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Utility companies are racing to replace electricity, gas and water meters worldwide with new generation “smart” meters at an unprecedented rate. With compelling insight from insiders, researchers, government representatives, lawyers, doctors and environmentalists, Take Back Your Power investigates claimed benefits and apparent risks of this ubiquitous “smart” grid program. Transparency advocate Josh del Sol takes us on a journey of revelation and discovery, as we question corporate practices of surveillance, extortion and causing harm in the name of “green”. What you discover will surprise you, unsettle you, and inspire you to challenge the status quo.
UFOs: weapons of mass deception… For over 60 years teams within the US Air Force and Intelligence services exploited and manipulated beliefs about UFOs and ET visitations as part of their counterintelligence programmes. In doing so they spawned a mythology so powerful that it captivated and warped many brilliant minds, including several of their own. Now, for the first time, some of those behind these operations, and their victims, speak out, revealing a true story that is part Manchurian Candidate and part Close Encounters of the Third Kind.
Neal Caffrey, a con man, forger and thief, is captured after a three-year game of cat and mouse with the FBI. With only months left serving a four-year sentence, he escapes to look for Kate, his girlfriend. Peter Burke, the FBI agent who initially captured Caffrey, finds and returns him to prison. This time, Caffrey proposes a deal with the FBI, as part of a work-release program. After some hesitation, Burke agrees, and thus begins this unconventional arrangement where Caffrey helps Burke apprehend white collar criminals.
Torchwood is a British science fiction television programme created by Russell T Davies. The series is a spin-off from the 2005 revival of the long-running science fiction programme Doctor Who. Torchwood follows the exploits of a small team of alien hunters, who make up the Cardiff branch of the fictional Torchwood Institute, which deals mainly with incidents involving extraterrestrials.
A nasty, nasty comedy. A reality TV crew is making a programme, ‘Ghost TV’ about the haunted buildings that are the ruins of Seacliff Lunatic Asylum. As one might expect things do not go to plan. One of the crew is not very emotionally stable and when she discovers that she has been used callously by another crew member she snaps and runs off into the night, only to return with violent intent.
The Somerset Levels are one of the most beautiful parts of Britain, but in the winter of 2013 they faced a natural disaster. One village, Moorland, was entirely engulfed by the floods. Deluged by water, the villagers watched helplessly as their lives and homes were washed away. This programme follows their year-long struggle to get home again after the water drained and media attention shifted away. Although the residents put on a brave face, the realities of their fate pile up – the refusal of insurance companies to pay up, and the months of delay with the builders. All this adds fuel to a heartfelt frustration that the floods were man-made and the nagging fear of what would happen to them if and when the waters return.
The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)
Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)
Meet nine-year old Saige, a talented artist with a passion for horses, in this modern-day story about finding your voice! Saige is excited about the new school year, until she discovers that art-her favorite class-has been cut. On top of that, her best friend, Tessa, seems to be spending more and more time with another girl. For help, Saige turns to her grandma Mimi, a well-known artist and horse-woman, who inspires her to take action. Can Saige find the courage to overcome her fears and save the art program-and her friendship with Tessa? Heart-warming, empowering, and fun, it’s a movie for every girl who has ever dreamed big. Written by Anonymous (IMDB.com)
Set over the course of a weekend tournament for chess software programmers thirty-some years ago, COMPUTER CHESS transports viewers to a nostalgic moment when the contest between technology and the human spirit seemed a little more up for grabs. We get to know the eccentric geniuses possessed with the vision to teach a metal box to defeat man, literally, at his own game, laying the groundwork for artificial intelligence as we know it and will come to know it in the future.
Chuck is an American action-comedy/spy-drama television series created by Josh Schwartz and Chris Fedak. The series is about an “average computer-whiz-next-door” named Chuck, played by Zachary Levi, who receives an encoded e-mail from an old college friend now working for the Central Intelligence Agency; the message embeds the only remaining copy of a software program containing the United States’ greatest spy secrets into Chuck’s brain.
