From Living Waters, creators of the award-winning TV program The Way of the Master and the popular movies “180” and “Evolution vs. God,” comes the riveting and hope-inspiring film “EXIT.” Before you finish reading this, one individual will have ended their life by suicide—because they think they have no other choice. According to the World Health Organization, a massive 800,000 people take their lives every year—one death every 40 seconds. That’s 3,000 a day. For millions who suffer from depression and despair, “EXIT” points to a better way. This compelling movie shines a powerful light in the darkness and offers true hope to those who think they have none. Someone you know may be secretly considering their final exit. Watch “EXIT,” and share it with those you love.

Think Blue Valentine meets Jurassic Park. Dinosaurs have invaded Earth but neither Tommy nor Stacey care anymore, now that they’ve found each other. They escape the war, but whether they dive to the bottom of the ocean or fly to the depths of Outer Space, conflict always seems to find a way into their lives.

Beyond Food explores the ways a group of extraordinary people live amazing lives, eat delicious food while extracting more energy and mental focus from their daily rituals. Biohackers, Paleo, Vegan, Neuroscientists, Athletes, Foragers, Ranchers, Farmers, Gut scientists. Some of our characters are Dave Asprey (Bulletproof Exec), Mariel Hemingway, Laird Hamilton, James Hardt (Biocybernaut Institute Advanced Neurofeedback) Our target audience is everyone who is desiring to learn how to fuel and create an extraordinary life. Our main purpose is to share the lessons from the journey we lived because it changed our lives.

(This version of the film is Uncensored and uncut) When serial killer Havoc escapes from his prison, there is no holding back. He descends upon unsuspecting lovers in their cabin get away. The world’s most brutal killer is loose and his thirst for blood cannot be stopped.

Romeo, a hopeless romantic with emotionally-fueled impulsiveness, meets Juliet, an abused and desperate girl looking for anyway to escape. Together, destined for tragedy.

A young woman named Yeon-hee is traveling to Pyongyang with a coach full of elderly people. As she flips through old photographs, she remembers telling her husband Min-woo that she wouldn’t allow him to “cross over” to North Korea given the political situation of the day. But Min-woo left anyway and never returned home, and their marriage was torn apart by the Korean War. Now, sixty years after the division of Korea, she looks forward to reuniting with her beloved Min-woo again.

In 1979, an Indian family moves to America with hopes of living the American Dream. While their 10-year-old boy Smith falls head-over-heels for the girl next door, his desire to become a “good old boy” propels him further away from his family’s ideals than ever before.

The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.

Luke Palmer, a Los Angeles widower, has been in therapy for a year since his wife’s accused killer was found Not Guilty at trial. In an attempt to get away from his anguish, Luke takes a trip to Scottsdale for a three-day vacation, but is kidnapped and awakens to find himself in a room with a recording device…and an electrified restraining chair. The next thing Luke knows, a hooded man is dragged into the room and secured in the chair. The hood is removed to reveal Galen Terry, the man acquitted for Luke’s wife’s murder. An ominous voice comes over a loudspeaker and says “My name is Justice. You are here to retry the case of California vs. Terry for the murder of your wife… The defendant’s chair is electrified. The electricity is controlled by the red button. Feel free to use it.”

Gertrude Bell, the most powerful woman in the British Empire in her day, shaped the destiny of Iraq after WWI in ways that still reverberate today.

There’s drama aplenty for the travelling theatre company Chekhov Cabaret. The actors share the good times and the bad as a nomadic tribe where work and private life always mingle. They don’t mince words, these obstreperous actors with a sardonic sense of humour. Theatre always comes first.

Eva Hendrickx is an ambitious young journalist working on the team of television legend Herman Verbeeck. She’s determined to bring a story about the riots in the suburbs of Brussels. While the city spins further away in a spiral of violence, Eva meets Lahbib, a Moroccan with a heavy past. He escorts her into his complex and hard world. Meanwhile, Herman Verbeeck sees a way to exploit Eva’s story in the ever-competitive mediagame…

He’s an unemployed guy who earns some money by giving lifts to strangers. She’s a graphic designer who just got her first job. The film tracks their relationship – and the way it gradually melts away – throughout a year. A subtle, moving portrait of an immature love that breaks down easily.

