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Garbage Warrior is a feature-length documentary film telling the epic story of maverick US architect Michael Reynolds and his fight to introduce radically sustainable housing. An extraordinary tale of triumph over bureaucracy, Garbage Warrior is above all an intimate portrait of an extraordinary individual and his dream of changing the world. Written by The Works International
White Diamond: A Personal Portrait of Kylie Minogue is a 2007 documentary film directed and produced by William Baker and chronicling the life of Australian singer Kylie Minogue during her Showgirl: The Greatest Hits Tour in 2005. White Diamond was filmed between August 2006 and March 2007 in both Australia and the United Kingdom and follows Australian pop singer-songwriter Kylie Minogue on concert tour before and during her resurrected Showgirl: The Homecoming Tour, originally abandoned halfway through its original 2005 run, in Sydney, when Minogue was diagnosed with breast cancer. Intended as a document of Minogue’s return to the stage following her treatment and recovery from cancer, the film also features on-stage and back-stage footage and interviews with a number of Minogue’s tour crew, including Baker himself.
An impressionistic portrait of the iconic actor Harry Dean Stanton comprised of intimate moments, film clips from some of his 250 films and his renditions of American folk songs.
Having made nearly 200 low-budget movies in just two decades, Utah writer-director Stephen Groo is now seeking production funds and the involvement of celebrity fan Jack Black for a remake of his 2004 human/elf fantasy drama ‘The Unexpected Race’. Scott Christopherson’s hilarious yet sincere portrait depicts this uphill battle, while examining the unusual methods of a determined DIY auteur.
A colorful portrait of Miami’s pot smuggling scene of the 1970s, populated with redneck pirates, a ganja-smoking church, and the longest serving marijuana prisoner in American history.
Summer 2005: federal agents and police record over a thousand hours of surveillance footage inside a crack house in Rockford Illinois. For six weeks the gang smoke weed, play with guns and sell crack and heroin, unaware that their every move is being filmed. The customers come and go with no clue that their secret lives would be exposed. This is an intimate portrait of the rise and fall of a crack house and of an American urban community brought down by drugs. Interviews with gang members, their families and cops reveal the inescapable tragedy – and occasional dark comedy – of a world that lies hidden within every modern city.
HANNAH ARENDT is a portrait of the genius that shook the world with her discovery of “the banality of evil.” After she attends the Nazi Adolf Eichmann’s trial in Jerusalem, Arendt dares to write about the Holocaust in terms no one has ever heard before. Her work instantly provokes a furious scandal, and Arendt stands strong as she is attacked by friends and foes alike. But as the German-Jewish émigré also struggles to suppress her own painful associations with the past, the film exposes her beguiling blend of arrogance and vulnerability — revealing a soul defined and derailed by exile.
The lives of four twenty-somethings collide one fateful New Year’s Eve in this twisty, blackly comic crime thriller set amidst the ancient walls of Derry, Northern Ireland, in a night of fast talk, accidents and intrigue. Johnny, a small-time crook, and Marie, a dissatisfied shop assistant, are both looking for a fresh start. Greta is on the verge of taking her own life and Pearse has a bounty on his head for asking difficult questions about his missing brother Eddie Kelly. As the clock ticks down to midnight and the night’s events expertly fall into place, Jump weaves an existential portrait of the characters’ lives as their hopes, fears and secrets are revealed
Documentary about three young people, each a member of a fringe religious community, who have separated themselves from mainstream America in order to live immersed in their faiths. Set against depressed but quintessentially American landscapes – the former revivalist district of upstate New York, old mining country in the mountains of northern California, and the stark badlands of South Dakota – the film interlaces three very intimate, apolitical portraits of young individuals trying to lead more extraordinary, mystical lives.
A disturbing portrait of contemporary youth culture where the lines between reality and fiction are blurred with often frightening results.
Filmed over a decade, Brief Encounters follows internationally renowned photographer Gregory Crewdsons quest to create his unique, surreal, and incredibly elaborate portraits of suburban life. He sets a house on fire, builds 90 foot sets with crews of sixty, shuts down city streets…all in the service of his haunted image of American life, and his own anxieties, dreams and inner desires. Brief Encounters is an intimate portrait of one of the most heralded image-makers of our time.
Set amid arrests and subsequent trials surrounding the 2008 Republican National Convention, this portrait of two young activists caught in the web of an opportunistic mentor and a desperate justice system poignantly describes both the problems of power and the power of forgiveness and love.
This intimate and loving portrait of the legendary arbiter of fashion, art and culture illustrates the many stages of Vreeland’s remarkable life. Born in Paris in 1903, she was to become New York’s “Empress of Fashion” and a celebrated Vogue editor.
