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The Truth About Charlie is a 2002 remake of the 1963 film Charade (which starred Cary Grant and Audrey Hepburn). It is also an homage to François Truffaut’s Shoot the Piano Player and that film’s star Charles Aznavour appeared as himself and sang his song “Quand tu m’aimes” (English version).
This fourth sequel in the series finds “leaf gobblers” eating all the vegetation in Great Valley, driving Littlefoot, the young brontosaurus, and the other dinosaur inhabitants out. Arguments break out among the adults during migration, and Littlefoot and his friends decide to take matters in their own hands by crossing the “big water” to an unknown island. There they meet an old friend from The Land Before Time II–Chomper, the T-rex, who has to protect the gang from his own, carnivorous parents. Plenty of drama in this one, and as the series has been wont to do from the beginning, it shows adults as sometimes being less than perfect.
Littlefoot and the gang meet a shy newcomer, Ali, but the pleasantries stop there. There’s a dire environmental theme to this third sequel in the series, in which the world’s weather changes beyond the Great Valley, and what had been dry land is now a “land of mists.” The shift brings new creatures who push out older inhabitants, and Littlefoot sees these radical changes for himself when he has to venture into the area to find a medicinal flower for his sick grandfather. While the animation is slow and contained the way direct-to-video cartoon releases often are, the story is sound and the now-familiar characters are memorable.
In search of some adventure in their safe and peaceful valley, the five dinosaur friends make a hideaway. From there, they spot two thieves in action, stealing an egg from one of their broods. They chase them down and manage to recover the egg without its parents noticing, but in the process, accidentally create an opening into the valley, allowing two dreaded Sharptooths in. Everyone must fight them off together to preserve their peaceful way of life. Written by Cynan Rees
Jason Staebler lives on the Boardwalk and fronts for the local mob in Atlantic City. He is a dreamer, who asks his brother David, a radio personality from Philadelphia to help him build a paradise on a Pacific Island, yet another of his get-rich-quick schemes. But luck is against them both and the game ends badly – real life reduced to radio drama.
The surface of the Earth is under attack, thousands of people are killed in this unprovoked attacked. The cause, Princess Dragonmon and her army of monsters have decided to invade. Princess Dragonmon is an alien whose race has been hiding under us for centuries waiting to attack and the time is right. A doctor has been preparing for something like this and turns his assistant Rayma into the cyborg hero known as Inframan. Now only Inframan stands between the Earth and Princess Dragonmon but when a close friend is captured and brainwashed, can she be stopped with this inside man feeding her info?
The life of revered the 18th-century Armenian poet and musician Sayat-Nova. Portraying events in the life of the artist from childhood up to his death, the movie addresses in particular his relationships with women, including his muse. The production tells Sayat-Nova’s dramatic story by using both his poems and largely still camerawork, creating an impressionistic work.
The story of the encounter between a boy and a girl. He confesses that he fell in love with her at first sight, but she does not believe him. However, as they walk through the night in Madrid, they share their desires, secrets, and maybe a few little lies. But soon the film brings us back to the harsh reality of power struggles, psychological games and conflicts between the sexes. Stockholm thus offers an incredible reading of the relations between young people today.
Zambrano is a young criminal with the only hope of joining the legendary prison American football team known as The Dogs of Santa Martha. His hopes end up involving him with organized crime since The Dogs, who are also known as The 4th Company, a squadron of inmates at the service of the administration that controls the jail, its vice and its privileges. Corruption and crime have no limits; they ravage the city with car thefts, bank robberies and other crimes under the auspices of the authorities, the story takes place during the López Portillo presidency and his men.
The Goalie’s Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders’ long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer’s existence and, like many of Wenders’ films, the overwhelming cultural influence of America in post-war West Germany.
