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A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy
The movie begins in the year 1995 where there were 5 peculiar murder cases. The murderer would always get someone close to the victim to witness how he would strangle the victim from behind with a rope but he would let the witnesses go and speak to the media on how the murders happened. Ito plays the role of Makimura, the police detective who was in charge of investigating the serial murders but failed to catch the cunning murderer and his respected superior ended up being killed as well. 22 years later in 2017 when the case is nearing its statute of limitations, a man named Sonezaki claims to be the culprit for the 1995 murders and even publishes a book titled “Watashi ga satsujinhan desu” to talk about the cases. Despite the disgust towards Sonezaki’s actions, the intensive attention showered on him via the media and SNS makes him become the talk of town.
Hard-nosed liberal lawyer Roman J. Israel has been fighting the good fight forever while others take the credit. When his partner – the firm’s frontman – has a heart attack, Israel suddenly takes on that role. He soon discovers some unsettling truths about the firm – truths that conflict with his values of helping the poor and dispossessed – and finds himself in an existential crisis that leads to extreme actions.
Thrown to rot in a narrow and gloomy cell of a hideous Soviet prison, a weary new inmate struggles to come to terms with the new reality. Within the grey cage, an unwelcoming fellow convict cautions the newcomer not to touch the intriguingly mysterious red wooden box which rests on the lower bunk, moreover, not even think of opening it. Why is there so much secrecy about the contents of the box? Could there be hiding the means to his escape?
An “Airplane!”-style spoof of hospital soap operas: a brilliant young trainee can’t stand the sight of blood; a doctor romances the head nurse in order to get the key to the drugs cabinet; there’s a mafioso on the loose disguised as a woman – in other words all the usual ingredients present and correct, though in this case the laughs are intentional.
Eric (Alex Fong Lik-Sun) and Cheun (Sammy) are two medical students who opt to rent a flat in a secluded housing estate, the reason being to concentrate on their upcoming exams. Their best intentions go south damn quick; first of all, Cheun wastes time and acts extremely annoying, thereby ruining any chance at serious study time. Second, there may be vampires in the building. Eric becomes slightly enamored of Jade (Miki Lee), a pretty young thing who lives in the building with her older sisters (Zuki Lee and Cynthia Ho). But after a series of weird noises and the appearance of a man bleeding from the neck, Eric thinks something may be up. He enlists the help of TV occult expert Mister M (Yuen Wah), who all but confirms Eric’s suspicions: the sisters are vampires. Worse, they must suck the life out of one good man to cure their aversion to daylight, and have ear-marked Eric as the designated “good man”.
When a bored millionaire (Steve Lund) is mistaken for a parking attendant by a beautiful girl (Siobhan Williams) who is protesting against his family’s intention of closing a local park, he uses the misunderstanding to get to know her better.
14,000 year-old “Man from Earth” John Oldman, now teaching in northern California, realizes that not only is he finally starting to age, but four students have discovered his deepest secret, putting his life in grave danger and potentially destroying the world’s most popular religion.
It’s a dreary Christmas 1944 for the American POWs in Stalag 17. For the men in Barracks 4, all sergeants, have to deal with a grave problem – there seems to be a security leak. The Germans always seem to be forewarned about escapes and in the most recent attempt the two men, Manfredi and Johnson, walked straight into a trap and were killed. For some in Barracks 4, especially the loud-mouthed Duke, the leaker is obvious: J.J. Sefton, a wheeler-dealer who doesn’t hesitate to trade with the guards and who has acquired goods and privileges that no other prisoner seems to have. Sefton denies giving the Germans any information and makes it quite clear that he has no intention of ever trying to escape. He plans to ride out the war in what little comfort he can arrange, but it doesn’t extend to spying for the Germans.
Two convicts, held in an orbiting detention facility above a post-apocalyptic earth, are hired by mega-corporation Hunsinger to perform a risky salvage mission down on the planet. They land, and work their way into a gigantic underground industrial complex, following a map to their ultimate destination, to retrieve and salvage… the item. Being prisoners, they are given little info, and are given credit toward early release as payment. They get more than they expected, and things go from bad to evil.
