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Making the most of the family home while her parents are away, 22-year-old Nicole is enjoying a peaceful summer with her best friend Véronique. But when Nicole’s older brother shows up with his band to record an album, the girls’ friendship is put to the test.
Andi is contemplative and artistic and sheltered by overprotective parents. But on the eve of her 13th birthday, Andi’s free-spirited older sister Bex returns home with a revelation that changes everything and sends Andi on an uncharted course of self-discovery.
Suzanne, a single parent and succesful lawyer, returns home to find her daughter missing. About to call the police, she is confronted by a disembodied voice warning her that if she attempts to leave or seek help, her daughter will die. Suzanne discovers she is being monitored through surveillance cameras operated by the tyrannical voice. The voice informs her that in order for her daughter to live, Suzanne must commit suicide. In a race against time Suzanne must think of a scheme to get a message to the outside world…
Scooby-Doo! Mystery Incorporated is the eleventh incarnation of Hanna-Barbera’s Scooby-Doo animated series, and the first incarnation not to be first-run on Saturday mornings. The series is produced by Warner Bros. Animation and Cartoon Network and premiered in the United States on Cartoon Network on April 5, 2010, with the next twelve episodes continuing, and the first episode re-airing, on July 12, 2010. The series concluded on April 5, 2013 with two seasons and fifty-two episodes, with a total of twenty-six episodes per season.
Mystery Incorporated returns to the early days of Scooby and the gang, when they are still solving mysteries in their home town, though it makes many references to previous incarnations of the franchise, not least among them many cases and creatures from the original Scooby-Doo, Where Are You!. Episode by episode, the series takes a tongue-in-cheek approach to the classic Scooby-Doo formula, with increasingly outlandish technology, skills and scenarios making up each villain’s story, and a different spin on the famous “meddling kids” quote at the end of every episode. Contrasting sharply with this, however, are two elements that have never been used in a Scooby-Doo series before: a serial format with an ongoing story arc featuring many dark plot elements that are treated with near-total seriousness, and ongoing relationship drama between the characters.
Two estranged sisters torn apart by their differences suddenly find themselves working together towards a common goal in this heartwarming drama…For years, overachiever Terri (Kristy Swanson) and her idealistic sister, Mandy (Alberta Mayne), have kept their distance from each other, as well as from their parents’ struggling florist business. But when a tragic turn of events brings both women home, they discover just how much they need one another in order to continue their family legacy. Filled with romance, humor and hope, it’s an endearing story about making time for the ones you love.
Since she was young, Soo-Nam has been able to do anything well with her hands. She holds 14 different certificates for typing excellence, but a computer takes over her job. Luckily, she finds a new job and marries. Soo-Nam and her husband decide to buy a house. They take out a loan to pay for their home. Soo-Nam works hard to pay off the loan, but she falls into more debt. Then … an opportunity arises to pay off all her debts at once.
Thanksgiving get-together for the eccentric Turner clan goes from bad to worse when estranged daughter Nina makes a surprise visit home for the first time in 15 years. Nina clashes with her stepmother Deborah, and sister, Lindsay, while half-brother Jacob tries to keep a massive gambling debt a secret. Meanwhile, family patriarch Poppy has his own dramatic news to share. “Cold Turkey” is a black comedy about how – despite our best efforts – we all eventually turn into our parents.
Mia, Lukas and Jonas always where like one heart and soul since their earliest childhood. Until three years ago when everything changed. Friendship became love that is well beyond all conventions. A Part of the society feels provoked by such kind of companionship and meets them with some lack of understanding to say the least. Even their parents aren’t really fond of the situation. Once a year, the trio makes a trip. During which they try to let emotion flow as they come, not having to fear the reactions of others. Now there is the time again for such a trip. And that is where the film starts. After renting a mobile home the journey starts as usual. Only one thing different this time, Jonas was diagnosed with cancer in terminal state a few months ago. The three of them know that this might very well be the last trip they will ever make. Regardless, Mia and Lukas try their best for Jonas not to think of the inevitable. Sadly the vow to spend the last trip only in joy, fails.
Recovering from an ill-fated affair with a married man, Gabe finds solace in the relationship he maintains with his ex-wife and daughter. On the other side of town, Ernesto evades life at home with his current live-in ex-boyfriend by spending much of his spare time in the hospital with an ailing past love. Impervious to the monotony of their blue-collar world, they maintain an unwavering yearning for romance. The emotional isolation the two men have grown accustomed to is captured in a subtle, optimistic, poetic fashion while avoiding melodrama.
Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)
On the way home from an art gallery featuring her work, a talented artist, Ali, her husband and their young child get into a car accident. The woman’s husband and child die on impact, while the woman survives, but loses her eyesight. At her doctor’s suggestion, Ali hires a caretaker named Jeff to help her adjust to life as a blind woman, and upon returning home, Jeff’s aid proves to be indispensable in helping her acclimate; Ali even meets and quickly befriends her new neighbor, Linda. It is soon apparent, however, that Jeff is becoming increasingly possessive and jealous of Ali, and his obsession rapidly turns violent when Ali decides she needs less of his assistance because she is ready to resume living independently. Unsurprisingly, Jeff does not take the request well, and Ali is soon forced to use her remaining senses to fight for her life.
Carla Harris, a beautiful but not so successful actress from L.A., witnesses how her husband is tragically killed in an attempt to save a woman from her male attacker. She travels to her parents’ home in a small town in the mountains to get some rest only to be repeatedly harassed by redneck locals and a teenager. The local sheriff refuses to help and so it all ends up in a gang rape and with Carla’s parents shot dead. Carla survives and escapes from the mental hospital to seek bloody revenge.
Fed up with their strict parents, Tommy and Annika run away from home, with their friend Pippi Longstocking to look after them in their long trek.
Two single parents come head to head when their kids want to adopt the same dog. Agreeing to co-foster, free-spirited Kate and type-A Eric must work together to find the dog’s forever home.
A young girl returns home from Europe and is stalked and murdered while unwittingly booking an online short term rental from a network of dark-web creeps using spy cameras to capture her stay. Her estranged brother embarks on a personal investigation into her fate, and becomes obsessed with avenging her death.
Rome, 1984, Aria is nine-year-old girl. On the verge of divorce, Aria’s infantile and selfish parents are too preoccupied with their careers and extra-marital affairs to properly tend to any of Aria’s needs. While her two older sisters are pampered, Aria is treated with cold indifference. Yet she yearns to love and to be loved. At school, Aria excels academically but is considered a misfit by everyone. She is misunderstood. Aria finds comfort in her cat – Dac and in her best friend – Angelica. Thrown out of both parents’ homes, abandoned by all, even her best friend, Aria finally reaches the limit of what she can bear. She makes an unexpected decision in her life.
When Max Taylor wins the ancestral home of Callum Chance in a game of Poker, little does he realize that the game is far from over… One by one, Max’s family are murdered by the Funny Man, a demonic jester with a varied and imaginative repertoire of homicidal techniques and an irreverent sense of humor. Meanwhile, Max’s brother is on his way to the mansion with a bunch on hitchhikers who will be lucky to survive the night.
When successful dating app creator Alana hesitantly gets engaged, she returns to her hometown in Florida to deliver the news to her dad. Upon returning home, she crosses paths with her former flame, Kai, and finds herself falling in love with the fun and adventurous lifestyle tied to her community. As Alana and Kai work together to help her dad restore his declining property, Alana finds herself conflicted as to whether or not her current way of living makes her happier than the home and community that she always knew and loved.