A Beautiful Planet is a breathtaking portrait of Earth from space, providing a unique perspective and increased understanding of our planet and galaxy as never seen before. Made in cooperation with the National Aeronautics and Space Administration (NASA), the film features stunning footage of our magnificent blue planet — and the effects humanity has had on it over time — captured by the astronauts aboard the International Space Station (ISS) Exclusive IMAX and IMAX® 3D engagements of A Beautiful Planet begin April 29th.
Following the rise and fall of the new American oil boom, My Country No More paints an intimate portrait of a rural community in crisis, forced to confront the meaning of progress as they fight for a disappearing way of life.
Drawn from a never before seen cache of personal footage spanning decades, this is an intimate portrait of the Sri Lankan artist and musician who continues to shatter conventions.
For a seventy-year period, when America cared little about the education of African-Americans, and discrimination was law and custom, The Bordentown School was an educational utopia. An incubator for black pride and intellect, it taught values, discipline, and life skills to generations of black children. This is the story of that remarkable school, as told by Bordentown alumni, historians, and remarkable archival footage. It is also the story of black education in America across three centuries, presenting a nuanced, rarely seen portrait of a separate black space; and a much-needed preface to the growing national discussion about historically black institutions and their role in nurturing identity and accomplishment. What was lost and what was gained in the march toward equality?
Over the past 25 years, Lauren Greenfield’s documentary photography and film projects have explored youth culture, gender, body image, and affluence. In this fascinating meld of career retrospective and film essay, Greenfield offers a meditation on her extensive body of work, structuring it through the lens of materialism and its increasing sway on culture and society in America and throughout the world. Underscoring the ever-increasing gap between the haves and the have-nots, her portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.
Nude men in rubber suits, close-ups of erections, objects shoved in the most intimate of places—these are photographs taken by Robert Mapplethorpe, known by many as the most controversial photographer of the twentieth century. Openly gay, Mapplethorpe took images of male sex, nudity, and fetish to extremes that resulted in his work still being labelled by some as pornography masquerading as art. But less talked about are the more serene, yet striking portraits of flowers, sculptures, and perfectly framed human forms that are equally pioneering and powerful.
An intimate portrait of the city and its people. We meet the characters in the NYC subway and we follow them to the surface finding out about their lives, cravings, passions, hopes and dreams – sometimes lost and sometimes still waiting to be fulfilled. What comes out of it is an emotional tale of solitude that haunts us in 21st century western world.
I’m Still Here is a portrayal of a tumultuous year in the life of actor Joaquin Phoenix. With remarkable access, the film follows the Oscar-nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip-hop musician. The film is a portrait of an artist at a crossroads and explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye.
Art, politics and motorcycles – on the occasion of his 90th birthday John Berger or the Art of Looking is an intimate portrait of the writer and art critic whose ground-breaking work on seeing has shaped our understanding of the concept for over five decades. The film explores how paintings become narratives and stories turn into images, and rarely does anybody demonstrate this as poignantly as Berger.
Filmed for over a decade, MAGICAL UNIVERSE is a portrait of Al Carbee, an 88 year old strange and reclusive outsider artist who spends his days alone in a massive house in Maine creating art — mostly featuring Barbie Dolls in elaborate dioramas. The documentary profiles Carbee’s amazing body of work and his relentlessly creative lifestyle. Carbee’s story is explored through the prism of his unlikely friendship with New York filmmaker Jeremy Workman, who unexpectedly becomes Carbee’s closest friend and only link to the outside world. Far beyond just a portrait of an eccentric, MAGICAL UNIVERSE is about wonder, friendship, and the transcendent power of creativity. Its story culminates with Al Carbee’s greatest triumph as an artist and a man.
A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
A look at one of the most exclusive holiday destinations in the world – Necker Island. This reveals how the rich holiday, and what it’s like for the staff who serve them. For the first time viewers are given an in-depth, behind-the-scenes look at one of the most exclusive holiday destinations in the world – Necker Island. This film is an intimate portrait of how the rich, powerful and famous holiday, and what it’s like for the staff who serve them. It’s an upstairs-downstairs world where nearly 100 staff cater to just 30 guests – where some have over a staggering £40,000 a night to experience the perfect island paradise. And while Necker is home to Sir Richard Branson and his family, it is also a serious commercial venture. Meeting the needs of these VIPs are the staff of British, European and local islanders. It may seem that they’ve landed the dream job working in paradise, however the realities of living in the middle of the Caribbean Sea bring a whole host of major challenges.
