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Once an architect, Frank Bannister now passes himself off as an exorcist of evil spirits. To bolster his facade, he claims his “special” gift is the result of a car accident that killed his wife. But what he does not count on is more people dying in the small town where he lives. As he tries to piece together the supernatural mystery of these killings, he falls in love with the wife of one of the victims and deals with a crazy FBI agent.
After completing his training of ninjutsu within Japan, an American Vietnam veteran by the name of Cole (Franco Nero) visits his war buddy Frank Landers (Alex Courtney) and his newly wed wife Mary Ann Landers (Susan George), who are the owners of a large piece of farming land in the Philippines. Cole soon finds that the Landers are being repeatedly harassed by a CEO named Charles Venarius.
The setting is Camp Firewood, the year 1981. It’s the last day before everyone goes back to the real world, but there’s still a summer’s worth of unfinished business to resolve. At the center of the action is camp director Beth, who struggles to keep order while she falls in love with the local astrophysics professor. He is busy trying to save the camp from a deadly piece of NASA’s Skylab which is hurtling toward earth. All that, plus: a dangerous waterfall rescue, love triangles, misfits, cool kids, and talking vegetable cans. The questions will all be resolved, of course, at the big talent show at the end of the day.
2AM, closing time: A cocky bar manager with a shady past and a young handsome bartender discover a beautiful woman bloodied and unconscious in the bathroom of a late night lounge. When she awakens, Tony, Matt and the mysterious Rose are plunged into a stirring evening of dangerous role playing in an ever-escalating game of cat and mouse that forces them to face the dark shadows of themselves. As we begin to piece together the elaborate puzzle, nothing is what it seems. However, one thing is for certain: this Rose is full of thorns.
After being evicted from their Manhattan apartment, a couple buys what looks like the home of their dreams – only to find themselves saddled with a bank-account-draining nightmare. Struggling to keep their relationship together as their rambling mansion falls to pieces around them, the two watch in hilarious horror as everything – including the kitchen sink – disappears into the ‘Money Pit’.
An adventure film about a film crew in search of a monster on a remote island. The crew finds King Kong and decides to take him back to New York as a money making spectacle. The film is a masterpiece of Stop-Motion in filmmaking history and inspired a line of King Kong films.
Thirty-one twisted tales made from a collective of genre loving filmmakers, Fun Size Horror: Volume One aims to chill and delight horror fans. From classic slashers and creature features, to horror-comedy and hauntings all made into bite size pieces. Like a bag of Halloween candy after a night of trick or treating, Fun Size Horror: Volume One is filled with the unexpected and not without the threat of the occasional razor blade. Which leaves only one question: Trick or treat?
A vivid, dynamic Southern coming-of-age drama, takes place in the transitional space between high school and college, when life seems to be all questions and no answers, and the future is scarily wide open. Set in and around a Charleston, SC Baptist church, weaving through this ensemble piece are three main characters – Brea, an introspective pastor’s daughter experiencing debilitating doubt, the hyperactive Laura, Brea’s best friend and a devout believer, and Tim, the open-hearted son of a single father, confronting his homosexuality for the first time. Tensions and buried feelings abound, as colleges are chosen and adults behave badly, as Brea, Laura and Tim attempt to hang onto what they have, all the while yearning to break free.
Told from the female perspective, the story of a couple trying to reclaim the life and love they once knew and pick up the pieces of a past that may be too far gone.
Brad has committed murder and barricaded himself inside his house. With the help of his friends and neighbours, the cops piece together the strange tale of how this nice young man arrived at such a dark place.
An advice columnist, Andie Anderson (Kate Hudson), tries pushing the boundaries of what she can write about in her new piece about how to get a man to leave you in 10 days. Her editor, Lana (Bebe Neuwirth), loves it, and Andie goes off to find a man she can use for the experiment. Enter executive Ben Berry (Matthew McConaughey), who is so confident in his romantic prowess that he thinks he can make any woman fall in love with him in 10 days. When Andie and Ben meet, their plans backfire.
