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Based on a true story, this film tells the tale of the 1950 US soccer team who, against all odds, beat England 1 – 0 in the city of Belo Horizonte, Brazil. Although no US team has yet won a World Cup title, this story is about the family traditions and passions which shaped the lives of the players who made up this team of underdogs.
Krishnan, who has been living away from his family and friends in Mumbai, gets a call from his friend Ganga in Kerala, out of the blue. He senses danger, and leaves for Kammattipadam, where both of them grew up.
After serving jail time for a mysterious crime, Bill and Karl get out of jail and become preoccupied with figuring out who turned them in to the police. On top of that, the “family business” is on the rocks, and the motley crew of criminals who operate out of Down Terrace aren’t feeling terribly trusting of one another. It might look like an ordinary house, but at Down Terrace, the walls are closing in..
After relocating his family – and his prized restored Sherman tank – to a small Georgia town, Sargeant Major Zack Carey (James Garner) butts heads with the local sheriff. Zack doesn’t agree with the ways of the local police, and when the sheriff goes after Zack’s son (C. Thomas Howell), it’s time for Zack to roll out the Sherman tank and wage a little war of his own.
In the heart of Styria the Karnstein Family, even after their mortal deaths, rise from their tombs spreading evil in the countryside in their lust for fresh blood. Baron Hartog whose family are all victims of Karnstein vampirism, opens their graves and drives a stake through their diabolical hearts. One grave he cannot locate is that of the legendary beautiful Mircalla Karnstein. Years of peace follow that grisly night until Mircalla reappears to avenge her family’s decimation and satisfy her desire for blood.
Two Turkish anti-terrorist agents are sent to New York City on a mission to find and bring back the dangerous Islamic leader codenamed “Dajjal”, believed to be hiding in there. Working with the FBI and NYPD, the agents orchestrate the arrest of Hadji Gumus, a well-respected Muslim scholar and family man who years before fled to the United States after being released from a Turkish prison, where he served time for murder. This tale love, friendship, peace and prejudices, takes us on a journey seeking to answer the question of whether innocence or guilt even matters to one who lusts for vengeance.
After twenty years of broken bottles and empty hallways, Mort Gleason witnesses his nephew Moo being beaten while in a drunken stupor. The short contact with family brings Mort back to what are left of his senses and he returns to the last home he remembers in Chicago. His sister Eileen lives in their family home now with her sixteen year old son, Abe. Her older son Moo, the now missing nephew, helped spark Mort’s return to his family. Three, four, five weeks pass as Mort waits outside his home and makes a tenuous re-entry into family life. Abe dreams of a sailboat and distant horizons. He saves money and sees an advertisement for the Kathy II. He and his friend calculate a way to buy the vessel from two unscrupulous rogues who make ends meet wholesaling liquor and operating a sometime boatyard.
A young man abandons his family for a solitary life of fly-fishing. His goal was to find his own way in the fishing world and thereby find himself and love.
Without the security of the job he wants or the future he dreamed of, Paul Dynan plans the perfect crime to help his struggling family – abduct the socialite children of three wealthy men and collect a ransom of $3-million dollars. Over the course of one long night, Paul and his accomplices hold the rich kids hostage awaiting the ransom with little idea of the secrets that will surface between the fathers when they are forced to choose between their children and their money.
Wu-Lin is the successor of an ancient, once powerful Chinese clan, the “Iron Feet.” After the death of his master, Wu-Lin leaves his rural village for the City of Stone-Cold looking for his fellow apprentice Jiang Li. Along the way, he becomes the bodyguard of Fei-Fei, the daughter of Jia-Shan Li, the richest family in the city, and quickly gets drawn into a mob war in order to protect her.
A mother and teen daughter believe they have at last found safe refuge from their abusive husband and father Michael. Michael, enraged by their escape, will do anything to find them. After undergoing drastic plastic surgery, he assumes a new unrecognizable identity, and the hunt for his family begins.