Middle-aged widow Beatrice Hunsdorfer (Joanne Woodward) and her daughters Ruth (Roberta Wallach) and Matilda (Nell Potts) are struggling to survive in a society they barely understand. Beatrice dreams of opening an elegant tea room but does not have the wherewithal to achieve her lofty goal. Epileptic Ruth is a rebellious adolescent, while shy but highly intelligent and idealistic Matilda seeks solace in her pets and school projects, including one designed to show how small amounts of radium affect marigolds.
A beautiful but equally dangerous widow won’t take “no” for an answer as she draws a dedicated family man into a world of passion, deceit and betrayal, threatening to destroy him in the process.
Recluse Smith is drawn into a revolutionary struggle between guerrillas and right-wingers in New Zealand. Implicated in a murder and framed as a revolutionary conspirator, Smith tries to maintain an attitude of non-violence while caught between warring factions.
“Listen: Billie Pilgrim has come unstuck in time.” Slaughterhouse-Five is an award-winning 1972 film adaptation of Kurt Vonnegut’s novel of the same name. Director Hill faithfully renders for the screen Vonnegut’s obsessive story of Pilgrim, who survives the 1945 firebombing of Dresden, then lives simultaneously in his past, present, and future.
On the sidewalks of the London theater district the buskers (street performers) earn enough coins for a cheap room. Charles, who recites dramatic monologues, sees that a young pickpocket, Libby, also has a talent for dancing and adds her to his act. Harley, the theater patron who never knew Libby took his gold cigarette case, is impressed by Libby’s dancing and invites her to bring Charles and the other buskers in his group to an after-the-play party. Libby comes alone. A theatrical career is launched.
After a serious sport accident in a swimming pool, Ben, now an incomplete quadriplegic, arrives in a rehabilitation center. He meets with other handicapped persons (tetraplegics, paraplegics, traumatized crania), all victims of accidents, as well as a handicapped since his early childhood. They go through impotence, despair and resignation, with their daily struggle to learn how to move a finger or to hold a fork. Some of them slowly find a little mobility while others receive the verdict of the handicap for life. Despite everything, hope and friendship help them endure their difficulties.
Andreas and Martin share all the ups and downs of everyday life, and their son is maturing. A cautious approach to the traces of a long relationship. The love story of two people. Not about how they come together, not a phase they go through, but all of their shared experiences: all the years between the first kiss and today.
Character actor Tom Lenk (Buffy the Vampire Slayer, Joss Whedon’s Much Ado About Nothing) has long dreamed of performing in the Edinburgh Fringe Festival, the world’s largest theater arts festival. Nerdgasm follows Tom’s journey through all things nerdy as he prepares to fulfill his aspirations and struggles with his inner demons along the way.
In a Naples suspended between magic and superstition, madness and rationality, a mystery envelops the existence of Adriana (Giovanna Mezzogiorno), overwhelmed by a sudden love and a violent crime.
A man falls down the stairs, but instead of helping him, the bystanders just take photos with their phones. Lao Shi is a taxi driver and he’s fighting for justice in the darkest recesses of Chinese society. The man who pushed him got into his taxi drunk not so very long ago, grabbed the steering wheel and caused an accident. The victim of the crash has been in a coma ever since, and because his family is destitute, Lao Shi is paying the hospital bills. The insurance company is refusing to cover the costs because the taxi driver left the scene of the accident with the injured man because no help was in sight. Now Lao Shi needs the testimony of his passenger, who angrily refuses to cooperate.
From acclaimed graphic novelist Dash Shaw (New School) comes an audacious debut that is equal parts disaster cinema, high school comedy and blockbuster satire, told through a dream-like mixed media animation style that incorporates drawings, paintings and collage. Dash (Jason Schwartzman) and his best friend Assaf (Reggie Watts) are preparing for another year at Tides High School muckraking on behalf of their widely-distributed but little-read school newspaper, edited by their friend Verti (Maya Rudolph). But just when a blossoming relationship between Assaf and Verti threatens to destroy the boys’ friendship, Dash learns of the administration’s cover-up that puts all the students in danger. Hailed as “the most original animated film of the year” and “John Hughes for the Adult Swim generation”, the film’s everyday concerns of friendships, cliques and young love remind us how the high school experience continues to shape who we become, even in the most unusual of circumstances.