Following in the footsteps of her late fiancée, who drowned under mysterious circumstances, Rebecca (played by Katie Savoy) and her film crew are in China making a documentary about the Chinese Ghost Festival. There, she learns of a story about a concubine Chan Ju Chi who is violently murdered and thrown into a well by the head concubine Ping Wei (Played by JuJu Chan) within the secret grounds of a palace. Legend has it that the Chan Ju Chi has risen to become a “jiangshi”, killing innocent people in the hope of taking over their bodies. Things take a turn when a worker is attacked in a decrepit well within an old palace. Rebecca tries to piece together the mystery behind the legend as one by one the people she knows are gruesomely murdered.
A group of grad students have booked passage on the fishing trawler Harbinger to study the effects of global warming on a pod of Orcas in the Bering Sea. When the ship’s crew dredges up a recently thawed piece of old Soviet space wreckage, things get downright deadly. It seems that the Russians experimented with tardigrades, tiny resilient animals able to withstand the extremes of space radiation. The creatures survived, but not without mutation. Now the crew is exposed to aggressively mutating organisms. And after being locked in ice for 3 decades, the creatures aren’t about to give up the warmth of human companionship.
Grief? Depression? Ambiguity in a Paris hotel room. Jack Whitman lies on a bed, ordering a grilled cheese sandwich from room service. His phone rings; it’s a woman on her way to see him, a surprise. He readies the room, moving without affect, drawing a bath, changing his clothes. She arrives, as does the food, and the complications of their relationship emerge in bits and pieces. He invites her out on the balcony to see his view. Will they make love? Is the relationship over?
Edgar Allan Poe’s macabre masterpiece of murder and madness, re-imagined as a modern day revenge thriller.
The film shadows Justin Peck, wunderkind choreographer of the New York City Ballet, as he undertakes the Herculean task of creating the company’s 422nd original piece. Following the creative process from its embryonic stages to its highly anticipated premiere, BALLET 422 is a powerful celebration of the skill and endurance of New York’s most talented dancers—as well as those who remain hidden in the wings.
17 year-old Ree Dolly sets out to track down her father, who put their house up for his bail bond and then disappeared. If she fails, Ree and her family will be turned out into the Ozark woods. Challenging her outlaw kin’s code of silence and risking her life, Ree hacks through the lies, evasions and threats offered up by her relatives and begins to piece together the truth.
After retrieving the Crystal Skull in Utah, Flynn Carsen receives a map in the mail with the secret location of King Solomon’s Mines. When the scroll is stolen, Judson explains the power of the Key of Solomon’s book and assigns Flynn to retrieve the map. The map is useless without the legend piece to decipher it, which is located in Volubilis near the Roman ruins in Morocco. Flynn heads to Casablanca to the ruins where he is chased by a group of mercenaries leaded by General Samir. They too want to find the location of King Solomon’s mines. Flynn teams-up with Professor Emily Davenport working in the dig and they escape from General Samir and his men. While traveling to Gedi, they save the local Jomo from death and the trio faces a dangerous journey through the wild Africa.
A veritable chameleon, investigative reporter Irwin “Fletch” Fletcher might drive his editor up the wall, but he always produces great pieces for the newspaper. When his next story is about the drug trade taking place on the beach, Fletch goes undercover as a homeless man. Unaware of Fletch’s true identity, businessman Alan Stanwyk offers Fletch $50,000 to kill him. Intrigued, Fletch decides to unearth the full story behind the offer.
A high school nerd, Jerry Mitchell (Siemaszko) is assigned to write a piece for the school paper about new boy Buddy Revell (Tyson), who is rumored to be a psychopathic nutcase. When Jerry accidentally touches Buddy, he says that they must fight in the parking lot at 3pm. Jerry will just about do anything to avoid the confrontation
Silent film master D.W. Griffith’s first talkie works as a companion piece to his classic BIRTH OF A NATION, providing a detailed biographical sketch of the 16th president. We see his birth in a log cabin, the tragic death of his first love, Ann Rutledge (Una Merkel), his debates with Douglas, his accepting of the presidency, the terrible toll of the Civil War, and finally the tragic assassination at Ford’s Theater. Griffith shows his usual meticulous attention to period detail, and the framing of the various vignettes has the feel of historical photographs come to life. Walter Huston is excellent in the title role, with a portrayal that subtly evolves from laconic, wizened rascal to noble elder statesman. This is a fascinating, worthy film, and an interesting historical document in and of itself.