In 1915 a man survives the Armenian genocide in the Ottoman Empire, but loses his family, speech and faith. One night he learns that his twin daughters may be alive, and goes on a quest to find them.
The film discusses the traits and originators of some of metal’s many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
The story of a young man who must confront his own fears about love as well as his relationships with family and friends.
Some say that to be the leader of a country is one of the loneliest jobs in the world. But being the child of a world leader can be doubly so. Constantly surrounded by security officers, restricted in movements and having almost every waking moment carefully monitored makes normalcy an impossibility. No one knows this better than young Luke Davenport, the son of U.S. President Davenport. He vents his loneliness, frustration and feelings of isolation from family and friends by being a brat to his private Secret Service agent. When the agent snaps from the strain in front of the First Lady, a new agent is assigned to Luke. He turns out to be the enormous Sam Simms, a bit of a rogue who managed to rise through the ranks by sheer determination rather than strict adherence to Secret-Service protocol. At first, Luke tries all his old tricks upon Sam. But instead of getting angry, Sam seems to actually understand.
A group of amateur paranormal investigators, frustrated with the lack of any solid evidence after months of attempts, decide to provoke and taught spirits from the afterlife in a last ditch attempt for a paranormal encounter. The experiment works, but they have awakened something angry and very deadly – something that follows them home and now will not leave. The investigators must now defend their home, and their family, from the spirits who were brought into this world and are not going without taking some souls with them.
A student moves in with a family that lives in an underground house in the middle of the forest, far from civilization. His hopes of peace and quiet are soon shattered, when it becomes apparent that both the parents and their son have a screw loose.
In 1971, Carole and Delphine meet and fall in love in Paris. When Carole follows Delphine back to her family farm in Limousin, the two find lesbianism and feminism are not as easy in the countryside.
On a flight home to Chicago for a family wedding, childhood friends Josh and Molly innocently agree to fake a wedding engagement to make Josh’s dying father happy. Things quickly get out of hand with their two boisterous families, and a series of events causes them to pretend to be a couple and start planning a phony wedding. When the playacting begins to foster real feelings, the two must make some serious decisions: Split up and return to their lives in LA, or make a life as a couple back in Chicago?
San Francisco homicide detective Maggie Price and former, world-class chef Henry Ross are on the case once again. The crime-solving odd couple investigates the murder of Henry’s friend, a well-known local chef found dead in his kitchen. As they begin to unravel an old family secret, Maggie has to stay one step ahead of a mysterious man in the shadows who appears to be stalking her, while her blossoming relationship with Henry is threatened by the arrival of an ex-love from Maggie’s past.
October, 2008. Young nun Colleen is avoiding all contact from her family, until an email from her mother announces, “Your brother is home.” On returning to her childhood home in Asheville, NC, she finds her old room exactly how she left it: painted black and covered in goth/metal posters. Her parents are happy enough to see her, but unease and awkwardness abounds. Her brother is living as a recluse in the guesthouse since returning home from the Iraq war. During Colleen’s visit, tensions rise and fall with a little help from Halloween, pot cupcakes, and GWAR. Little Sister is a sad comedy about family – a schmaltz-free, pathos-drenched, feel good movie for the little goth girl inside us all.
When Angela (Sarah Smyth) refuses to leave her planned-parenthood clinic after it is shut down by the state, a family of fanatical evangelists vow to make her pay.
After witnessing her lover being murdered by his jealous wife, Angela seeks refuge in a church where she encounters a young priest named Michael, who gives her sanctuary. But the killing was not a simple act of passion, as the victim had ties to organized crime, and, surprisingly, so does Michael, whose father is a powerful don. When the priest finds himself falling in love with Angela, his religious vows and family ties are both severely tested.
