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Yorkshire, 1978. A mother, father and their three year old son are brutally stabbed to death while they sleep. There is no motive. They were a model family. The nation is outraged by the senseless killings. Incredibly, the British public are overwhelmingly in favour of bringing back the death penalty to see justice carried out. Even more incredibly the killer, who is caught red-handed trying to drag the father’s body out of the house, manages to hide the three year old’s body in a place where the investigators, the police and even their dog teams would never find it. For months all the nation can talk about is the “Kid Killer” but, and this is the most incredible fact of all, not because he cold-bloodedly stabbed to death a three year old, his mother and his father, but because these innocent victims were also his family. The “Kid Killer” was their twelve year old son William.
A man rescues a woman from a suicide attempt in a gay nightclub. Walking the streets together, she propositions him: She’ll pay him to visit her at her isolated house for four consecutive nights. There he will silently watch her. He’s reluctant, but agrees. As the four nights progress, they become more intimate with each other, and a mutual fascination/revulsion develops. By the end of the four-day “contract”, these two total strangers will have had a profound impact on each other.
Four teenagers on a road trip decide to take a detour and find them selves at at haunted house halloween scream park deep in the woods of southern Kentucky. After witnessing an assortment of torture and gore. they start wondering if what they are experiencing is not a little too realistic. Before they know it each one of hem is captured and made part of the horrific attraction they originally thought was all fun and games.
Miguel is the perfect coyote: dedicated, single-minded, his record unblemished. His home is the winding path of the migrant: the back alley gravel, the crumbled pavement, and last – the river. Despite this perfect record, Miguel is no stranger to death. His nickname, “El Maldito” hints of what we will soon see for ourselves, for Miguel seems haunted by the dead and dying. He comes upon them on desert roads; he hears their confessions, and takes part in their dying wishes. Miguel’s house, much like the man himself, stands alone; yellowed photographs breathe the sigh of a life given over to a singular purpose – crossing his people to a new life. There are signs that this quiet struggle is soon to break. When a terrible wreck draws Miguel to the roadside, the order of his life comes to ruin, for Elena, the wreck’s lone survivor, recognizes Miguel.
A group of unsuspecting college students explore a haunted house and get more than they bargained for when the frenzy of the paranormal world reveals itself in Legend of the Naked Ghost. Come, take the ultimate sensually scary journey into the unknown as three young couples embark on a ‘ghost-hunting’ field trip to the abandoned mansion of the late tinsel-town actress, Gail Evelyn.
It is Christmas Eve, and a clumsy elf accidentally shrinks down two cousins into miniature sizes! The kids are then scooped up into Santa’s sack and dropped off across the street at their neighbour’s house. In order to make it home for Christmas (just one house away!), the tiny kids must comically work together and overcome holiday hazards to set themselves right and make Christmas magic happen! But, will the tiny kids get home on time?
Adding a little spice to a waning marriage, Anne and Bob, a wealthy and well-connected American couple, move into a manor house in romantic Paris. While preparing a particularly luxurious dinner for sophisticated international friends, our hostess discovers there are 13 guests. Panic-stricken, Anne insists her loyal maid Maria disguise herself as a mysterious Spanish noble woman to even out the numbers. But a little too much wine and some playful chat lead Maria to accidentally endear herself to a dandy British art broker. Their budding romance will have Anne chasing her maid around Paris and finally plotting to destroy this most unexpected and joyous love affair.
The story of four characters whose lives intertwine amid the hustle and bustle of the Coney Island amusement park in the 1950s: Ginny, an emotionally volatile former actress now working as a waitress in a clam house; Humpty, Ginny’s rough-hewn carousel operator husband; Mickey, a handsome young lifeguard who dreams of becoming a playwright; and Carolina, Humpty’s long-estranged daughter, who is now hiding out from gangsters at her father’s apartment.
The New Wave of French horror cinema has arrived and at its vanguard is 14 year-old director Nathan Ambrosioni. Meredith Langston always longed to have children. She finally makes this happen when she adopts two young adolescent girls. However, her now idyllic world sours rapidly and dream veers to nightmare when she quickly finds that she is unable to cope with their increasingly strange behaviour. Desperate, she seeks the help of two journalists working for a local TV programme ‘SOS Adoption’. Unfortunately it is all for nothing, especially when the reporters discover that there is another presence in the house.
