The Elliot estate was once a thriving plantation, but by the 19th century, the family has crumbled under the weight of its own excesses. If sordid sexuality and insanity don’t claim their lives, a malevolent force lurking on the land certainly will. Is it a supernatural entity, or simply the poverty-stricken locals seeking revenge? Marj Dusay and Ryan Foley star in this award-winning chiller from auteur Andrew Repasky McElhinney.

Family – In this family tale based on a true story, a woman who suffered a violent pit bull attack comes to terms with the harrowing experience by adopting a puppy that was severely beaten, burned and left to die. – Emmanuelle Vaugier, Burgess Jenkins, Andrea Powell

Mickey Gordon is a basketball referee who travels to France to bury his father. Ellen Andrews is an American living in Paris who works for the airline he flies on. They meet and fall in love, but their relationship goes through many difficult patches. The story is told in flashback by their friends at a restaurant waiting for them to arrive.

Teenage friends find their lives upended by the wonders and horrors of puberty in this edgy comedy from real-life pals Nick Kroll and Andrew Goldberg.

Andrew, a young, cocky man, misbehaves in a restaurant, something he will regret soon.

Drama – Hated and betrayed by his brothers, Brady Gray is forced off of the family ranch and must start a new life in Dallas. With a good job and a promising romance, better days seem to lie ahead until Brady is framed for a crime he didn’t commit. – Andrew Cheney, Megan Parker, Akron Watson

Andres (Jean Pierre Agostini) it’s a fan of Los Leones del Caracas one of the principal baseball teams of Venezuela. Julissa (Juliette Pardau) it’s a fan of Los Navegantes del Magallanes, the rival team. One day Andres gets tickets to see the game in Magallanes VIP Zone. He meets Julissa and her dad who is not only fan but one of the team’s managers. Andres and Julissa will fall in love and will have to pretend to be fan of the other’s team. But soon trouble will arise.

With a tour in Afghanistan behind him, war-torn Chris Jensen struggles to assimilate back to life in California. Drifting and living out of his car, he soon discovers that few are willing to deal with the remnants of a damaged career military man. Chris is self medicating; desperate to silence the echoes from the front lines. When an opportunity finally presents itself, he makes the hard decision to employ his most coveted talents honed in special ops. A job is a job and Chris knows civilian life can be just as cut-throat as time on active duty. But just how close does he have to get to Andrew Warner to secure the kill?

The Sound of Music Live! is a television special that was originally broadcast by NBC on December 5, 2013. Produced by Craig Zadan and Neil Meron, the special was an adaptation of Rodgers and Hammerstein’s Broadway musical The Sound of Music, starring country singer Carrie Underwood as Maria von Trapp, performed and televised live from Grumman Studios in Bethpage, New York.
Meron felt that if the telecast were successful, the concept could become “another kind of entertainment that can exist on TV.” By her request, Underwood’s casting as Maria was personally endorsed by Julie Andrews, who starred in the 1965 film.

The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)

The sequel to one of the most loved Estonian comedy films Class Reunion 2: A Wedding and a Funeral sees the return of the three high-school friends Mart, Andres and Toomas. This time they are planning a memorable stag party for Toomas, but due to unexpected turn of events end up at a funeral instead. It has been a year since the unforgettable class reunion and our three friends have all reached new stages in their lives. The rock star Toomas (Genka) has finally decided to get married. Mart (Mait Malmsten) is having troubles with his wife. And Andres (Ago Anderson) has declared war on the female sex and decided to become a resolute bachelor.

It is New Year’s weekend and the friends of Peter (Fry) gather at his newly inherited country house. Ten years ago, they all acted together in a Cambridge University student comedy troupe, but it’s less clear how much they have in common now.Peter’s friends are Andrew (Branagh), now a writer in Hollywood; married jingle writers Roger (Laurie) and Mary (Staunton); glamorous costume designer Sarah (Emmanuel); and eccentric Maggie (Thompson), who works in publishing. Cast in sharp relief to the university chums are Carol (Rudner), the American TV star wife of Andrew; and loutish Brian (Slattery), Sarah’s very recently acquired lover. Law plays Peter’s disapproving housekeeper, Vera; and Lowe, her son Paul. Briers appears in a cameo role as Peter’s father.

This Italian-Turkish co-production helmed by genre veteran Antonio Margheriti (using the pseudonym “Anthony M. Dawson”) was cobbled together from a four-part science-fiction miniseries shown on Italian television. In prehistoric times, the muscular Yor (Reb Brown in a loincloth) saves his cave-babe (Corinne Clery) from a dinosaur just before they get zapped into the future to battle bad guys in the familiar desolate wasteland. Genre stalwart John Steiner (Caligole) and the ubiquitous Luciano Pigozzi co-star with Carol Andre.

Kika, a young cosmetologist, is called to the mansion of Nicolas, an American writer to make-up the corpse of his stepson, Ramon. Ramon, who is not dead, is revived by Kika’s attentions and she then moves in with him. They might live happily ever after but first they have to cope with Kika’s affair with Nicolas, the suspicious death of Ramon’s mother and the intrusive gaze of tabloid-TV star and Ramon’s ex-psychologist Andrea Scarface.

1999, Serbia is bombed and Kosovo region is left for plunder by bandits under command of Albanian warlord, Smuk. The removal of the human organs take place within the territories bandits have taken, the robberies, mass assassinations and genocide. Russian intelligence officer Bek Ethoev and former paratrooper turned mercenary Andrey Shatalov head a small detachment tasked with the dangerous mission to stop the terrorism, recapture the airfield used by the bandits and rescue Shatalov’s love interest Yasna, who was captured to be harvested for organs, like the rest of the Serbian prisoners.

From director Andrew Rossi (PAGE ONE: INSIDE THE NEW YORK TIMES, THE FIRST MONDAY IN MAY) comes an electrifying portrait of writer and performer Okwui Okpokwasili and her acclaimed one-woman show, BRONX GOTHIC. Rooted in memories of her childhood, Okwui – who’s worked with conceptual artists like Ralph Lemon and Julie Taymor – fuses dance, song, drama, and comedy to create a mesmerizing space in which audiences can engage with a story about two 12-year-old black girls coming of age in the 1980s. With intimate vérité access to Okwui and her audiences off the stage, BRONX GOTHIC allows for unparalleled insight into her creative process as well as the complex social issues embodied in it.

André, a teenager, lives in an industrial town in Brazil near an old aluminum factory. One day, a factory worker, Cristiano, suffers an accident. Asked to go to Cristiano’s house to pick up clothes and documents, André stumbles on a notebook, and it’s here that Araby begins — or, rather, transforms. As André reads from the journal entries, we are plunged into Cristiano’s life, into stories of his wanderings, adventures, and loves.

When a man-eating cave creature appears with a fortune in uncut diamonds around his neck, Dr. Chambers’ daughter Denae hires adventurers C & C Salvage to find the underground source of the gems. Accompanied by archeaological intern Andrew Paris, mineralogist Prof. Strock, and C&C’s scruffy owners Cort Eastman and Eddy Colchilde, Denea’s hopes of emerging from her famous father’s shadow become as remote as getting out of the caves alive!