Alice is a sailor. While her partner Félix waits for her on land, she sets off as second mechanic on the Fidelio, an old freighter. On board, she discovers not only that her predecessor has just died, but also that the skipper is none other than the first great love of her life. Alice finds a notebook in her cabin, apparently that of the former mechanic, and on reading its contents – accounts of mechanical problems, sexual conquests and lovelorn emotions – finds, oddly, that they mirror her own concerns. As they make stops at various ports, dealing with life aboard alongside an all-male crew and the swell and pitch of her romantic feelings, the young woman tries to stay on course.
On a weekend getaway at a rundown cabin in the woods, Jason, a cautious teen, his crude best friend Colin and his fearless older sister Summer are forced to work together, grow up and save their hard-partying parents from their predatory neighbor intent on feeding them all to her undead family.
For the last two years, Fairclough and Porter have traveled to every inhabited continent on the planet with a simple goal: to show the world a new vision of mountain biking. Joined on this quest by a collection of the most progressive and influential riders that this generation of mountain biking has to offer, Fairclough and Porter have embarked on an all-out assault on the bleeding edge of the sport’s limits. DEATHGRIP is a relentless mission to challenge the limits of creativity, technology, and the human potential. DEATHGRIP is a creative oasis for Fairclough and Porter – a place where the raw expression of Fairclough’s riding ability is captured with the most progressive filmmaking technology against the backdrop of the most visually engaging locations in the world. The future is now. #DEATHGRIPMOVIE
Jimmy is a committed child psychologist who uses his own playbook, but when he is brought in to work with Ellie, he is completely unprepared for his subject – a 9-year-old psychopathic genius with nothing to lose. As he begins to understand the extent of her capabilities and the fate that has been planned for her, he struggles to overcome her defenses before it is too late for them both.
The story follows a brilliant engineer whose breakthrough design is stolen and patented by a colleague. When the colleague is found murdered, she becomes the prime suspect.
Up until now, marriage has been smooth sailing for Jennifer Jones. But after suffering a miscarriage, she begins to question her happiness and whether the spark in her marriage has dimmed. She shrugs it off as just being the 7-year itch and gives her husband, Freddy, who is content in their relationship, the benefit of the doubt. Things take an unexpected turn when Jennifer catches Freddy in a few unassuming lies. And when a sudden accident throws Freddy into a coma, Jennifer is left to pick up the pieces and reconcile everything for herself. With Freddy in hospital, a larger story begins to unfold – something that might just be Jennifer’s worst nightmare – prompting her to question if she ever really knew the man she was married to.
THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.
This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather — without snow. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see — as the outcome of their wait — the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighboring settlings, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs — the appearance of the foreigners, the extreme frost — disturbs the order of the small town. Ambitious personages of the story feel they can take advantage of this situation. The tension growing to the unbearable is brought to explosion by the figure of the Prince, who is pretending facelessness. Even his mere appearance is enough to break loose destructive emotions…
Set over three summers at The Westival, a fictional West Australian rural folk festival redoubtable local radio personality ‘Queenie’ describes as “Australia in a tent”. Two young musicians fall in love against a wider collection of tales dealing with a microcosm of contemporary discussion points, including Indigenous, immigration and refugee issues.
A revolution is taking place in the art world and it isn’t happening in Paris, Berlin or Hong Kong—but in Grand Rapids, Michigan. ArtPrize is the most highly attended art show in the world, and it awards cash prizes larger than all other competitions combined. International critics and general crowds pack bars, galleries and abandoned buildings all over town, taking in over 1,500 works from cerebral conceptualists and weekend hobbyists. An acclaimed jury awards a winner $200,000 and the ballot-carrying public does the same. Nimble cameras follow four artists, each vying not only for critical recognition but for every public vote they can drum up. Part classy game show, part engaging art exploration, More Art Upstairs captures the debates ArtPrize has intentionally (or inadvertently?) triggered: Can culture be democratized? Do artists need or want to connect with audiences? And is the canonical art establishment on its way out? (Myrocia Watamaniuk)
American retired Judge Randall Nemes and his hired gun, Gaspar, track down a con man posing as a priest in a small Colombian town only to be thrown off-course by a scrappy 16-year-old girl intent on reuniting with her sister in the United States.