Four small gangsters from Copenhagen trick a gangster boss: they take over 4,000,000 kroner which they were supposed to bring him. Trying to escape to Barcelona they are forced to stop in the countryside, in an old, wrecked house, hiding there for several weeks. Slowly, one after another, they realize, that they would like to stay there, start a new life.
Neil is a painter and graphic designer. On a morning just like any other morning his girlfriend Amanda leaves him and moves out of their house (don’t worry, it’s a rental.) That morning Neil tries to cope as best he knows how, but in a strange turn of events he ends up shooting back a glass of bleach. He wakes up to suicide watch and court appointed therapy as well as the empty void Amanda left. Now Neil has to decide what he can do to feel better about himself. Should he get Amanda back? Make his old friends like him again? Confront his estranged father? Eat a ton of Chinese food? Or maybe he should just finish his latest goddamned painting. Will he figure it out? Well you better hope so.
Four models go on a photo shoot at an abandoned house previously belonging to the infamous Kandie family. Little do they know that Jonah Kandie still lurks there, seeking revenge on anyone that comes near after being scarred beyond recognition by his father as a young boy. One by one, the models soon become the victims of the vicious killer’s merciless hatred for all things beautiful.
After a toxic spill creates an infectious outbreak, causing people to be filled with rage and turning to cannibalism, four survivors converge upon a house nestled deep in the woods. Together, they must try to survive the madness happening outside, the uncertainty and each other. As things become more grim, hope fades and supplies run low, people’s true selves begin to show. The four must try to survive the monsters outside and within.
Having just been fired and dumped by his wife, life couldn’t possibly be worse for independent artist GORDON HAUGE (Mark Redfield)–until he wrecks his car and finds himself in purgatory that is. Once there, he is attacked by fanatic Shadowmen and legions of Ragmen–souls being enslaved and bent to some dark purpose. Gordon is rescued by an eccentric band of freedom fighters, people from different times of history who lost their lives in noble sacrifice. They recruit the reluctant and befuddled Gordon and set off on a wild adventure through the surreal landscapes of purgatory to battle the Despiser–an evil being who now reigns in this seemingly God-abandoned halfway house north of hell and south of heaven. Dealing with shifting reality, annoying monsters, armies of Ragmen and hair-raising car chases across bridges spanning oceans of lava our heroes battle their way to the dark macabre fortress of the Despiser. Written by Philip Cook [email protected]
All seems normal with Joseph and Joanne. Joanne is pregnant with their first child. Life in their little urban house is cozy and familiar. But something is off about Joseph. He doesn’t seem excited about the baby. Work on his documentary is becoming increasingly untethered. As Joseph struggles to maintain the routines of his domestic life, his mask begins to slip. Late at night, while Joanne thinks he is working, Joseph prowls the streets of Los Angeles, deliberately courting danger. Joanne is growing worried about Joseph’s odd behavior. But not as worried as she should be.
Shaun Russell takes her son and daughter on a weekend getaway to her late father’s secluded, high-tech vacation home in the countryside. The family soon gets an unwelcome surprise when four men break into the house to find hidden money. After managing to escape, Shaun must now figure out a way to turn the tables on the desperate thieves and save her captive children.
An abandoned paramour tracks her lover down to a distant lighthouse. When she finds her beyond hope, she must find a way to save a child from the malignant spirit of her deceased father and the madness of her mother.
For siblings Brie, Daniel, Crew, and Jess, family has always come first. But when Crew (Daniel DiTomasso) invites his girlfriend Sara (Kate French) into the family, distrust begins to bubble between the siblings. Seeing Sara as a threat, Brie (Fiona Dourif) grows spiteful and increasingly suspicious that she is being replaced. That is, until the night Crew attempts to murder her in their family house. Traumatized, Brie is sent to a mental facility where she is tormented by hallucinations of Crew from the night of the attack. But when the visions begin to bleed into reality, Brie starts to fear that it’s not just her sanity that’s in danger, and she flees the facility. In a frantic attempt to return to her remaining siblings and warn them, Brie begins to uncover a trail of gory, sinister secrets that lead her to believe that she might not know her family as well as she thought.
