A harsh dose of cinematic realism about a harsh time-the Bosnian War of the 1990s-Juanita Wilson’s drama is taken from true stories revealed during the International Criminal Tribunal in The Hague. Samira is a modern schoolteacher in Sarajevo who takes a job in a small country village just as the war is beginning to ramp up. When Serbian soldiers overrun the village, shoot the men and keep the women as laborers (the older ones) and sex objects (the younger ones), Samira is subjected to the basest form of treatment imaginable

Legendary music photographer Mick Rock is best known for his iconic photographs of David Bowie, Lou Reed, Iggy Pop, Queen, and countless others. In a documentary as rock-n-roll as its subject, Mick Rock guides us through his psychedelic, shambolic first-hand experiences as the visual record-keeper of these myths and legends.

Over the past 25 years, Lauren Greenfield’s documentary photography and film projects have explored youth culture, gender, body image, and affluence. In this fascinating meld of career retrospective and film essay, Greenfield offers a meditation on her extensive body of work, structuring it through the lens of materialism and its increasing sway on culture and society in America and throughout the world. Underscoring the ever-increasing gap between the haves and the have-nots, her portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.

A woman subject to mental, physical, and sexual abuse on a remote island seeks a way out.

In a dystopian future, citizens without jobs are sent away, never to be heard from again. Adam (Eric Kopatz), a laid off factory worker, answers an ad for a medical test experiment and unknowingly becomes the prime subject in a history altering transhumanism project.

Aspiring but less than ambitious photographer Nate clumsily navigates the New York City art world in a post-grad haze, waiting for his breakthrough project to fall into his lap. During a drug-fueled wormhole through the annals of YouTube, Nate discovers his next subjects when an arbitrary click lands him on a crude music video by the Young Torture Killaz—an Insane Clown Posse knock-off group of jaded Delaware teens with a lot to scream about—and the inspiration (and exploitation) flows

Gravity & Grace may be writer and critic Chris Kraus’ final and exuberant attempt at an artists’ career. Kraus is best known for her novels, (I Love Dick, Aliens & Anorexia, Torpor and most recently Summer of Hate), her art criticism (Video Green, Where Art Belongs), and her work in publishing subjective narratives through Semiotext(e)’s Native Agents Series, which she founded. Prior to writing, Kraus was an artist, actress and filmmaker. She made short, experimental, low-budget films, and one feature, Gravity & Grace; its failure on the market is chronicled in detail in her book Aliens & Anorexia.

Lying on the remote north west coast of England is one of the most secret places in the country – Sellafield, the most controversial nuclear facility in Britain. Now, Sellafield are letting nuclear physicist Professor Jim Al-Khalili and the television cameras in to discover the real story. Inside, Jim encounters some of the most dangerous substances on earth, reveals the nature of radiation and even attempts to split the atom. He sees inside a nuclear reactor, glimpses one of the rarest elements in the world – radioactive plutonium – and even subjects living tissue to deadly radiation. Ultimately, the film reveals Britain’s attempts – past, present and future – to harness the almost limitless power of the atom.

Is an Australian drama film directed by Alkinos Tsilimidos and released in 1994. Based on a play of the same name, written by Ray Mooney, the film details the early life of contract killer Christopher Dale Flannery and is set inside Melbourne’s HM Prison Pentridge’s maximum security H Division.[1] Filming was undertaken at HM Prison Geelong. Dale, a remandee, is awaiting a court hearing and yet to be sentenced, highlighting the horrific injustice of the repeated beatings he’s subjected to. Gradually Dale becomes indifferent to the bashings and horrors of prison life and develops an alternative, subversive way to exist and express his rage. As Dale walks defiantly from the prison in the last scene to be tried, the failure of the correctional system to produce docile, disciplined bodies pulls its last punch. Even if the system has enframed Dale he has maintained his sanity and his voice.

That’s Not Funny is an examination of the history of taboo subjects and controversy in comedy, and one comedy fan’s heartfelt and passionate defense of an art form.

This award winning documentary, narrated by Lou Reed, explores the breadth and depth of Occupy Wall Street and how it quickly grew from a small park in lower Manhattan to an international movement. The film highlights why people from diverse age, ethnic and financial backgrounds support the movement and its focus of removing money from politics in order to reclaim democracy from entrenched corporate interests so that critical issues including job creation, affordable access to health and education, protecting the environment and gun safety can be fully addressed. Featuring interviews with a wide range of subjects including Occupiers, economist Jeffrey Sachs and business magnate Russell Simmons.

Russell Carpenter reluctantly admits his wife Sadie into an experimental treatment facility for her life threatening disease. While locked in this prison like surrounding they, along with 6 others, are unknowingly subjected to a cure that might just be worse than the disease itself

Australia’s most popular comedian is back with his fourth show, A One Ended Stick, and it’s his best yet!! Filmed in front of a packed house at the beautiful Lyric Theatre in Brisbane. Come on a journey with Carl in this intimate 90 minute performance as he explores his favourite subject: everyday life. Half man, half child this is Carl doing what he does best – talking about the things we all relate to and making them very, very funny.

In 1984—before cell phones, the web, and reality TV, a young director set out to document a year in the life of a typical California high school. The result was “All American High”, an unusually honest and humorous look at 80’s teen life. Told through the eyes of a visiting foreign exchange student, the film presents an uncensored view of senior year in the era of big hair, punks and parachute pants. Thirty years after they lived it, some of the film’s original subjects return in new interviews, revisiting one of the most memorable chapters in their lives.

A comedy about a heavy subject.

Holly & Nathan Teller live in a small town in Pennsylvania. Holly is on the cheerleading team and has a close relationship with her younger brother Nathan, who is subjected to bullying at school. Nathan is taken for a car ride one day by the bullies, whose intent about what they are going to do with Nathan is not clear. He gives them the slip, but disappears and is still missing after three years.

Anna Kalman is an accomplished actress who has given up hope of finding the man of her dreams. She is in the middle of taking off her face cream, while talking about this subject with her sister, when in walks Philip Adams. She loses her concentration for a moment as she realizes that this is the charming, smart, and handsome man she has been waiting for.

It’s 2017 in Bisbee, Arizona, an old copper-mining town just miles from the Mexican border. The town’s close-knit community prepares to commemorate the 100th anniversary of Bisbee’s darkest hour: the infamous Bisbee Deportation of 1917, during which 1,200 striking miners were violently taken from their homes, banished to the middle of the desert, and left to die. Townspeople confront this violent, misunderstood past by staging dramatic recreations of the escalating strike. These dramatized scenes are based on subjective versions of the story and “directed,” in a sense, by residents with conflicting views of the event. Deeply personal segments torn from family history build toward a massive restaging of the deportation itself on the exact day of its 100th anniversary.

It’s London, 1892 and Defendant 47 is on trial but can’t remember who he is. He only can remember a few details, where he’s been lately and glimpses of the past. Defendant 47 slowly starts remembering that he’s mathematician who runs a photography studio. He now remembers that his preferred subject were children. Through them, he met Ellen Rhodes, the one who will only bring him to a dark end.