At the Palacio, an all-inclusive resort in the carribean, Mike’s arrival complicates the normal flow of operations. His voracious appetite, mysterious magnetism and unexpected miracles bring him the curious, among which he makes three friends and meeets a few admirers, a jealous salsa teacher and an enamored octopus. All of whom will accompany him in a gargantuan downward spiral mixing civil unrest and intestinal meltdown; a change of administration held up by the most attentive staff in the world.
Del is alone in the world. After the human race is wiped out, he lives in his small, empty town, content in his solitude and the utopia he’s methodically created for himself — until he is discovered by Grace, an interloper whose history and motives are obscure. And to make matters worse, she wants to stay.
Orson Welles’s “Mr. Arkadin” tells the story of an elusive billionaire who hires an American smuggler to investigate his past. Welles missed the editing deadline, so the producer handed over the editing to others. Following two Spanish-dubbed versions, released in Madrid in March 1955, the first English-language version was released in London in August 1955 as “Confidential Report” but was never released in the US. The fourth version, called “the Corinth version”, was discovered in 1961 and was released in the US in 1962. Finally, in 2006, “the Criterion edit” was released; likely to remain the one closest to Welles’ intentions.
When a terrorist’s body, infected with a stolen chemical, is recovered by the US military, the corpse is cremated, unintentionally releasing the virus/bacteria into the atmosphere over a small island. Soon the infected populace mutate into flesh-hungry zombies, and a trio of soldiers on leave must team up with a group of tourists and board themselves up in an abandoned hotel as they try to fend off the agile and aggressive living dead.
Having spent 10 years in prison for nationalist activities, Shack Twala is finally ordered released by the South African Supreme Court but he finds himself almost immediately on the run after a run-in with the police. Assisted by his lawyer Rina Van Niekirk and visiting British engineer Jim Keogh, he heads for Capetown where he hopes to recover a stash of diamonds, meant to finance revolutionary activities, that he had entrusted to a dentist before his incarceration. Along the way, they are followed by Major Horn of the South African State security bureau and it becomes apparent that he has no intention of arresting them until they reach their final destination
Nester Patou, a naive police officer, is transferred to the red light district in Paris and organizes a raid on a dodgy hotel running as a brothel – inadvertently disrupting the corrupt system of the police and the pimps union, and netting his station superior. Fired from his job, Nester goes to the local bar for a drink and befriends a pretty young lady named Irma la Douce. Upon realizing she is a prostitute, Nester invents a crazy scheme to keep her from seeing other men.
The true story of four men who narrowly escaped death at the hands of Argentina’s military death squads during the 1970s is brought to the screen in this thriller. In 1977, Claudio Tamburrini (Rodrigo de la Serna) was a goalie for a minor-league football team when he was abducted by members of the Argentine military police and taken to an unofficial detention center on the false suspicion that he was a terrorist. Over 30,000 people lost their lives at the hands of Argentinean authorities under the military junta that ruled the country between 1976 and 1983, and as he was tortured by intelligence agents looking for information he didn’t have, Tamburrini fully expected to become another victim. After many sessions of brutal torture, Tamburrini and his fellow captives Guillermo (Nazareno Casero) and Tano (Martin Urruty) were being readied for execution when, in a final desperate act, Tamburrini dove out a window during a rainstorm.
Beautifully constructed, 1001 Nights stays true to the lush and mysterious backdrop of the well known and age old story. Tezuka remolds the story into an escapist fantasy where a 60s-era working man is transported back to an era of entirely fictitious Arabian details. Seemingly at odds with itself, 1001 Nights consistently unfolds in a way that combines Playboy graphics, Arabian rug design and traditional Japanese scroll paintings. Sound like a strange mix? You bet and along the way we experience some of the great cultural juxtapositions that makes Tezuka the unpredictable style it is. Source: MAL
A father must protect his son from government agents after the troubled adolescent correctly predicts three inexplicable events of potentially apocalyptic import.
