The daily mishaps of a married woman and her semi-dysfunctional family and their attempts to survive life in general in the city of Orson, Indiana.
All Episodes
You May Also Like
A London talent agency’s employees must scramble to keep their star clients happy and their business afloat after the sudden death of their founder.
In this deeply profound and important mockumentary series, Philomena Cunk tells the entire story of Human Civilisation from prehistoric times to the present day, covering all the main bits of History, Science, Culture and Religion. So this really is the last documentary you ever need to watch.
James is 17 and is pretty sure he is a psychopath. Alyssa, also 17, is the cool and moody new girl at school. The pair make a connection and she persuades him to embark on a darkly comedic road trip in search of her real father.
One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.
The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.
Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.
A chance meeting after a cancelled flight leads to an unlikely night of drunken airport-hotel sex between two strangers in their late twenties, Fola and Josh. Both are already in relationships and unknowingly soon to be neighbours.
Sam is a true Kansan on the surface but beneath it all struggles to fit the hometown mold. As she grapples with loss and acceptance, singing is Sam’s saving grace and leads her on a journey to discover herself and a community of outsiders that don’t fit in but don’t give up, showing that finding your people, and finding your voice, is possible. Anywhere. Somewhere.
The story of Jamie, a Michelin-starred chef whose world implodes when he discovers shocking secrets about his pregnant wife, Amandine. Jamie finds himself hunting for answers with the help of his brother-in-law Jeff. Through this hunt, the cracks in Jeff’s marriage to Jamie’s sister Lue also widen.
Neal Caffrey, a con man, forger and thief, is captured after a three-year game of cat and mouse with the FBI. With only months left serving a four-year sentence, he escapes to look for Kate, his girlfriend. Peter Burke, the FBI agent who initially captured Caffrey, finds and returns him to prison. This time, Caffrey proposes a deal with the FBI, as part of a work-release program. After some hesitation, Burke agrees, and thus begins this unconventional arrangement where Caffrey helps Burke apprehend white collar criminals.
Mira is an American movie star disillusioned by her career and a recent breakup, who comes to France to star as “Irma Vep” in a remake of the French silent film classic, “Les Vampires.” Set against the backdrop of a lurid crime thriller, Mira struggles as the distinctions between herself and the character she plays begin to blur and merge.