Larry Burrows is unhappy and feels powerless over his life. He believes his entire life could have turned out differently had he not missed that shot in a baseball game when was a kid. One night he meets this mysterious man, who could change his fate by offering him that alternative life he always dreamed of. But as Burrows embarks on this journey of self discovery he realises that even this new life has its problems and drawbacks..
Featuring performances by popular artists of the 1960s, this concert film highlights the music of the 1967 California festival. Although not all musicians who performed at the Monterey Pop Festival are on film, some of the notable acts include the Mamas and the Papas, Simon & Garfunkel, Jefferson Airplane, the Who, Otis Redding, and the Jimi Hendrix Experience. Hendrix’s post-performance antics — lighting a guitar on fire, breaking it and tossing a part into the audience — are captured.
Set in the Holy Land in the first century C.E., a young woman leaves her small fishing village and traditional family behind to join a radical new social movement. At its head is a charismatic leader, Jesus of Nazareth, who promises that the world is changing. Mary is searching for a new way of living, and an authenticity that is denied her by the rigid hierarchies of the day. As the notoriety of the group spread and more are drawn to follow Jesus’ inspirational message, Mary’s spiritual journey places her at the heart of a story that will lead to the capital city of Jerusalem, where she must confront the reality of Jesus’ destiny and her own place within it.
Julia (Trish Everly, in her only film role), a young teacher for deaf children living in Savannah, Georgia. Julia has horrid memories of her childhood, which was scarred by her sadistic twin sister Mary (Allison Biggers). At the urging of her uncle, Father James, Julia visits Mary, suffering from a severe skin disease, in a mental institution. The meet does not go well, and Mary vows to make Julia “suffer as she had suffered”. As their mutual birthday approaches, several of Julia’s friends and neighbors begin to die gruesome deaths, some of which committed by a mysterious Rottweiler dog that has some sort of connection to Mary. But is Mary really the killer?
Invisible aliens in a tiny flying saucer come to Earth looking for heroin. They land on top of a New York apartment inhabited by a drug dealer and her female, androgynous, bisexual nymphomaniac lover, a fashion model. The aliens soon find the human pheromones created in the brain during orgasm preferable to heroin, and the model’s casual sex partners begin to disappear.
Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.
Celia (Monica Keena, Freddy vs. Jason) has had a rough life, with a mother who died in childbirth and a father who disappeared. Unfortunately for Celia, death is not any easier than life. When she is drugged and raped at a frat party, Celia dies from an overdose, and must battle the terrible Soul Eaters who roam the afterlife.
When Babo and his brother-in-law Memo, who is also part of Cenk’s clique, go in search of the alleged culprit Serkan, no one is aware yet of the effects this little dizziness would bring. Serkan is threatened, kidnapped, beaten and no longer moves. Memo panics, feels guilty and laments the dreams he has had for a long time and that he did not want all that. He confesses that he has consumed all the cocaine alone with Cenk and his friends, exposing lies to his brother-in-law. At the end of the film, Babo realizes that he may have killed an innocent man.
A team of environmentalists, including a reporter, her camera man, and an environmentalist’s famous girlfriend charter a boat and with the captain, sail to a military island. They suspect the island is hosting to illegal activities. Upon arrival, however, they find no one. They finally reach a deserted house, where they find Dr. Susan Richardson, who tells them that everyone on the island is dead, including her father. Richardson’s team were working on a compound that could make edible plants grow to super size, however the military intervened with plans of their own. They wanted to test the compound’s effects on animals, and proceeded to feed it to several komodo dragons and cobras.
A chess grandmaster is in a big tournament, and when his lover is found painted up and the blood drained out of her body he becomes a chief suspect. After he gets a call from the killer urging him to try and figure out the game, he cooperates with police and a psychologist to try and catch the killer, but doubts linger about the grandmaster’s innocence as the string of grisly murders continues.