Three stories happening in New York. The first, by Scorsese, is about a painter who creates his works helped by high volume music and an attractive assistant; second, by Coppola, is about a rich and bold 12 years old who helps her separated parents to reconciliate; third, by Allen, is a witty piece of comedy about the impossibility of getting rid of the son’s role.
US Army sergeant Cody Cullen’s horror tour in Afghanistan ends when his mate Jonesy is blown to pieces while they deliver medical supplies in Nurestan. Cody is sent home to return private possessions to Jonesy’s bride turned widow. On his way home he passes Nevada City, California, where he meets Faith Spelman, who writes the parish’s Christmas cards to lonely soldiers, coincidentally including him, an orphan. He happens to save her dad Luke from a serious car run-over. The Spellmans invite Cody home for dinner, then the Christmas tide. He proves a great help in the family logging firm. Vietenam vet Luke wants Cody as son-in-law, but although charmed, Faith still seems committed to rarely present fiancé Paul, a wine broker.
As Abraham Lincoln labors over the Gettysburg address, the importance of which he is fully aware, he learns that a menace from his past has returned, threatening to tear the already fractured nation to pieces. He must journey behind enemy lines to face an foe far more fearsome than the Confederate army: the walking dead.
We live at a moment in time when the Israeli-Palestinian conflict, now more than a century old, continues to be of overwhelming international political and societal importance. From its inception, that conflict has also, of course, had powerful and deeply troubling consequences for Israelis and Palestinians themselves. The story at its most basic level is one that involves two peoples struggling for national recognition and expression in a small but richly significant piece of land. The tragedy of this history, as both the Israeli novelist, Amos Oz, and the Palestinian scholar, Sari Nusseibeh, have each pointed out, stems from a conflict between the rights of two peoples with equal and legitimate aspirations to nationhood and self-expression in a single small territory to which they can both lay claim.
A police officer suspended and now accused of murder is forced to join forces with his court-appointed attorney to assemble the pieces of a deadly puzzle to find the missing link before time runs out.
Our RoboCop Remake is a crowd-sourced film project based on the 1987 Paul Verhoeven classic. Organized through Channel 101 and a bunch of other places, we’re 50 filmmakers (amateur and professional) from Los Angeles and New York who have split the original RoboCop up into individual pieces and have remade the movie ourselves. Not necessarily a shot-for-shot remake, but a scene-for-scene retelling. As big fans of the original RoboCop, and as filmmakers and film fans admittedly rolling our eyes at the Hollywood remake machine, we’ve elected to do this remake thing our own way.
Meet Morgan. At first glance, she’s just your average cleaning lady. She has no problem getting her hands dirty, which is a good thing considering it’s not fancy houses she cleans for a living – it’s gruesome crime scenes. It’s at one of these scenes that Morgan discovers a key piece of evidence overlooked by the forensics team. This, and her knack for reading blood splatter, catch Nick’s attention, a newbie detective working the case. The pair soon become unofficial partners on what’s become a stream of related murders and the closer they get to solving the mystery the closer they get to each other. But while they succeed in getting a confession from their primary suspect, their feelings for each other risk blinding them to the truth and they find themselves dangerously close to the real killer.
Following a worldwide event known as The Reset, humanity rebuilds a society with aging mechanics where gleaming technology once stood. Surveillance now the status quo, society is slowly putting its shattered pieces back together under a watchful eye. After a friend’s suicide leaves behind a mysterious computer drive, a young computer prodigy and a shadowy hacker join together to decipher the clues that he’s left behind. The youthful creators of Jackrabbit have successfully constructed a world, which we haven’t previously seen on film. Mixing retro production design with slick storytelling, they deliver a cinematic dissonance that will result in a shock to the senses.
Phil and his misfit friends score big when they are invited to the party of the century at Bob’s house. Known for throwing the craziest drug, sex and booze filled parties, this was sure to be a night to remember. The only problem is that they can’t remember a thing. When Phil wakes up realizing that his girlfriend is only hours from knocking on his door, he decides to enlist the help of his friends to try to piece together what was obviously a night worth remembering.