In his first hourlong comedy special, Brian Gaar tackles everything from the challenges of fatherhood, trying to keep his gamer cred in his 30s, and life in a certain small Texas town. Brian has more than 80,000 followers on Twitter, and celebrity fans include: Patton Oswalt, Will Arnett, Seth Meyers, Jim Gaffigan, Andy Richter, Rob Delaney, Margaret Cho, Minnie Driver, Amy Schumer, Zachary Levi, Billy Eichner, Samantha Bee, Ike Barinholtz, Ryan Phillippe and Juliette Lewis. Former “Saturday Night Live” head writer and current producer/head writer of “Late Night with Seth Meyers” Alex Baze called Brian one of his favorite Twitter joke writers. Likewise, Playboy recently named him one of the funniest people on Twitter. “Jokes I Wrote at Work” was filmed live at the Spider House Ballroom in Austin, Texas.
When out-on-bail mob boss Bellavance discovers that $500,000 of his money is missing, he sends four hardcore hit men to send a “loud and messy” message to the suspected thieves’ families. But when the killers invade the Rutledge home, they’ll meet the household’s emotionally disturbed young son Owen. Owen has a history of violent behavior, knows how to make lethal booby-traps and is about to teach these thugs some deadly lessons in extreme vengeance.
The legendary Tracy Morgan returns to his roots in his new stand-up special, “Tracy Morgan: Bona Fide”. Tracy delivers a hilarious hour that includes everything from growing up in the projects to the time Prince threw him out of his house after a party.
A young television reporter (or “investigative journalist”) is attacked in her home, leading to her boyfriend being murdered. Six months later she returns to work in a smaller town, and stumbles across a house full of ghosts trying to call out to her. What is the secret of this house and how is she connected to it?
The Girls of Kappa Tau Omega are popular, pretty, and love to party! However, the party will soon be dead! There’s an uninvited guest in their new sorority house whose motto is Kappa Kappa Kill! Who will survive this hellacious night of blood, babes, and butchering? Don’t turn your back on the past or it may kill your future.
When a family of four rent a beautiful house for their summer vacation, the price seems too good to be true. Unbeknownst to them, the lascivious owner has set up a series of spy cams throughout the house, documenting their most intimate moments and live streaming them to the dark web.
Two best friends rent a beach house for the weekend only to discover it’s been double booked so they’ll have to share the place… with two beautiful women! To win the affection of these gorgeous gals our wannabe studs must throw the best beach bash ever to win the legendary Horndogs Beach Party. However a nosey neighbor and some selfish dude-bros have sabotage on their minds. Will our heroes win the girls’ hearts? Can this be the greatest beach party ever? What time is the wet t-shirt contest? All will be revealed. Don’t forget the lotion… the sun screen, you perverts.
The father of a deeply troubled household that endured tragedy both from without and within, seeks to reconcile with his youngest daughter by making a journey to both symbolically and culturally lay the family “ghosts” to rest.
Newlywed Elizabeth arrives with her brilliant scientist husband Henry to his magnificent estate, where he wows her with lavish dinners and a dazzling tour of the property. The house staff Claire and Oliver treat her deferentially but she can’t shake the feeling something is off. Henry explains that everything in his world now belongs to her, all is for her to play in — all except for a locked-off room he forbids her from entering…
Along With the Gods: The Last 49 Days follows the journey of 3 Afterlife Guardians and Su-hong as they journey through their 49th trial in order to gain their reincarnations and how the Guardians slowly recover their forgotten memories through Household God in the living world.
The O’Neills lived happily in their house in the Australian countryside. That was until one day fate struck blindly, taking the life of Peter, the father, leaving his grief-stricken wife Dawn alone with their four children. Among them, eight-year-old Simone denies this reality. She is persuaded that her father still lives in the giant fig tree growing near their house and speaks to her through its leaves. But the tree becomes more and more invasive and threatens the house. It must be felled. Of course, Simone won’t allow it.
An ominous dream convinces 77-year-old Dayanand Kumar that his end could be near. He takes the news to his son Rajiv, knowing he wants to breathe his last in the holy city of Varanasi and end the cycle of rebirth, by attaining salvation. Being the dutiful son he is, Rajiv is left with no choice but to drop everything and make the journey with his stubborn father. Daya and Rajiv check into Mukti Bhawan (Hotel Salvation) in Varanasi, a guesthouse devoted to people who want to die there. But as the days go by, Rajiv struggles to juggle his responsibilities back home, while Daya starts to bloom in the hotel. Rajiv gives his father a shot at salvation but as family bonds are tested, he finds himself torn, and not knowing what he must do to keep his life together.