Warriors called “Saints” are the champions of hope who have always appeared since the Age of Myth whenever evil threatens the world. In this present day story, many years since the long fought “Holy War” we find Saori Kido, a girl troubled by her mysterious powers. She is saved by a boy, Seiya “Bronze Saint” from a sudden attack by an assassin, through the accident Saori realizes her destiny and mission and decides to go to “Sanctuary” with Seiya and his company of Bronze Saints. In Sanctuary they confront “Pope” and wage a desperate battle against the greatest Saints, the “Gold Saints”.

Four very different people live in the same building but avoid each other because of differences in how they live their lives, what they believe in, and where they come from. They would probably never exchange a word, but misfortune pushes them towards each other. Their lives entangle in ways that profoundly challenge deep-held beliefs and prejudices surrounding material status, sexual orientation, nationality and religion. Slowly, and even painfully, they begin to open up to each other and recognize the essential humanity each of them possesses.

After his family falls apart Joshua (writer/co-director/star Aaron Ellis) is forced to move to Canada. It is there he meets Jay (Justin Liles), a local tattoo artist who fled the violent actions of his parents back home in Alabama. Both young men, abandoned and lonely in their own way, find themselves falling for one another… until a pair of high school brats intrude on the boys’ growing relationship. This LGBT film has won numerous awards at film festivals, including Best LGBT Feature Film at the Accolade Competition and the Independent Filmmakers Showcase IFS Film Festival, as well as Best Leading Actor and Narrative Feature at the IndieFEST Film Awards.

Hector has been living on the motorways for years. His once comfortable family life has been replaced by a never-ending tour of service stations that offer him shelter, anonymity, washing facilities and food. The story follows his journey south from Scotland on his annual pilgrimage to a temporary Christmas shelter in London where he finds comfort, friendship and warmth. Over the course of his Homeric journey, Hector decides to reconnect with his long estranged past. As his previous life catches up with him, the story of how he came to be leading a marginal life begins to emerge.

In 20 years’ time, there will be nearly 1.6 billion smokers around the world. Approximately 70% of smokers want to quit. The United Nations’ World Health Organisation expects a billion people will die prematurely from smoking this century. The products their doctors recommend are rarely effective and many are trapped. A new vapour technology was invented to give smokers a successful way to quit. But it was quickly demonised, and even banned in many countries. A perfect storm is brewing between smokers trying to quit, government regulators, and health charities funded by the powerful pharmaceutical industry. Director Aaron Biebert travelled across four continents interviewing doctors, scientists, and others working to save a billion lives. What he found was profound government failure, widespread corruption in the public health community and powerful subversion by big business.

The time: 1814. The place: Edo, now known as Tokyo. A much accomplished artist of his time and now in his mid-fifties, Tetsuzo can boast clients from all over Japan, and tirelessly works in the garbage-loaded chaos of his house-atelier. He spends his days creating astounding pieces of art, from a giant-size Bodhidharma portrayed on a 180 square meter-wide sheet of paper, to a pair of sparrows painted on a tiny rice grain. Third of Tetsuzo’s four daughters and born out of his second marriage, outspoken 23-year-old O-Ei has inherited her father’s talent and stubbornness, and very often she would paint instead of him, though uncredited. Her art is so powerful that sometimes leads to trouble. “We’re father and daughter; with two brushes and four chopsticks, I guess we can always manage, in a way or another.”

A mute, aspiring actor joins forces with a man who has a powerful voice. Together they take the film industry by storm, but will their egos get in the way?