A young immigrant is shot down while illegally crossing the border. Terrified and in shock, wounded Aryan can now mysteriously levitate at will. Thrown into a refugee camp, he is smuggled out by Dr Stern, intent on exploiting his extraordinary secret. Pursued by enraged camp director Laszlo, the fugitives remain on the move in search of safety and money. Inspired by Aryan’s amazing powers, Stern takes a leap of faith in a world where miracles are trafficked for small change…
Cameramen and women discuss the craft and art of cinematography and of the “DP” (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
On a summer day, a man, his daughter and his companion arrive at their country house to spend the weekend. The daughter has just moved in with her father, whose attention she desires. The man is tired of his life, and does not know where to find the strength to carry on living. The woman, a violinist, is confused in her priorities – music, love or career. Despite the fact that the man and the woman love each other, their tense relationship is on the brink of collapse.
The DigiDestined inaugurate their newest members, Meiko Mochizuki and Meicoomon, with a trip to a nearby hot spring. Meanwhile, Joe is becoming more distant, struggling to balance his duty as a DigiDestined and the competitive world of academics. As the damage caused by Alphamon is slowly repaired, another infected Digimon, Ogremon, suddenly appears, and although they only have good intentions, the decisions the DigiDestined make now will have unforeseen consequences.
The Thread is a groundbreaking documentary that exposes the undeniable impact amateur internet writers are having on journalism today. Following the 2013 Boston Marathon bombing, amateur internet sleuths took to Twitter and Reddit, intent on identifying the individuals responsible. The ensuing investigation led to an innocent young man being charged with the crime, thus changing the face of journalism forever. Directed by Greg Barker (Manhunt) and executive produced by Emmy Award-winning producer Jonathan Chinn (American High) and Academy Award-winning producer Simon Chinn (Man on Wire).
Pixel Veil presents “The Alchemist’s Letter,” a richly inventive and visually stunning dark fairly tale. When Veridian, an estranged young man, receives his late alchemist father Nicolas’ inheritance (voice of Academy Award® nominated John Hurt), he is exposed to the ill-fated reality that his father built a tumultuous gold making machine powered by his own memories. The film takes us on an enchanted journey through the vessels of the machine where we explore the contents of the alchemist’s most precious memories, all in an attempt to give his son one last life lesson and save his relationship with his daughter (voice of Eloise Webb) from following down the same fateful path.
Life on Earth is an eternal mystery, and some say it’s beyond our grasp. While some are content to live an ordinary life, others cannot accept the notion of death and will do anything to prevent their demise. Retired Lt. Arland Frye is a man who has had terrifying experiences and seen life changing horrors that led him on a dark journey into the unknown. Experimenting with Brujo magic and the occult, Lt. Frye is now on his deathbed and crosses over into another realm where the dance between life and death is a hallucinatory experience not just for him, but for those he chooses to take with him.
Auschwitz-Birkenau was designed to kill. Four gas chambers murdered thousands at a time, belching out smoke and human ashes. Starvation, thirst, disease, and hard labor reduced the average lifespan to less than three months. More than 1-million people perished in the largest German Nazi concentration and extermination camp. Seventy years after her liberation, Kitty Hart-Moxon makes a final return to Auschwitz-Birkenau to walk among the crumbling memorial with students Natalia and Lydia, who, at 16, are the same age now as she was then. As Kitty tells them her story of daily existence, themes begin to emerge: the ever-present threat of death, resilience, friendship, human strength, resisting the Nazis’ constant lethal intent, and living like an animal while still remaining human. Natalia and Lydia ask questions; Kitty provides answers, passing her legacy to the next generation.
From the onset of the AIDS epidemic, author Larry Kramer emerged as a fiery activist, an Old Testament-style prophet full of righteous fury who denounced both the willful inaction of the government and the refusal of the gay community to curb potentially risky behaviors. Co-founder of both the service organization Gay Men’s Health Crisis and the direct action protest group ACT UP, Kramer was vilified by some who saw his criticism to be an expression of self-hatred, while lionized by others who credit him with waking up the gay community — and, eventually, the government and medical establishment — to the devastation of the disease.