‘The Shadow of the Sun’ draws upon Derek Jarman’s interest with alchemical processes as a metaphor for reprocessing Super-8 film. Jarman once described film’s union of light and matter as “an alchemical conjunction” and experimented throughout his career with creating dream symbolism through the superimposition of image and action. Originally called English Apocalypse, the film’s final title is derived from a 17th Century alchemical text that used the phrase as a synonym for the philosopher’s stone – the highly sought substance that turns base metals into gold and silver. The film was intended as a step toward the idea of an ambient video, that like its musical counterpart, was designed to enhance an environment.
During her wedding ceremony, Rachel notices Luce in the audience and feels instantly drawn to her. The two women become close friends, and when Rachel learns that Luce is a lesbian, she realizes that despite her happy marriage to Heck, she is falling for Luce. As she questions her sexual orientation, Rachel must decide between her stable relationship with Heck and her exhilarating new romance with Luce.
Also known as THE LONELY DESTINY OF JOHN TRAVOLTO, it’s the first and only Travoltasploitation movie. It’s about a hotel cook named Gianni who can’t dance but is frustratingly in love with the sexy blonde DJ (Cicciolina) at the nightclub “John’s Fever”. When one of the cook’s coworkers draws a mustache and beard on a poster of John Travolta everyone somehow finally notices that Gianni looks exactly like Travolta and the game is on.
John Wayne stars as U.S. Air Force aviator Jim Shannon, who’s tasked with escorting a Soviet pilot (Janet Leigh) claiming — at the height of the Cold War — that she wants to defect. After falling in love with and wedding the fetching flyer, Shannon learns from his superiors that she’s a spy on a mission to extract military secrets. To save his new wife from prison and deportation, Shannon devises a risky plan in this 1957 drama.
Jesus Christ Superstar Live in Concert is an American musical television special that was broadcast live on NBC on April 1, 2018 (Easter Sunday). Executive produced by Craig Zadan, Neil Meron, Andrew Lloyd Webber, Tim Rice, and Marc Platt, it was a staged concert performance of the 1970 rock opera Jesus Christ Superstar. The live production included an on-camera audience of about 1,500 people. Some of these extras lined two sides of the stage and formed a mosh pit effect. The production was expected to utilize as many as twelve cameras to film the special. In addition, a full dress rehearsal performance took place on Saturday, March 31, 2018 in front of an invited audience and was recorded. In the event of any difficulties during the live broadcast, the recording served as an emergency backup. It was ultimately not needed.
Jago tells the story of an 80 year old sea nomad called Rohani who has spent his life plying the waters of South East Asia’s Coral Triangle. The story is told entirely from Rohani’s perspective, against the spectacular backdrop of the Togian Islands, and recreates events that capture the turning points in his life, as a hunter and as a man. We were able to bring Rohani’s past experiences to life by working closely with his family and friends in the village where he grew up. These are the people you see representing Rohani in the film at various stages in his life. Story telling is a big part of Bajau culture, and a way of preserving traditions through generations, so everyone was very enthusiastic about what we were trying to do and brought lots of ideas of their own, especially Rohani. Although he had never had a camera pointed at him, it certainly wasn’t the first time he’d sat around telling stories. We were just lucky that he let us capture it on film.
An ominous dream convinces 77-year-old Dayanand Kumar that his end could be near. He takes the news to his son Rajiv, knowing he wants to breathe his last in the holy city of Varanasi and end the cycle of rebirth, by attaining salvation. Being the dutiful son he is, Rajiv is left with no choice but to drop everything and make the journey with his stubborn father. Daya and Rajiv check into Mukti Bhawan (Hotel Salvation) in Varanasi, a guesthouse devoted to people who want to die there. But as the days go by, Rajiv struggles to juggle his responsibilities back home, while Daya starts to bloom in the hotel. Rajiv gives his father a shot at salvation but as family bonds are tested, he finds himself torn, and not knowing what he must do to keep his life together.
