After her parents death, newly orphaned Cath travels up north to her recently inherited lake house where she meets Ryan, a likeable man happy to fill the void her parents left.
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A very rich and successful playboy amuses himself by stealing artwork, but may have met his match in a seductive detective.
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A blind woman, her husband and another couple sail off to find cash hidden on an island near Cuba.
As word spreads that there is a serial killer at large who continues to commit murder, an off-duty police officer must return an elderly witness who lives in a remote part of Uganda back to town. Along the way, the policeman gives a ride to an injured man. On the way to the city, the passenger tells the policeman the events that led him to end up injured in the middle of the road. But as we travel with these mysterious characters in the car, director Loukman Ali shows us that the stories they tell are only fragmentary and partial versions of the events that took place, and that perhaps there are truths buried beneath each of their words.
Struggling young lovers, Tom and Eve, must endure a 30-day scientific experiment. Room, board, $50,000 and a month alone together in research facility housing. What could possibly go wrong.
Tom Ripley – cool, urbane, wealthy, and murderous – lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin’s underworld pays a call asking Ripley’s help in killing a rival. Ripley – ever a student of human nature – initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who’s dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?
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