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Sakurai Tomoki goes on a trip to a hot spring, and is soon up to his usual perverted antics. In addition, he’s about to receive his first love confession! However, his desire to pass his days peacefully is challenged once again by another Angeloid. Compared with the hostile Angeloids he had encountered in the past, this new Type Zeta Angeloid is by far the most powerful!
In Paris, Sophie and Daneel make a solid couple. Nothing, it seems, can separate them – until the day when Sophie tells her partner she has organised a surprise trip to Bulgaria. Daneel refuses to go, but Sophie insists and soon discovers just why her soul mate was so reluctant to set foot in the country…
The most famous Museum in Vienna appears in the film as a mysterious intersection where the characters explore their own lives, the city and how art reflects the world.
After committing a hit and run, a beautiful career woman attempts to clear her conscience by befriending her victim, a homeless but talented street musician.
Three girls living in Los Angeles, CA in the 1980s found cult fame when they “accidentally” transitioned from models to B-movie actresses, coinciding with the major direct-to-video horror film boom of the era. Known as “The Terrifying Trio,” Linnea Quigley (The Return of the Living Dead), Brinke Stevens (The Slumber Party Massacre) and Michelle Bauer (The Tomb), headlined upwards of ten films per year, fending off men in rubber monster suits, pubescent teenage boys, and deadly showers. They joined together in campy cult films like Sorority Babes in the Slimeball Bowl-a-Rama (1988) and Nightmare Sisters (1987). They traveled all over the world, met President Reagan, and built mini-empires of trading cards, comic books, and model kits. Then it all came crashing down. This documentary remembers these actresses – and their most common collaborators – on how smart they were to play stupid
Fifteen stories, contemporary and some historical, where humorous, sarcasm and courage passed bills to pain, old age, death and love, but above all with human stupidity, without concessions, watching her face the difficult life balance and human misery.
Five college friends go on a hiking trip in a remote area. What starts as a beautiful sunny day, turns into a deadly nightmare. After an encounter with a strange kid who just wants to play a game, their car mysteriously dies in the night. Stranded in the middle of nowhere, they decide to wait it out and find help in the morning… But not all of them make it through the night. As they desperately search for their missing friends, they stumble upon the haunting truth behind the strange kid, who has actually been dead for decades, and find themselves unwilling participants in his deadly game.
Alyssa Rampart Pillage is a washed up TV queen whose career has been reduced to starring in commercials for her husband Bernie’s appliance empire. When their tree hugging daughter Topanga dies in a tragic golf ball accident, Bernie goes off the spiritual deep end and tries to give away their fortune with disastrous results. But what starts off as tragedy quickly turns into career re-invention for Alyssa. And as the body counts rises, so does her star. Bad Actress is a guilty pleasure of a film that gleefully mocks the world of Hollywood and Fame, which reminds us that Justice has nothing on Celebrity.Written by Anonymous (www.imdb.com).
Hua, a young woman from Beijing, is a recent arrival in Paris. Exiled in an unknown city, she wanders between her tiny apartment and the university, drifting between former lovers and recent French acquaintances. She meets Matthieu, a young worker who falls madly in love with her. Possessed by an insatiable desire for her body, he treats Hua like a dog. An intense affair begins, marked by Matthieu’s passionate embraces and harsh verbal abuse. When Hua determines to leave her lover, she discovers the strength of her addiction, and the vital role he has come to play in her life as a woman.
In this poetic, richly allegorical debut by Colombian director William Vega, a teenage girl flees to a rundown inn after being driven from her home in the Andean highlands by civil war, as the violence engulfing the country creeps ever closer to her remote refuge. (TIFF)
Three young people arrive from different parts of the country to go to college in Sao Paulo. On their first day there, a strange and intense attraction unites them. Together, they rent an apartment and begin living together, in close quarters. Sharing kisses and fond embraces. They exchange words of endearment with the naturalness of ordering a sandwich at a diner. They threaten to break up and the next moment they are all laughing together again. College days however soon come to an end and, with each having different paths to trail, separation is imminent. And consequently, their gestures, words and attitudes take on a new weight. Touching each other now takes on a new significance. Words of love are weighed down by consequences.