A young girl pretends to be the deceased granddaughter of an ailing grandmother soon to celebrate her birthday. The aged woman does not know her granddaughter has died; thinking she has only left, and the young girl, with her remarkable resemblance, is asked by the family to accompany the grandmother in her last days; posing as her granddaughter in order to cheer her up for her anniversary. The young girl suddenly experiences horrific visions of the dead granddaughter, and her life is threatened when the rest of the family suddenly conspires to kill her. Now in danger, she seeks the truth about the dead girl, while slowly succumbing to insanity as illusion and reality merge.
Aurora Teagarden is a beautiful young librarian with a passion for solving murders. After an exhaustive search for the perfect home, Aurora finally purchases her dream house, unaware of its murky history. As she prepares to move in, Aurora discovers that the family who once lived there mysteriously disappeared without a trace.
A comedy of life’s temptations – lust, greed and power. The city in question is Sydney and the colour green signifies greed and envy in David Williamsons amusing satire on its film and publishing industries. The story centers around the Rogers family, loosely modelled on Williamson’s own.
Jill and Joy (both 9) live in their own house like any other little girls, except that they might be a little happier than most little girls, as they get to live in their own house specifically designed for the two. One December evening a small car, barely the size of a shoebox, pulls up in front their house, and a teensy-weensy family gets out; it’s the McTiny family. The family has become homeless after a road roller smashed their home. Planning to live with the girls temporarily, the family moves in with Jill and Joy but soon finds out that not all big people have good intentions towards them. Jill and Joy’s Winter is based on a beloved book by the same name, written by a Finnish writer named Marjatta Kurenniemi.
Marco Vasquez and his family have seen tragedy and despair throughout their lives at the hands of an evil entity. Now that Marco is about to start a family of his own, he is forced to return to his childhood home where it all began to put a stop to it once and for all.
When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.
The family is pleasantly surprised and puzzled when Beethoven suddenly becomes obedient. Turns out it’s a prince and the pauper scenario, with the real Beethoven now living with a pompous rich family.
“Aliens Stole My Boyfriend” – Two cute alien chicks crash land their space buggy in the parking lot of the motor court looking for Earth boyfriends. “Coma Girl” – A macabre maintenance man falls in love with a comatose patient at the convalescent home where he works much to the dismay of her faithful husband. “Brain Robbers In Love” – A powerful older woman steals the body of a young woman using a top-secret brain-swapping devise stolen from a government vault. “The Problem With Clones” – A skip-tracer must search through a family of clones to find the sister who murdered her look alike. “Four-Eyes” – A paraplegic hit man is encouraged to pursue his gruesome talent by a man who wants to murder his ex-wife. “Life After Men” – In the near future, males are virtually extinct from disease and are tracked down my man hunters working for the new government.
Jean Jones, a gawky, 25-year old finds new love unexpectedly in the back of a Brooklyn ambulance with paramedic Ray Malcolm on the day the grandfather she’s never met shows up on her doorstep and drops dead with her book in his pocket. Against the advice of her family, who all seem to be stewing in their own secrets, Jean plans the funeral for Gray Jones and uncovers some tough truths about the Jones women, her failing career and a crippling inability to move on from a past relationship.
The night before their high school graduation, Jessie and her friends are guided by a ‘Find My iPhone’ app to recover her lost device from a house whose demented tenants are hell bent on making her a flesh and blood member of the family.
A pair of outlaw brothers seek temporary refuge in a desolate town inhabited by a small family of psychotic cannibalistic lunatics
This movie is a ‘found-footage’ film about the Benson family who move in to the infamous house where the DeFeo family were murdered in the 1970s over 30 years earlier. Things start happening to anyone who visits this house, and whoever lives there. This is the footage retrieved from the camera.
After her father dies in an eerie accident at the family’s winery, Ellia returns home from the big city to tend to the remaining members of her disaffected family. The death is eventually ruled a homicide, with Ellia’s mother emerging as the prime suspect. Ellia takes matters into her own hands, compelled to discover the true story behind her father’s death. But the family and small-town secrets that emerge are more than she bargained for. Australia’s stunning wine country is the backdrop for this thrilling murder mystery from Director Megan Riakos.
