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Two strangers are drawn to a mysterious pharmaceutical trial that will, they’re assured, with no complications or side-effects whatsoever, solve all of their problems, permanently. Things do not go as planned.
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While running from a drug deal gone bad, Mike Ross, a brilliant young college-dropout, slips into a job interview with one of New York City’s best legal closers, Harvey Specter. Tired of cookie-cutter law school grads, Harvey takes a gamble by hiring Mike on the spot after he recognizes his raw talent and photographic memory. Mike and Harvey are a winning team. Even though Mike is a genius, he still has a lot to learn about law. And while Harvey may seem like an emotionless, cold-blooded shark, Mike’s sympathy and concern for their cases and clients will help remind Harvey why he went into law in the first place. Mike’s other allies in the office include the firm’s best paralegal Rachel and Harvey’s no-nonsense assistant Donna to help him serve justice. Proving to be an irrepressible duo and invaluable to the practice, Mike and Harvey must keep their secret from everyone including managing partner Jessica and Harvey’s arch nemesis Louis, who seems intent on making Mike’s life as difficult as possible.
Irene and Franklin York, a retired couple, have a secret: a Chamber buried in their backyard that miraculously leads to a strange, deserted planet. When an enigmatic young man arrives, the Yorks quiet existence is upended and the mysterious Chamber they thought they knew so well turns out to be much more than they could have ever imagined.
Anthology series centering on the personal and political scandals of Britain’s elite.
A hit man from the Midwest moves to Los Angeles and gets caught up in the city’s theatre arts scene.
The pirate adventures of Captain Flint and his men twenty years prior to Robert Louis Stevenson’s classic “Treasure Island.” Flint, the most brilliant and most feared pirate captain of his day, takes on a fast-talking young addition to his crew who goes by the name John Silver. Threatened with extinction on all sides, they fight for the survival of New Providence Island, the most notorious criminal haven of its day – a debauched paradise teeming with pirates, prostitutes, thieves and fortune seekers, a place defined by both its enlightened ideals and its stunning brutality.
The Tudors is a history-based drama series following the young, vibrant King Henry VIII, a competitive and lustful monarch who navigates the intrigues of the English court and the human heart with equal vigor and justifiable suspicion.
Everybody Loves Raymond is an American television sitcom starring Ray Romano, Patricia Heaton, Brad Garrett, Doris Roberts, and Peter Boyle. It originally ran on CBS from September 13, 1996, to May 16, 2005. Many of the situations from the show are based on the real-life experiences of Romano, creator/producer Phil Rosenthal and the show’s writing staff. The main characters on the show are also loosely based on Romano’s and Rosenthal’s real-life family members.
The show reruns in syndication on various channels, such as TBS, TV Land, and in most TV markets on local stations. From 2000 to 2007, KingWorld distributed the show for off-network syndication and Warner Bros. Television Distribution handled international distribution. In 2007, CBS Television Distribution took over King World’s distribution. CBS only owns American syndication rights; ancillary rights are controlled by HBO and Warner Bros. Television.
One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.
The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.
Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.
A man finds himself at war with a bee while house-sitting a luxurious mansion. Who will win, and what irreparable damage will be done in the process?
After their plane crashes into the Amazon River, each member of the Powell family starts to show signs of new, unique and distinct super powers.
When a documentary crew sets out to explore the lives of residents in a small American town – their dreams, their concerns – they stumble upon the midwestern town of Flatch, which is made up of many eccentric personalities. It’s a place you want to visit and maybe even stay. If there was a decent motel. Which there is not.
