Just after he is released from prison after 25 years, New York mafia capo Dwight “The General” Manfredi is unceremoniously exiled by his boss to set up shop in Tulsa, Okla. Realizing that his mob family may not have his best interests in mind, Dwight slowly builds a “crew” from a group of unlikely characters, to help him establish a new criminal empire in a place that to him might as well be another planet.

One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.

The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.

Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.

Jennifer Walters navigates the complicated life of a single, 30-something attorney who also happens to be a green 6-foot-7-inch superpowered hulk.

A “contemporary prequel” to the 1960 film Psycho, depicting the life of Norman Bates and his mother Norma prior to the events portrayed in Hitchcock’s film, albeit in a different fictional town and in a modern setting. The series begins after the death of Norma’s husband, when she purchases a motel located in a coastal Oregon town so she and Norman can start a new life.

Valencia, 1993. For Ignacio Jordá, sex is his greatest obsession. But Nacho is done with being the black sheep of his family and wants to show he can do more than drift through life, even if that means “fucking” everyone.

In this legal drama, you’ll judge Jax Stewart for her questionable ethics and wild interpretations of the law… until you’re the one in trouble. Then you’ll see her for what she is: the most brilliant and fearless defense attorney in Los Angeles who bucks the justice system at every chance she gets.

A former Marine out to punish the criminals responsible for his family’s murder finds himself ensnared in a military conspiracy.

The lives of two childhood best friends, Bill and Epstein, in the late 1890s as they flock to the gold rush capital in the untamed Yukon Territory. This man-versus-nature tale places our heroes in a land full of undiscovered wealth, but ravaged by harsh conditions, unpredictable weather and desperate, dangerous characters including greedy businessmen, seductive courtesans and native tribes witnessing the destruction of their people and land by opportunistic entrepreneurs.

Quincy, M.E. is an American television series from Universal Studios that aired from October 3, 1976, to September 5, 1983, on NBC. It stars Jack Klugman in the title role, a Los Angeles County medical examiner.

Inspired by the book Where Death Delights by Marshall Houts, a former FBI agent, the show also resembled the earlier Canadian television series Wojeck, broadcast by CBC Television. John Vernon, who played the Wojeck title role, later guest starred in the third-season episode “Requiem For The Living”. Quincy’s character is loosely modelled on Los Angeles’ “Coroner to the Stars” Thomas Noguchi.

The first half of the first season of Quincy was broadcast as 90-minute telefilms as part of the NBC Sunday Mystery Movie rotation in the fall of 1976 alongside Columbo, McCloud, and McMillan. The series proved popular enough that midway through the 1976–1977 season, Quincy was spun off into its own weekly one-hour series. The Mystery Movie format was discontinued in the spring of 1977.

In 1978, writers Tony Lawrence and Lou Shaw received an Edgar Award from the Mystery Writers of America for the second-season episode “…The Thighbone’s Connected to the Knee Bone…”. Many of the episodes used the same actors for different roles in various episodes. For example, an actor who plays a crooked Navy captain also plays a ballistics expert in several of the later episodes. Using a small “pool” of actors was a common production trait of many Glen A. Larson TV programs. Before becoming a regular cast member as Quincy’s girlfriend-wife Dr. Emily Hanover in the 1982-1983 season, Anita Gillette had portrayed Quincy’s deceased first wife Helen Quincy in a flashback in a 1979 episode “Promises to Keep”.

The adventures of a late-20th-century New York City pizza delivery boy, Philip J. Fry, who, after being unwittingly cryogenically frozen for one thousand years, finds employment at Planet Express, an interplanetary delivery company in the retro-futuristic 31st century.

When a high school reunion’s afterparty ends in a stunning death, everyone is a suspect. A detective grills the former classmates one by one, uncovering potential motives as each tells their version of the story—culminating in the shocking truth.

A hedonistic jingle writer’s free-wheeling life comes to an abrupt halt when his brother and 10-year-old nephew move into his beach-front house.