Four exceptional astronomers celebrate 50 years of work and friendship on a return road trip in the southwestern United States, recapturing youthful adventures and recounting each other’s influences on the most exciting period in astronomy’s history. Roger the instrument-maker, Donald the theoretician, Nick the visionary, and Wal the observer. Together they represent the most productive period astronomy has ever had. They helped build the world’s biggest observatories and made revolutionary discoveries about the evolving universe, discoveries that have the power to change the way humanity sees itself. Alison Rose’s film is a funny, insightful, humbling and intimate portrait of friendship, as the men reflect on how their profound work on the universe has reflected back on the individual, affecting their sense of religious faith, how life may have purpose, and what is knowable and unknowable.

A couple (Jian RenZi and Andrew Lin) who has been unsuccessfully trying to have a child for a few years, and decides to resort to an old Chinese fertility ritual, that of the “primer”: to temporarily adopt a child, who will open the way for their own progeny. They adopt a quiet 7-year-old girl (Wang Yifei) at an orphanage whose supervisors (Hui Shiu Hung and Pat Ha) are obviously not telling them everything. The adopted child is silent, asocial and constantly draws disturbingly dark pictures of her previous family. It doesn’t help that her new mother is beset with strange visions that threaten her sanity.

Mumford and Sons are a band that have never stayed still. An innate desire to travel, to meet people and to do the unexpected has become a calling card of sorts as fans the world over join their community and fall in love with their consistently evolving music. The documentary follows the band and their latest set of collaborators as they travel across uncharted territory, playing the major cities of South Africa with an eclectic mix of musician friends. They explore the craft of song writing and the people, events and influences that dictate that. The film showcases the band at their most open and collaborative as they relish the excitement of playing to crowds in new cities who’ve never seen them before. Along the way they set a fresh challenge for themselves; taking their collaborative culture one step further as they attempt to write and record a mini album in just two days, with the other musicians on tour. The filming of this process not only lifts the lid on the art of song….

From young adults to still growing up, we take a ride through Val’s memories of Mickey as he makes his way to see his brother. An atypical exploration of the nuances of various stages in a relationship. Every ending has it’s middle.

Girl Power is a documentary that presents female graffiti writers from fifteen cities – from Prague to Moscow, Cape Town, Sydney, Biel, Madrid, Berlin, Toulouse, Barcelona and all the way to New York. The graffiti community is predominantly a man’s world, and men often share the view that graffiti – namely the illegal kind – is not for girls. And yet women have become increasingly more emancipated in recent years; there are female graffiti shows, magazines and websites. Girl Power captures the stories of ladies who have succeeded in the male graffiti world.

Modern industrialization is no longer about steam power, ocean ships, and railways. It’s about herd immunization, the mass drugging of our population, and the industrialized production of cheap, storable food. We’ve ended up with an entire society getting sicker and sicker while the industrial powers get richer and richer.

The Ways of Seeing writer is celebrated by Tilda Swinton and her fellow admirers in an unorthodox four-part documentary that visits him at his Alpine home

Heidi, is an eight-year-old Swiss orphan who is given by her aunt to her mountain-dwelling grandfather. She is then stolen back by her aunt from her grandfather to live in the wealthy Sesemann household in Frankfurt, Germany as a companion to Klara, a sheltered, disabled girl in a wheelchair. Heidi is unhappy but makes the best of the situation, always longing for her grandfather.

The titular troublemakers are the New York–based Land (aka Earth) artists of the 1960s and 70s, who walked away from the reproducible and the commodifiable, migrated to the American Southwest, worked with earth and light and seemingly limitless space, and rethought the question of scale and the relationships between artist, landscape, and viewer. Director James Crump has meticulously constructed Troublemakers from interviews (with Germano Celant, Virginia Dwan, and others), photos and footage of Walter De Maria, Michael Heizer, Robert Smithson, Nancy Holt, and Charles Ross among others at work on their astonishing creations.