Preparing to sprinkle fairy dust across America, NBC presents a bold new LIVE television production of the classic Broadway musical that will gather friends, families and anyone who refuses to ever grow up. Following in the footsteps of the phenomenally successful The Sound of Music LIVE! – which drew over 18 million viewers – comes this musical masterpiece that tells the beloved story of Peter Pan, the mischievous little boy who ran away to Neverland. Get ready for show-stopping stars, stunning costumes, extravagant sets and delightful music that will have everyone in your home singing along. From Executive Producers Craig Zadan and Neil Meron comes a soaring holiday event guaranteed to take viewers on a magical and musical journey to the second star to the right.
Successful movie director John L. Sullivan, convinced he won’t be able to film his ambitious masterpiece until he has suffered, dons a hobo disguise and sets off on a journey, aiming to “know trouble” first-hand. When all he finds is a train ride back to Hollywood and a beautiful blonde companion, he redoubles his efforts, managing to land himself in more trouble than he bargained for when he loses his memory and ends up a prisoner on a chain gang.
After a collision with a comet, a nearly 8km wide piece of the asteroid “Orpheus” is heading towards Earth. If it will hit it will cause a incredible catastrophe which will probably extinguish mankind. To stop the meteor NASA wants to use the illegal nuclear weapon satellite “Hercules” but discovers soon that it doesn’t have enough fire power. Their only chance to save the world is to join forces with the USSR who have also launched such an illegal satellite. But will both governments agree?
Looking for any way to get away from the life and town he was born into, Tripp, a high school senior, builds a Monster Truck from bits and pieces of scrapped cars. After an accident at a nearby oil-drilling site displaces a strange and subterranean creature with a taste and a talent for speed, Tripp may have just found the key to getting out of town and a most unlikely friend.
After going broke, Gwen Stevens is forced to return to her abandoned childhood home hoping to pick up the pieces of her life. Among the relics and memories of her past, she discovers someone is living in the house and they don’t want to leave. In the New Mexico desert, miles from safety, Gwen must fight to protect the only thing she has left. Her life.
The successful artist and playboy Juan is a notorious seducer of women, through his ability to be just what a woman dreams of: Charming, charismatic, strong, sensitive, sexual. Driven by a restless urge to conquer new women, use them, and throw them away, he has hired his friend Leporello to help create a masterpiece: A filmed database of all the women whose dreams Juan has shattered. We follow Juan and Leporello through 24 compressed hours. Juan seduces the young upper-class girl Anna, but ends up accidentally killing her father, a powerful police commissioner. The two friends run away, but Juan’s constant need to seduce new women keeps interrupting their flight. As the police gains in on them, Juan also steals the young bride Zerlina from her groom Masetto, and soon a feverish manhunt is on for Juan.
In ancient Egypt, Isis and Osiris ruled the land. All were happy for the couple except one, Set, a jealous man who killed Osiris in order to take over his kingdom. Isis snuck into Osiris’ tomb and tried to raise him from the dead using her black magic. Set caught Isis in the act and had Osiris cut to pieces, with each piece buried in a different part of the land, so Isis could never again raise her husband. Isis vowed to avenge Osiris’ death and return with him to rule over all the worlds. Now, six college students take their last course in archeology in anticipation for graduation. Their last assignment is to uncover and document the museum’s new acquisitions with their teacher, Prof. Shields and world-renowned Egyptologist Dr. Nasir. During the night they haphazardly awaken the ancient spirit of Isis’ lost soul and her wrath is unleashed on the group.
Five suspects holding a piece of the truth behind an unsolved crime.
As war looms on the horizon, a hopeful ingenue (Zoe Tapper) finds herself caught between the warring affections of a playwright (David Leon) and a director (Andrew Lincoln) in 1930s London. Director Julia Taylor-Stanley’s heartwarming ensemble piece features zesty performances by Anjelica Huston as an eccentric investor, Mark Umbers as a vain matinee idol, and Terence Stamp as a tart butler. And don’t miss the immortal Lauren Bacall in a small role.
