When high-powered sports agent Rob Decker arrives looking for his next major league prospect, he finds more than he bargained for at the Cooke Boys Ranch. As he works to secure Shawn Hart, the top high school baseball prospect in the country, he encounters a cast of characters who value happiness and common sense over dollars and cents.

Alex McPherson (Sweeney) returns to the small town in Pennsylvania where she spent her summers as a girl to record the next episode of her true crime podcast, about the disappearance of a childhood friend 20 years prior. However, after teaming up with the local newspaper editor (Ayres), who reluctantly agrees to help her retrace the girl’s last steps, Alex not only uncovers the shocking truth behind the girl’s disappearance, but also a decades-old murder and its cover-up.

A secluded fast food joint next to an empty parking lot, where it’s good to go, because nobody recognizes you there. On a rainy autumnal day, people show up one after the other – all of them on the verge of a breakdown – or perhaps a breakthrough? The main character, Waitress, sees and absorbs it all. One by one – through their personal drama – the clients push the Waitress towards her own edge.

The series centers on Ryan Atwood, a troubled youth from a broken home who is adopted by the wealthy and philanthropic Sandy and Kirsten Cohen. Ryan and his surrogate brother Seth, a socially awkward yet quick-witted teenager, deal with life as outsiders in the high-class world of Newport Beach. Ryan and Seth spend much time navigating their relationships with girl-next-door Marissa Cooper, Seth’s childhood crush Summer Roberts, and the fast-talking loner Taylor Townsend. Story lines deal with the culture clash between the idealistic Cohen family and the shallow, materialistic, and closed-minded community in which they reside. The series includes elements of postmodernism, and functions as a mixture of melodrama and comedy.

Chuck is an American action-comedy/spy-drama television series created by Josh Schwartz and Chris Fedak. The series is about an “average computer-whiz-next-door” named Chuck, played by Zachary Levi, who receives an encoded e-mail from an old college friend now working for the Central Intelligence Agency; the message embeds the only remaining copy of a software program containing the United States’ greatest spy secrets into Chuck’s brain.

Michael Chapman was once a child TV star. But when he grew up, he couldn’t get work. So he and his brother, Ed start their own talent agency that specializes in child acts. They can’t seem to find the next big thing and they have to deal with another agency who’s not above bribery to get the kids to sign with them. One day Michael meets a girl named Angie and she’s a real spitfire. Michael thinks she could be what they are looking for. Problem is that she has a big chip on her shoulder.

The year is 1675. England is threatened by religious and political rivalries. King Charles II’s Catholic brother, James, is next in line for the throne, but many Protestants put their faith in Charles’ illegitimate son, The Duke of Monmouth. On the king’s death, conflict is inevitable… Over seven days journey from London, Exmoor is a primitive and lawless area. Here, farmer Jack Ridd lives with his wife Sarah, son John, and two daughters. The only shadow over their simple life is cast by the notorious outlaw family the Doones. The aristocratic Doones were banished from their ancestral lands and now live through looting, theft, and murder. Their brutality is legendary…

Deceived by the scruffy ginger counselor who’s the only boy near her emotional age at Emily Dickinson Writing Camp, Marion ditches lunch duty and jumps the next bus out of town. Alone and friendless, she holes up in a nowhere motel, ignoring the nagging calls from her sister and indulging in utter anonymity. There Marion meets Norman, and each is haunted by the feeling that they’ve met the other before. Like a garage band covering a string quartet, freshman director Jesse Robinson rebuilds Psycho from a looser, warmer material. Young and Innocent throws a haze across Hitchcock’s spartan menace, replacing autumnal chill with summer swelter, and adult frailty with the languageless longings of adolescence.