A demon from Hell has an insatiable lust for blood. He is sent from hell to help a Satanic cult try to resurrect Satan and bring eternal Hell on Earth.
Year 1977, a September morning in Ankara… Yilmaz tries to rush his pregnant wife Neriman to the hospital and he crashes into Omer’s car. The causes Omer’s pregnant wife Inci, who was in the back seat, to have a pre-term labor. The babies are born on the same day. They see each other for the first time… This accident is the threshold of the coincidences that bring Ozgur and Deniz together. They come across each other in Ankara several times during their childhood and youth. Each intersection has a butterfly effect, resulting in drastic changes in their lives. They sometimes cause disasters, sometimes miracles. However, they can never be together. Whatever it is that brings them together, manages to build a transparent wall between them. Until they come across each other again in Istanbul, 25 years later… –Anonymous (imdb)
Two lovers travel from town to town playing a dark game of deceit that soon spirals out of control, threatening their very relationship.
The Burlesque Assassins. Beautiful, deadly and a vital weapon in the war on communism that threatens the free world. Set in the 1950s, this tale of cold war espionage and intrigue follows superspies Johnny Valentine, Koko La Douce, Bombshell Belle and new recruit Bourbon Sue as they seduce their way within killing distance of a trio of villainy bent on global domination. See the fatal fan dance of Koko La Douce! See the brutal boa of Bombshell Belle! Witness firsthand the carnage and the cleavage as the enemies of The Burlesque Assassins discover that when it comes to these women, LOOKS CAN KILL!
13 year old kind-hearted Sonja arrives at a tiny village together with a company of bandits. But there is a curse on the village. A long time ago, the King’s only daughter Goldhair disappeared while searching for the Christmas Star. The Queen died of a broken heart, leaving the shattered King all on his own. From that day on, the King cursed the Christmas Star, thereby causing darkness and grief to descend upon the land. However, an old sage has revealed that Goldhair is still alive, and will return only if the King finds the way back to the Christmas Star. Ever since, the King has been searching for the Christmas Star every Christmas, but all in vain.
Eoghan is a sound-recordist who is returning to Ireland from Berlin for the first time in 15 years. His reason for returning is a job offer: to find and record places free from man-made sound. His quest takes him away from towns and villages into remote terrain. Throughout his journey, he is drawn into a series of encounters and conversations which gradually divert his attention towards a more intangible silence, one that is bound up with the sounds of the life he had left behind. Influenced by elements of folklore and archive, “Silence” unfolds with a quiet intensity, where poetic images reveal an absorbing meditation on themes relating to sound and silence, history, memory and exile.
Zoey, a woman trying to find her role in this world, saves troubled men in search of her own completion. She meets Quinn, a guy who believes he is the world’s savior. He must fight a ‘friend’ to the death to stop the oncoming Apocalypse. This is the story of Zoey taking her newfound charity case under her wing as she is compelled to help the damaged Quinn come to reality, while fighting her own past demons as they are revealed.
1-900-TONIGHT (Somewhere Tonight) is an urban fable that tells the story of two lonely New Yorkers trying to find companionship over an adult chat phone line. John Turturro plays Wooly, a simple, curiously odd bike messenger hoping to hear a bit of ‘spicy’ talk from Patti (Katherine Borowitz), an agoraphobic shut-in. Although each is not what the other hopes they will be, together they prove that wisps of enchantment can be found in even the most overlooked of hearts. And that hope takes on many unexpected shades. Inspired by slain Dutch filmmaker Theo Van Gogh’s 06. Written by Michael Di Jiacomo
Garo: Soukoku no Maryu (lit. Blue Cries of the Demon Dragon) is the second film to the Garo series. The film serves as an epilogue after Makai Senki and leads up to The One Who Shines in the Darkness. The story continues after the events of Makai Senki. Having made a contract with Gajari, Kouga Saejima honors his end of the deal by traveling to the Promised Land to retrieve a part of Gajari: the Fang of Sorrow. After Kouga defeated Sigma, Gajari transported him to the Promised Land, however, his quest had unexpected results.