In 1993, after being caught in the backseat of a car with the prom queen, teenage Cameron is sent away to a treatment center in a remote area called God’s Promise. While she is being subjected to questionable gay conversion therapies, she bonds with some fellow residents as they pretend to go along with the process while waiting to be released.

Beppu Sumire is a wedding planner who works for True Love Bridal (TLB), a well-established wedding hall. Her late mother, Sakura, showered love on her and would always tell her that she is lovely. After she passed away, Sumire lived with her father, Tetsuro. Sumire gave up on her own romance long ago because of her disappointing looks. But she works hard with a smile even when she gets scolded by her stern superior, Umemiya Hitomi, her impertinent junior, Sudo Yuri, pins trouble on her, and her relationship with her father is not working out, in order to bring smiles to many people’s faces.

A child abandoned in a subway coin locker is sold to a ruthless and calculating loan shark and gangster boss dubbed “Mother” (Kim Hye-soo), who runs an organ-harvesting ring in Incheon’s Chinatown. Named Il-Young (Kim Go-Eun), the baby girl grows into Mother’s loyal right-hand enforcer and is groomed to be her eventual successor. But when Il-Young’s loyalty to Mother wavers, the clash between the two unleashes a merciless tidal wave of blood-soaked retribution and strife.

Samao Daikoku’s (Shota Sometani) family register was taken which keeps him from escaping the underground life that he has led. To get away once and for all, Samao Daikoku breaks into Daikichi Ebisu’s (Kiyohiko Shibukawa) coin locker to steal gold. Daikichi Ebisu is involved in a criminal organization. In the locker, Samao Daikoku finds a hard disk containing personal information on runaways, homeless people, bankrupt people and prostitutes. He hides the hard disk, but is locked up by Daikichi Ebisu. There, he sees a prostitute, Ami Nanmu (Erina Mizuno) and he also faces an evil gang boss, Kan Senju (Gou Ayano). Samao Daikoku is tortured by the gang boss. The mystery behind Samao Daikoku’s past is revealed.

The planned film trilogy retells the beginning of the story from Shuuichi Shigeno’s original car-racing manga. High school student Takumi Fujiwara works as a gas station attendant during the day and a delivery boy for his father’s tofu shop during late nights. Little does he know that his precise driving skills and his father’s modified Toyota Sprinter AE86 Trueno make him the best amateur road racer on Mt. Akina’s highway. Because of this, racing groups from all over the Gunma prefecture issue challenges to Takumi to see if he really has what it takes to be a road legend.

A hapless brother and sister with a gift for pop-culture infused banter embark on an ill-conceived quest to get their own talk show, encountering romance and sabotage along the way.

The holiday drama follows an out-of-work actress who returns to her quaint hometown, where a Christmas romance proves the life she once left behind could turn out to be even better than Broadway.

For the members of the comedy troupe Asperger’s Are Us, it’s easier to associate with a faceless audience than with their own families. No matter who the crowd, best friends Noah, New Michael, Jack and Ethan have one simple mantra: “We would much rather the audience appreciate us as comedians than people who have overcome adversity.” In this coming-of-age heartfelt documentary, this band of brothers finds themselves at a crossroad. With real life pulling them apart, they decide to plan one ambitious farewell show before they all go their separate ways. People with Asperger’s don’t deal well with uncertainty, and this is the most uncertain time in their lives.

During a long night of August, some people have different experiences that leave a deep impression in them. Linked by a radio night show, all them cross the city of Barcelona, not knowing that their fates will collide with each other in unexpected ways.

Koyomi Araragi was turned into a vampire by the legendary vampire, Kiss-shot Acerola-orion Heart-under-blade, and he needs to revive the weakened vampire back to her complete form to return to being human again. The only way for Koyomi to achieve his goal is to fight the three vampire hunters – Dramaturgy, Episode and Guillotinecutter.

The Godfather of electronic music is on a one-way trip to crack America, returning to the studio for the first time in nearly a decade. Android is a celebration of a music-making pioneer and the love story that helped him turn his life around.