceration tears through the stars, devouring its meal. In an infinite womb, limbs drift suspended, like flies in a giant spider web. An infinite sea of pale flesh. Death’s renewal awaits, as the bodies pass into the void.
Anat Gov, one of the most influential playwrights in Israeli theatre, is preparing for her death. She asks Arik Kneller, an artists’ agent, to be the executor of her will. Arik struggles to accept the humor and serenity with which she faces her upcoming end. Anat, consciously accepting her nearing end, wishes to leave a spiritual legacy: there can be a happy ending. Almost a decade after her death, her loved ones try to fill the void left by her words with their own. Through excerpts from her plays and footage of her family and political world, a new script is written: one in which the line between the play and reality is blurred.
A newly reunited father and son grapple with new beginnings after tragedy, but can they manage to fill the void left by a beloved wife and mother?
A rising but troubled musician searches for the inspiration to record one last song, pushing himself deep into the void.
This two-hour film will examine the tragic lives and deaths of the mysterious Hart family, exploring the void between their idyllic online persona and the heart breaking reality in which their children lived – calling into question a system that critically failed to protect six innocent children.
Alyssa moves into a luxury apartment complex but is unaware she is being watched by her disturbed landlord, Robert, via hidden cameras. Robert will do anything to fill the void left by his estranged daughter–even if that means replacing her.
Rich L.A. party brat Tim spins into a cycle of despair after his parents divorce, and trying to fill the void with drugs and trouble only buys him a ticket to an asylum. But with the help of a psychiatrist who has taken an interest in him, will Tim try to pull himself out of the muck of teenage rebellion and ennui?
Le Mirage is the perspective of a man in his thirties asking himself “what am I chasing?” Our society has become all about consumerism, if not excess. Success is determined by what and how much we have and “stuff” becomes the band-aid to a meaningless existence. Stuff fills the void of the existence we weren’t meant to lead.
Abandoned by her mother, young Ichiko leaves her life in the city to live off the land in Komori, a small town nestled among the mountains in rural Japan. Despite the void left by her mother’s disappearance, Ichiko comes to enjoy her independence and revels in her new-found connection with food and the elements. Visually luxuriant, this film follows Ichiko through one summer and autumn, as she learns to use and respect the time-honoured wisdom of rural folk and read the cycle of life and connectedness in the environment around her.
When fans cannot get close to the real thing, these professionals step in to fill the void. As the old adage goes, ‘imitation is the sincerest form of flattery.’ From a celebrity impersonator convention to their lives across the country, JUST ABOUT FAMOUS chronicles the few who have had the fortune, or curse, of looking like the most recognizable people on the planet.
Eighteen-year-old Shira is the youngest daughter of the Mendelman family. She is about to be married off to a promising young man of the same age and background. It is a dream come true, and Shira feels prepared and excited. On Purim, her twenty-eight-year-old sister, Esther, dies while giving birth to her first child, Mordechay. The pain and grief that overwhelm the family postpone Shira’s promised match. Everything changes when a match is proposed to Yochay-Esther’s late husband-to a widow from Belgium. Yochay feels it’s too early, although he realizes that sooner or later he must seriously consider getting married again. When the girls’ mother finds out that Yochay may marry the widow and move to Belgium with her only grandchild, she proposes a match between Shira and the widower. Shira will have to choose between her heart’s wish and her family duty. She will find out that the void which she must choose exists only within her heart.
Matt Webster measures his success by his possessions. Though he appears to have it all, pride of ownership does little to fill the void of a purposeless life. Brokern relationships, isolation and pain for himself and his family, are the result of his pride and selfishness. Through a series of financial and family crises, Matt and his family are stripped of all they own and are humbled enough to learn what success is really all about.
Set in 2019, The Beyond chronicles the groundbreaking mission which sent astronauts – modified with advanced robotics, through a newly discovered wormhole known as the Void. When the mission returns unexpectedly, the space agency races to discover what the astronauts encountered on their first of its kind interstellar space journey.
Growing up in Las Vegas, Danny and Melissa meet at age eight and are destined to become life long friends. During their teen years they cling to each other for love and security but as they grow older their lives take different paths. Danny fills the void in his heart with his passion and love for America’s favorite pastime. While Melissa, filled with the insecurities of her youth, struggles to find the strength to pursue her childhood dreams. Although apart, their lives are forever connected. Like a glorious seven game world series, “The Road Home” is a story of imperishable hope, courage, faith, love and coming home.
Day breaks on the eighth floor in a suburban neighbourhood of Lisbon and 14-year-old Bruno’s grandfather is still in hospital. Doctors give him only a few days to live. The imminence of death and the void that it will leave force Bruno to become the man of the house, where he lives with his mother Mónica, who is in her 30s, and his three-year-old sister Érica.
A documentary exploring the birth, death and resurrection of illustrated movie poster art. Through interviews with a number of key art personalities from the 70s and 80s, as well as many modern, alternative poster artists, “Twenty-Four by Thirty-Six” aims to answer the question: What happened to the illustrated movie poster? Where did it disappear to, and why? In the mid 2000s, filling the void left behind by Hollywood’s abandonment of illustrated movie posters, independent artists and galleries began selling limited edition, screenprinted posters — a movement that has quickly exploded into a booming industry with prints selling out online in seconds, inspiring Hollywood studios to take notice of illustration in movie posters once more.
When Naomi, a young refugee from Nazi-occupied Paris, moves into Alan Silverman’s building in New York, he does his best to avoid her. But despite Naomi’s strange behavior and the language barrier, they slowly develop a deep and touching friendship.
Returning from European exile where she avoided testifying against her criminal associates, a former singer with a tell-all diary is murdered to insure her silence.
Takes place in 1665 in New France at a time when a part of Canada was colonialized by France. Joseph Côté escapes from a prison in order to avoid death by hanging. Moreover, while some colonial soldiers are chasing him, Joseph takes the identity of a Jesuit and hides in the seigneury of Beaufort where most men are waiting for “daughters of the king.” (French women who were sent to Canada in order to find a husband.) At night, Joseph finds out that there are werewolves that terrorize the village. Besides, things get complicated when he falls in love with Marie Labotte, a “daughter of the king” that no one wants to marry. All in all, by simply trying to protect his life and Marie’s, Joseph will end up fighting against the werewolves.