A group of carpet fitters are sent on a job to an old Country house in the middle of nowhere. However they soon discover it’s a trap set up by the savage, cannibalistic family, The Hannings. The carpet fitters are forced to fight for their lives or risk ending up being the evenings dinner. Unfortunately they are not quite your typical heroes!
“If buildings could talk, what would they say about us?” CATHEDRALS OF CULTURE offers six startling responses. This 3D film project about the soul of buildings allows six iconic and very different buildings to speak for themselves, examining human life from the unblinking perspective of a manmade structure. Six acclaimed filmmakers bring their own visual style and artistic approach to the project. Buildings, they show us, are material manifestations of human thought and action: the Berlin Philharmonic, an icon of modernity; the National Library of Russia, a kingdom of thoughts; Halden Prison, the world’s most humane prison; the Salk Institute, an institute for breakthrough science; the Oslo Opera House, a futuristic symbiosis of art and life; and the Centre Pompidou, a modern culture machine. CATHEDRALS OF CULTURE explores how each of these landmarks reflects our culture and guards our collective memory.
“Chile On Hell” was filmed at the Teatro Caupolican in Santiago, Chile on May 10, 2013, and features Anthrax – Joey Belladonna/vocals, Scott Ian/guitar, Charlie Benante/drums, Frank Bello/bass and Jon Donais/lead guitar. The band performed an extended set that featured songs from Anthrax’s entire catalogue – all the fan-favorites including “I Am The Law,” “Indians,” “Madhouse,” “Caught In A Mosh,” “The Devil You Know,” and “I’m Alive.” “Santiago was the perfect place to film the show for this,” said Anthrax’s Charlie Benante. “When we’d played there in the past, we’d finish our set, play our encore and go back to the dressing room. But every time, the fans would continue to scream and cheer and clap. I mean, they went on and on, they wouldn’t stop. One time Scott and I walked out to the side of the stage just to watch what was going on in the audience, it was intense. Why wouldn’t we want to film a DVD in front of an audience like that?
Day breaks on the eighth floor in a suburban neighbourhood of Lisbon and 14-year-old Bruno’s grandfather is still in hospital. Doctors give him only a few days to live. The imminence of death and the void that it will leave force Bruno to become the man of the house, where he lives with his mother Mónica, who is in her 30s, and his three-year-old sister Érica.
Stelios Dimitrakopoulos has 32 hours left before he loses everything. From the jazz bar he painstakingly keeps running for years, to his own family. The Romanian gangster who lent him money, now demands the debt to be paid. The middle-man and former friend, makes Stelios take care of illegal errands. His wife is seriously thinking of abandoning him, and a night club owner, not thinking about the consequences, finally starts to stand up for himself. Christmas is coming, the clock is ticking, and the tree in Stelios’ house must be decorated.
The time: 1814. The place: Edo, now known as Tokyo. A much accomplished artist of his time and now in his mid-fifties, Tetsuzo can boast clients from all over Japan, and tirelessly works in the garbage-loaded chaos of his house-atelier. He spends his days creating astounding pieces of art, from a giant-size Bodhidharma portrayed on a 180 square meter-wide sheet of paper, to a pair of sparrows painted on a tiny rice grain. Third of Tetsuzo’s four daughters and born out of his second marriage, outspoken 23-year-old O-Ei has inherited her father’s talent and stubbornness, and very often she would paint instead of him, though uncredited. Her art is so powerful that sometimes leads to trouble. “We’re father and daughter; with two brushes and four chopsticks, I guess we can always manage, in a way or another.”
The film follows a group of friends and their highs and lows in pursuit of romantic redemption. It takes place over three years and is divided into eight parties : New Year’s Eve, one housewarming, Midsummer, a wedding, a surprise party, a name of celebration, anniversary and birthday parties. The friends are all late thirties or early forties. They fought all with their own idea of what the perfect love really is, and must re-evaluate their perception in the course of history.
