Follow the misadventures of the impulsive Cuphead and his cautious but persuadable brother Mugman in this animated series based on the hit video game.

Two teens and a talking pug team up to battle demons at a haunted theme park — and maybe even save the world from a supernatural apocalypse.

Eleven-year-old Kevin’s passion for history is put to the test when he joins a ragtag group of time-traveling thieves on a high-stakes and hilarious adventure.

When a high school reunion’s afterparty ends in a stunning death, everyone is a suspect. A detective grills the former classmates one by one, uncovering potential motives as each tells their version of the story—culminating in the shocking truth.

Bob’s Burgers follows a third-generation restaurateur, Bob, as he runs Bob’s Burgers with the help of his wife and their three kids. Bob and his quirky family have big ideas about burgers, but fall short on service and sophistication. Despite the greasy counters, lousy location and a dearth of customers, Bob and his family are determined to make Bob’s Burgers “grand re-re-re-opening” a success.

The Turtles — Leo, Raph, Donnie and Mikey — each will go it alone for the first time. Faced with new threats and teaming up with old allies, the Turtles will discover who they really are when they don’t have their brothers at their sides.

One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.

The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.

Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.

Julio Lopez has a heart of gold and goes out of his way to help everyone but himself. Julio attempts to better his community, overcome his codependency issues with his family, and navigate working-class life in South Central.

Follows the lives and families of three adults living and growing up in the United States of America in present and past times. As their paths cross and their life stories intertwine in curious ways, we find that several of them share the same birthday – and so much more than anyone would expect.

When a mysterious enemy targets his family, a Taipei triad member heads to Los Angeles to protect his strong-willed mother and oblivious younger brother.

Local police officer Sergeant PJ Collins is a gentle man who hides from people and fills his days with comfort food and half-hearted police work. He is one of life’s outsiders, lovable, but lonely and a bit rubbish at his job. When the body of long-lost local legend Tommy Burke is discovered, PJ is called to solve a serious crime for the first time in his career. Unearthing long buried secrets, PJ finally connects with the village he has tried so hard to avoid.

It’s 1993 and Ted the bear’s moment of fame has passed, leaving him living with his best friend, 16-year-old John Bennett, who lives in a working-class Boston home with his parents and cousin. Ted may not be the best influence on John, but when it comes right down to it, he’s willing to go out on a limb to help his friend and his family.