Lovell Milo is a man who begins experiencing his life out of order; every day he wakes up at a different age, on a different day of his life, never knowing where or when he’s going to be once he falls asleep. He’s terrified and wants it to stop – until he notices a pattern in his experience, and works to uncover why this is happening to him – and what or who is behind it.
Years after Peter Pan and the Lost Boys have overthrown the pirates, Peter visits London to return Wendy to Neverland and is kidnapped by a mysterious Stranger residing in the decaying remains of the Darling House. Peter is forced to confront a harsh reality that challenges his innocence. East of Kensington takes a dark introspective look into JM Barrie’s classic story.
Follow the story of Jesus in this slapstick satire. With a name like “Jesus, the Total Douchebag” the movie should only be seen by people who enjoy blasphemous comedy, and as such, the comedy is focused on targets that are usually exempt. Director Bill Zebub explains, “Indie movies should revel in their freedom. They are not confined to the same boundaries as the big budget movies. They should give what Hollywood can’t.”
A young and inexperienced priest encourages a family to declare their long-missing son dead, but once they do, the boy mysteriously returns, testing the priest’s commitment to church doctrine over the laws of the natural world.
Jack and his pals are NYC bachelors in their super-late 30’s who have spent two decades chasing women and fleeing commitment. When a childhood friend’s sudden tragic marriage shakes up their world of sex and booze, Jack realizes he just may be ready to commit to the one woman hopelessly out of reach.
Marie is a Toronto police officer. One evening, her husband Joshua and their son Nicky are brutally murdered in their car. Marie quickly links Pablo Molina, an Argentinian drug trafficker who she’d arrested a few months earlier, with the crime. In despair, Marie heads to Argentina on the tracks of the killer. A journey of revenge and a journey to come to terms with her loss.
A journalist and his girlfriend get pulled in while they investigate a cult whose leader claims to be from the future.
After two years hiding out in his Grandfather’s retirement residence, Stock Burton is forced back into his small town where he must come to terms with the troubled past that led to his early retirement.
Sarah tells Paul that she wants out of their marriage; the next day she disappears. A year later and Paul along with their children return to his childhood town to start anew after the loss of his wife and their mother.
Locked up and isolated, constantly exposed and threatened to be killed, for the first time in his life Lazaro understood that he was a free man.
This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film’s mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions – instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.
Two misfit males, one man-child, one boy, find each other, building a small cabin in the woods to create a new life. Their daily struggle for survival creates a strong bond between them until the hut is destroyed and one of the boys carted off. The former psychiatric patient is told that his friend was just a figment of his imagination, but this provokes him to fight back and prove the boy’s existence.
Based on the best-selling religious studies book by Joseph Atwill, this documentary shows that Jesus is not a historical figure, the events of Jesus’ life were based on a Roman military campaign, his supposed second coming refers to an event that already occurred, and the Gospels were written by a family of Caesars who left us documents to prove it. Besides Atwill, six other controversial Bible scholars weigh in, showing that the teachings of Christ came from the ancient pagan mystery schools, and that Christianity was used as a political tool to control the masses of the day and is still being used this way today.
Life in a middle-class neighbourhood in present day Recife, Brazil, takes an unexpected turn after the arrival of an independent private security firm. The presence of these men brings a sense of safety and a good deal of anxiety to a culture which runs on fear. Meanwhile, Bia, married and mother of two, must find a way to deal with the constant barking and howling of her neighbour’s dog. A slice of ‘Braziliana’, a reflection on history, violence and noise.
Do You Like My Basement? tracks how one man’s creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath’s streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.