Ederlezi Rising is an exciting science fiction romance set in near future about the pioneering space mission to Alpha Centauri undertaken by the multinational Ederlezi Corporation. Ederlezi recruits MIlutin a Slav cosmonaut trained in the newly reformed futuristic Soviet Union and accompanies him with Nimani, a female android programmed to fulfill whatever he desires.
Born into a tight-knit wrestling family, Paige and her brother Zak are ecstatic when they get the once-in-a-lifetime opportunity to try out for the WWE. But when only Paige earns a spot in the competitive training program, she must leave her loved ones behind and face this new cutthroat world alone. Paige’s journey pushes her to dig deep and ultimately prove to the world that what makes her different is the very thing that can make her a star.
The class of nuke ’em high is back, and this time they’re in college! Tromaville’s nuclear factory has been rebuilt and now includes the Tromaville institute of technology. Located inside the nuclear plant, Tromaville Tech is where Prof. Holt has perfected Sub-humanoids…. Living beings without emotions, who have been genetically programmed to perform menial tasks. When school reporter Roger Smit
As a writer named Mike struggles to shepherd his semi-autobiographical sitcom into development, his vision is slowly eroded by a domineering network executive named Lenny who favors trashy reality programming. The irony, of course, is that every crass suggestion Lenny makes improves the show’s response from test audiences and brings the show a step closer to getting on the air.
A behind-the-scenes look at the people who make a nightly cable-news program. Focusing on a network anchor, his new executive producer, the newsroom staff and their boss, the series tracks their quixotic mission to do the news well in the face of corporate and commercial obstacles-not to mention their own personal entanglements.
U2, Talking Heads, Depeche Mode, Blondie, Duran Duran, Tears for Fears, The Clash, The Cure: Over half a billion records sold but you may never have heard of them if not for a small suburban radio station on Long Island, NY: WLIR. In August, 1982, a small group of radio visionaries knew they couldn’t compete with the mega-stations in New York City. With one brave decision, they changed the sound of radio forever. Program Director Denis McNamara, the ‘LIR crew and the biggest artists of the era tell the story of how they battled the FCC, the record labels, mega-radio and all the conventional rules to create a musical movement that brought the New Wave to America.
A contemporary and culturally resonant drama about a young programmer, Elliot, who suffers from a debilitating anti-social disorder and decides that he can only connect to people by hacking them. He wields his skills as a weapon to protect the people that he cares about. Elliot will find himself in the intersection between a cybersecurity firm he works for and the underworld organizations that are recruiting him to bring down corporate America.
Developed from a radio program which began in 1941, hyperactive teenager Judy challenges and is challeged by her overly proper parents, pest of a brother Randolph and boyfriend Oogie.
The show features some great light and sound effects apart from the great music that Eagles is renowned for. The ‘five-part’ harmony song, “Hole in the World” elicits a great crowd participation with the audience providing a ‘clap rhythm’ as the band sings. The song “Life’s Been Good” features some antics by Joe Walsh and Frey with them staging a mock rivalry on stage and the latter having a hearty laugh at the former. The song also features a ‘helmet cam’ session where the crowd gets to see what the camera on Walsh’s helmet points at. Also, the songs “The Boys of Summer” and “Hotel California” feature the first officially documented use by the Eagles of a drum machine in a live performance; in particular, during “Hotel California”, a pre-programmed track is used to simulate the muted guitar strums which provide a steady beat on the original studio recording of the song, and which are absent from all of the previous live performances of it.
In the high-tech gold rush of modern Silicon Valley, the people most qualified to succeed are the least capable of handling success. Partially inspired by Mike Judge’s own experiences as a Silicon Valley engineer in the late ‘80s, Silicon Valley is an American sitcom that centers around six programmers who are living together and trying to make it big in the Silicon Valley.
The Next Voice You Hear… (1950) is a drama film in which a voice claiming to be that of God preempts all radio programs for days all over the world. It stars James Whitmore and Nancy Davis as Joe and Mary Smith, a typical American couple. It was based on a short story of the same name by George Sumner Albee.
An addict is trapped to live the same day over and over again when he is placed onto an experimental rehabilitation program that involves memory-looping.