Based on a true story, this is the tale of Josephine Monaghan, a young woman of the mid-19th century who is thrown out of her parents’ home after being seduced by the family’s portrait photographer and giving birth to an illegitimate child. Josephine quickly learns that young, female, pretty, and alone are a bad combination for life in the wild west. In her desperation to survive, Josephine disguises herself as “Jo”, a young man, and struggles to make a life for herself in a dingy frontier mining town. Can “Little Jo” live and love without revealing his/her secret?
Broadway legend Elaine Stritch remains in the spotlight at eighty-seven years old. Join the uncompromising Tony and Emmy Award-winner both on and off stage in this revealing documentary. With interviews from Tina Fey, Nathan Lane, Hal Prince and others, Elaine Stritch: Shoot Me blends rare archival footage and intimate cinema vérité to reach beyond Stritch’s brassy exterior, revealing a multi-dimensional portrait of a complex woman and an inspiring artist.
Psychotherapist and agony aunt Philippa Perry presents a witty and revealing look at the problem page’s enduring appeal. In the documentary Philippa picks her way through three centuries of advice on broken hearts, cheating partners and adolescent angst to uncover a fascinating portrait of our social history.
A fascinating and touching portrait of men who are obsessed with monsters and their adventures to find them.
Four erotic tales from in various historical eras. The first, ‘The Tide’, is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, secluded from prying eyes. ‘Therese Philosophe’ is set in the nineteenth century, and concerns a girl being locked in her bedroom, where she contemplates the erotic potential of the objects contained within it. ‘Erzsebet Bathory’ is a portrait of the sixteenth-century countess who allegedly bathed in the blood of virgins, while ‘Lucrezia Borgia’ concerns an incestuous fifteenth-century orgy involving Lucrezia, her brother, and her father the Pope.
The Edhi children’s shelter is a rare safe haven for Karachi’s runaways. Over three years, its cranky founder, a spirited child, and a gold-hearted ambulance driver are filmed, creating a tender portrait of where a city’s most vulnerable and dedicated souls meet.
Bethlehem tells the story of the unlikely bond between Razi, an Israeli secret service officer, and his Palestinian informant Sanfur, the younger brother of a senior Palestinian militant. Razi recruited Sanfur when he was just 15, and developed a very close, almost fatherly relationship to him. Now 17, Sanfur tries to navigate between Razi’s demands and his loyalty to his brother, living a double life and lying to both men. Co-written by director Yuval Adler and Ali Waked—an Arab journalist who spent years in the West Bank—Bethlehem gives an unparalleled, moving and authentic portrait of the complex reality behind the news.
A portrait of photographer Tim Hetherington’s work in war zones around the world.
A cultural portrait of the American dream at a critical time in the nation’s history. Set against the 2016 American election, The King takes a musical road trip across the country in Elvis Presley’s 1963 Rolls Royce.
A cinematic portrait of a small town stock car track and the tribe of drivers that call it home as they struggle to hold onto an American racing tradition. The avant-garde narrative explores the community and its conflicts through an intimate story that reveals the beauty, mystery and emotion of grassroots auto racing.
From director Andrew Rossi (PAGE ONE: INSIDE THE NEW YORK TIMES, THE FIRST MONDAY IN MAY) comes an electrifying portrait of writer and performer Okwui Okpokwasili and her acclaimed one-woman show, BRONX GOTHIC. Rooted in memories of her childhood, Okwui – who’s worked with conceptual artists like Ralph Lemon and Julie Taymor – fuses dance, song, drama, and comedy to create a mesmerizing space in which audiences can engage with a story about two 12-year-old black girls coming of age in the 1980s. With intimate vérité access to Okwui and her audiences off the stage, BRONX GOTHIC allows for unparalleled insight into her creative process as well as the complex social issues embodied in it.
Part film, part baptism, in BLACK MOTHER director Khalik Allah brings us on a spiritual journey through Jamaica. Soaking up its bustling metropolises and tranquil countryside, Allah introduces us to a succession of vividly rendered souls who call this island home. Their candid testimonies create a polyphonic symphony, set against a visual prayer of indelible portraiture. Thoroughly immersed between the sacred and profane, BLACK MOTHER channels rebellion and reverence into a deeply personal ode informed by Jamaica’s turbulent history but existing in the urgent present.
SYMPATHY FOR THE DEVIL is an exhilarating, provocative motion picture. The Rolling Stones rehearse their latest song, “Sympathy For the Devil,” in a London studio. Beginning as a ballad, the track gradually acquires a pulsating groove, which gets Jagger into a rousing vocal display of soulful emotion that Godard is lucky enough to capture on film. Showing that rock and roll is more than just partying and goofing off, SYMPATHY FOR THE DEVIL is a brilliant portrait of the creative process at its most collaborative and arousing.
